Perchuk Andrew (168 results)

Condition: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Condition: Good. Good condition ex-library book with usual library markings and stickers.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.

Hardcover. Condition: New. Dust Jacket Condition: New. 1. This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s--the first in-depth scholarly survey of the region's art--demonstrates the major role Southern California artists played in the twentieth century's most influential art movements. Grounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America. .

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Crisp, unread, unmarked copy. Small dent to bottom of rear board. Dust jacket in a mylar cover.

Condition: Very Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.

Paperback. Condition: Very Good. 1st. 20 pages, illustrations; 29 x 12 cm. Exhibition held November 7 to December 12, 1992. Firm binding, clean text. Previous owner's blind stamp, otherwise unmarked. *** Exhibition of works by Elizabeth Berdann, and twelve others. LGBTQ+ content. Size: 8vo.

Hardcover without dustjacket as issued , 330 pages, very good condition, light scratches and edgewear to covers; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 160 pages; very good condition; light rubbing to dj and small tear to d at top of spine; pages wavy at right edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardcover. Condition: Fine. 1st. Pictorial boards, xxi, 330 pages, illustrations (some colour); 30 cm. Published on the occasion of Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty with arts institutions across Southern California, and accompanies the Getty Research Institute's exhibition held at the J. Paul Getty Museum, Los Angeles, from 1 October 2011 through 5 February 2012 and at the Martin-Gropius-Bau, Berlin, from 15 March through 10 June 2012. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements." - Publisher. *** CONTENTS: Introduction: shifting the standard: reappraising art in Los Angeles, by Rebecca Peabody et al.; 1. Floating structures: building the modern in postwar Los Angeles, by Andrew Perchuk and Catherine Taft; Case study houses, by Lyra Kilston; The Morder Institute of Art, by Catherine Taft; Collaborative couples, by Catherine Taft; The Post-Surrealists, by Catherine Taft; Zen in the studio, by Catherine Taft; The Anti-Square Merry-Go-round Show; action and politics in Los Angeles, by Serge Guilbaut; 2. Papa's got a brand new bag: crafting an art scene, by Lucy Bradnock and Rani Singh; In the shadow of the spotlight, by Rani Singh; Name games, by Lucy Bradnock; Tap City Circus, by Nancy Perloff; Brittin by Baza, by Ken D. Allen; Instant theatre, by Lucy Bradnock; Clickin' with Clax, by Rani Singh; Roxy's, by Alex Potts; 3. For people who know the difference: defining the pop art sixties, by Ken D. Allan, Lucy Bradnock, and Lisa Turvey; Tooth, by Annette Leddy; Duchamp in Pasadena, by Ken D. Allan; Gemini G.E.L., by Lucy Bradnock; The Artists' Protest Committee, by Ken D. Allan; The Golden State Mutual Art Collection, by Lucy Bradnock; Riko Mizuno, by John Tain; "Los Angeles Meant boys": David Hockney, Bob Mizer, and the lure of physique photography, by Richard Meyer; 4. Duration piece: rethinking sculpture in Los Angeles, by Donna Conwell and Glenn Phillips; Jack Brogan: fabricator, by Margaret Honda; Protesting art and technology, by Donna Conwell; First National Symposium on Habitability, by Donna Conwell; Process painting, by Glenn Phillips; L.A. air, by Donna Conwell; Postmodernism between art and film: Jack Goldstein's Portrait of Pere Tanguy, by Michael Lobel; 5. Here, here or there: on the whereabouts of art in the seventies, by Jane McFadden; Performing among us: ritual and witness, by Irene Tsatsos; Hermann Nitsch visits Los Angeles, by Jane McFadden; The Estrada Courts murals, by Dianna Marisol Santillano; Video at the Long Beach Museum of Art, by Catherine Taft; Close radio, by Jane McFadden; Making the scene: fashioning an artistic identity. Size: 4to. Collectible.

Hardcover without dustjacket as issued, 144 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

, Perchuk, Andrew, ed. The masculine masquerade. Masculinity and representation. Cambridge: MIT List Visual Arts Center, MIT Press, 1995, 159pp., very good dust-jacket, small tear, very good tall black cloth. Edited by Andrew Perchuk and Helaine Posner. 9780262161541 ISBN 0262161540.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Catalog to an exhibition held at MIT List Visual Arts Center, 1995. Hardcover in dust jacket. 157 pages, illustrated. Jacket lightly rubbed. Otherwise Fine.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: good.

Hard cover. Condition: Good. No jacket. Corners lightly bumped, some rubbing on covers. Clean and crisp inside.

Hardcover. Condition: Used - Like New. Very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.

paperback. Condition: Very Good. Modest shelfwear to cover, clean pages and sound binding.

Condition: New. Brand New.

Hardcover. Silver boards, 330 pp., BW & color illus. Issued in conjunction with several 2011-2012 exhibitions of this California art. With essays by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, Rani Singh, Catherine Taft, Lucy Bradnock. Ken D. Allan, Lisa Turvey, Donna Conwell, and Jane McFadden. Includes many examples of artwork. "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements."--Page 4 of cover. Contents as follows: Introduction : shifting the standard : reappraising art in Los Angeles / Rebecca Peabody et al. -- 1. Floating structures : building the modern in postwar Los Angeles / Andrew Perchuk and Catherine Taft -- Case study houses / Lyra Kilston -- The Morder Institute of Art / Catherine Taft -- Collaborative couples / Catherine Taft -- The Post-Surrealists / Catherine Taft -- Zen in the studio / Catherine Taft -- The Anti-Square Merry-Go-round Show ; action and politics in Los Angeles / Serge Guilbaut -- 2. Papa's got a brand new bag : crafting an art scene / Lucy Bradnock and Rani Singh -- In the shadow of the spotlight / Rani Singh -- Name games / Lucy Bradnock -- Tap City Circus / Nancy Perloff -- Brittin by Baza / Ken D. Allen -- Instant theatre / Lucy Bradnock -- Clickin' with Clax / Rani Singh -- Roxy's / Alex Potts -- 3. For people who know the difference : defining the pop art sixties / Ken D. Allan, Lucy Bradnock, and Lisa Turvey -- Tooth / Annette Leddy -- Duchamp in Pasadena / Ken D. Allan -- Gemini G.E.L. / Lucy Bradnock -- The Artists' Protest Committee / Ken D. Allan -- The Golden State Mutual Art Collection / Lucy Bradnock -- Riko Mizuno / John Tain -- "Los Angeles Meant boys" : David Hockney, Bob Mizer, and the lure of physique photography / Richard Meyer -- 4. Duration piece : rethinking sculpture in Los Angeles / Donna Conwell and Glenn Phillips -- Jack Brogan : fabricator / Margaret Honda -- Protesting art and technology / Donna Conwell -- First National Symposium on Habitability / Donna Conwell -- Process painting / Glenn Phillips -- L.A. air / Donna Conwell -- Postmodernism between art and film : Jack Goldstein's Portrait of Père Tanguy / Michael Lobel -- 5. Here, here or there: on the whereabouts of art in the seventies / Jane McFadden -- Performing among us : ritual and witness / Irene Tsatsos -- Hermann Nitsch visits Los Angeles / Jane McFadden -- The Estrada Courts murals / Dianna Marisol Santillano -- Video at the Long Beach Museum of Art / Catherine Taft -- Close radio / Jane McFadden -- Making the scene : fashioning an artistic identity. VG (Few marks from previous gallery owner.).