Perdou Subligny (49 results)

Condition: New.

Paperback or Softback. Condition: New. Lettre � MM. Les Auteurs Du Journal Des Savans, 3 Mars 1768. Book.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Condition: New.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: Neuf.

Paperback. Condition: New. Print on Demand. This book tells the tale of a group of young people and their romantic adventures during the luxurious era of pre-revolutionary French high society. The author places readers into intimate gatherings with characters such as Riberville, the amorous Marquis; Montal, the gallant Chevalier; and Clelie, the beautiful Mademoiselle. It explores their complex interactions, amorous pursuits, duels of honor, and the social expectations of the time period while diving into themes of love, class, and human nature. The author's insightful observations and vivid descriptions transport readers into this bygone era, offering a captivating glimpse into the passions, desires, and social complexities that shaped the lives of the French aristocracy. Through its exploration of the human condition, this book presents timeless insights into the nature of love, societal constraints, and the universal search for connection. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

souple. Condition: Bon. Un des 500 exemplaires sur papier vergé, 2 vol. fort in-8 br., Damascène Morgand et Charles Fatout, 1881, XLIV-1166 ; XLII-1307 pp. Superbe exemplaire en parfait état. Langue: Français.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New.

Gebunden. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Sonstiges. Condition: Neu. Neuware.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 330 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture rigide. Chez Claude Barbin | à Paris 1667 | 8.50 x 14.50 cm | relié | Edition originale. Peu courant. Reliure en plein veau granité d'époque. Dos à nerfs orné. Manque le dernier caisson et la coiffe de tête (arrachée). Coins émoussés. Suite de poésies adressées au dauphin, découpées chronologiquement en 29 semaines, du 3 juin 1666 au 17 décembre. Ces poésies établissent une histoire contemporaine de la France et de l'Europe, mais aussi de la cour et de la royauté. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Scarce. Contemporary full speckled calf binding. Decorated spine with raised bands. Lacking the last compartment and headcap (torn away). Corners bumped. Series of poems addressed to the dauphin, arranged chronologically over 29 weeks, from June 3, 1666 to December 17. These poems establish a contemporary history of France and Europe, but also of the court and royalty. * (16) 506pp. (3).

Couverture rigide. Chez Pierre Witte | à Paris 1712 | 8.50 x 15 cm | relié | Nouvelle édition et première parisienne après deux éditions hollandaises dont l'originale en 1670. Un frontispice et 5 figures très jolies et non signées. Page de titre en rouge et noir. Reliure en plein veau glacé brun moucheté d'époque. Dos à nerf orné. Pièce de titre en maroquin beige. Coiffe de tête flottante. Mors inférieur en partie fendu et ouvert. Manque au mors supérieur en queue. Roman sentimental qui se déroule à Vaux-le-Vicomte et dont l'intrigue est pour le moins assez extraordinaire. Le marquis de Ribeville tombe amoureux d'une jeune fille mélancolique et silencieuse. Il la sauve d'un certain péril. Celle-ci raconte son histoire en se prenant pour Clélie, l'héroïne du roman éponyme de Scudery. Elle serait donc la fille de Clélius, en retraite à Carthage pour éviter la vengeance du dernier des Tarquins. Le nom que l'on donnait alors à ce genre de malade était celui de visionnaire. Le roman contient de multiples histoires amoureuses secondaires épousant en cela les préoccupations des courtisans résidant à Vaux et Fontainebleau. | [ENGLISH DESCRIPTION FOLLOWS] New edition and first Parisian after two Dutch editions, the original being from 1670. One frontispiece and 5 very fine unsigned figures. Title page in red and black. Contemporary brown speckled glazed full calf binding. Decorated spine with raised bands. Beige morocco title label. Loose headcap. Lower joint partially split and open. Lack to upper joint at tail. Sentimental novel set at Vaux-le-Vicomte whose plot is quite extraordinary to say the least. The Marquis de Ribeville falls in love with a melancholic and silent young girl. He saves her from a certain peril. She tells her story believing herself to be Clélie, the heroine of Scudery's eponymous novel. She would therefore be the daughter of Clélius, in retreat in Carthage to avoid the vengeance of the last of the Tarquins. The name then given to this type of patient was that of visionary. The novel contains multiple secondary love stories, thus embracing the preoccupations of the courtiers residing at Vaux and Fontainebleau. * (2) 318pp. (2).

Couverture rigide. Chez Pierre Witte | à Paris 1712 | 8 x 14.60 cm | relié | Nouvelle édition, rare, illustrée de cinq figures de Romain de Hoogue, non signées. Ces illustrations sont différentes de l'édition de Etienne Rogier en 1710. Le roman fut attribué par erreur à Robert Challe par Barbier. La première édition, dont on ne connaît aucun exemplaire, aurait été imprimée en 1670. Une figure est manquante à la page 261. Reliure en plein maroquin rouge ca 1860 signée Hardy-Mennil sur le contreplat. Dos à nerfs orné. Titre et date dorés. Triple filet dd'encadrement sur les plats. Riche frise intérieure. Tranches dorées. Très bel exemplaire, parfaitement établi. Roman sentimental qui se déroule à Vaux-le-Vicomte et dont l'intrigue est pour le moins assez extraordinaire. Le marquis de Ribeville tombe amoureux d'une jeune fille mélancolique et silencieuse. Il la sauve d'un certain péril. Celle-ci raconte son histoire en se prenant pour Clélie, l'héroïne du roman éponyme de Scudery. Elle serait donc la fille de Clélius, en retraite à Carthage pour éviter la vengeance du dernier des Tarquins. Le nom que l'on donnait alors à ce genre de malade était celui de visionnaire. Le roman contient de multiples histoires amoureuses secondaires épousant en cela les préoccupations des courtisans résidant à Vaux et Fontainebleau. Subligny suit ainsi curieusement le fil directeur de Don Quichotte, mais au féminin et à la française, une héroïne, par excès de lecture des romans précieux de Scudéry, incarne elle-même dans la réalité du XVIIe un personnage littéraire de l'Antiquité. C'est donc ici une antithèse du roman galant et précieux idéalisé que donne Subligny, le choix de placer ses personnages dans la réalité contemporaine est déjà une forte critique de la littérature romanesque de l'époque. | [ENGLISH DESCRIPTION FOLLOWS] New edition, rare, illustrated with five figures by Romain de Hoogue, unsigned. These illustrations differ from the Etienne Rogier 1710 edition. The novel was erroneously attributed to Robert Challe by Barbier. The first edition, of which no copy is known, would have been printed in 1670. One figure is missing at page 261. Full red morocco binding ca 1860 signed Hardy-Mennil on the pastedown. Spine with raised bands decorated. Gilt title and date. Triple fillet frame on boards. Rich inner fillet border. Gilt edges. Very handsome copy, perfectly executed. Sentimental novel set at Vaux-le-Vicomte with a most extraordinary plot. The Marquis de Ribeville falls in love with a melancholy and silent young woman. He saves her from certain peril. She tells her story believing herself to be Clélie, the heroine of Scudery's eponymous novel. She would thus be the daughter of Clélius, in retreat in Carthage to avoid the vengeance of the last of the Tarquins. The name given then to this type of patient was visionary. The novel contains multiple secondary love stories thus embracing the preoccupations of courtiers residing at Vaux and Fontainebleau. Subligny thus curiously follows the guiding thread of Don Quixote, but in feminine and French form, a heroine who, through excessive reading of Scudéry's precious novels, herself embodies in 17th-century reality a literary character from Antiquity. This is therefore an antithesis of the idealized gallant and precious novel that Subligny provides, the choice to place his characters in contemporary reality is already a strong critique of the novelistic literature of the era. *.

2 vols. 25,5x17 cm. I: XLIV-1166 pp. II: XLII-1310 pp. Paginación a doble columna. Pliegos sin cortar. Encuadernado en holandesa media piel y puntas con tejuelos y hierros dorados en el lomo, algo rozada. Interior buen estado. Edición limitada y numerada de 500 ejemplares sobre papel de hilo (núm. 130).