Peter Bladen (17 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Good to Very good. 1st Edition. Sponsored by the Commonwealth Literary fund. Book excellent. Slight abrasions edge of jacket.

Hardcover. Condition: Very Good. 1st Edition. First edition Book condition: very good; dust jacket condition: very good; Poetry Poems.

First Edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 77 pages ; (8ş). Subjects: English poetry 20th century. Genre: Poetry. Language: English. 3 Kg.

First Edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 77 pages ; (8ş). Subjects: English poetry 20th century. Genre: Poetry. Language: English. 1 Kg.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. SIGNED LIMITED NUMBERED EDITION. Signed by author Peter Bladen in blue ink & numbered 205 (of 250 copies), as called for. Collection of poems by Peter Bladen. With tipped-in colour frontispiece Intarsia by Alan Osterstock. Printed in Australia. Bound in original maroon buckram with bright gilt lettering to front board & spine, in publisher's unclipped pictorial dustjacket. Slight shelfwear to dustjacket, otherwise a very nice clean tight solid hardcover copy. The dustjacket is now protected in a removable clear mylar cover. 84pp. Uncommon title, scarce signed copy. SB-17. Signed by Author(s).

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

Hardback. Condition: Very Good. Limited Edition. Octavo Size. Very Good condition. No dustjacket as issued. Navy blue cloth with gilt title to face. Limited edition of 220 numbered & signed copies - this is copy No 91. Signed by author. 67 pages.

Hardback. Condition: Very Good. Limited Edition. Octavo Size. Very Good condition. Navy blue buckram with gilt title to face. Printed on goatskin parchment. Limited edition of 220 numbered & signed copies - this is copy No 172. Signed by author. Spine a little age-toned. Illustrated with black & white plates. Robust, professional packaging and tracking provided for all parcels. 67 pages. Poems celebrating the city of Adelaide by Australian poet and journalist.

8vo, 67pp. A very good hardback copy. Limited edition. #194 of 220 copies. Signed by Bladen.

8vo, 64pp. A very good hardback copy in like good dust jacket with surface damage. Signed and dated by Bladen. Newspaper cutout taped in front with some offsetting. . Includes typed and signed poem, First Impressions, by Bladen.

Sydney: Edwards & Shaw 1962. 8vo. Or.cl.d.w. 64pp. Previous owner's signature on front fly-leaf.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 84 pp. small tears to edges of dust jacket. Limited edition #133 of 250 copies. Signed by author on last page 0.0. Signed by Author(s).

A poem for several voices. Pp. 80(last colophon, blank); cream papered boards, edges a trifle discoloured; dust wrapper, lightly soiled and browned; free endpapers offset; Meanjin Press, Melbourne, 1953. Edition limited to 500 copies. *Signed by the author on upper pastedown. Signed.

[2] pp.; 11 x 21 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with meeting the artists held at Project Studio One / P.S. 1 on November 25, 1979. Good. Mailed copy mailing marks on recto and verso, otherwise Very Good.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

[3] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held September 28 - October 22, 1960. Artists include Ronald Alley, Stephen Antonakos, Ronald Bladen, Lee Bontecou, George Brecht, Alberto Burri, John Chamberlain, David Chapin, Chryssa, Bruce Conner, Joseph Cornell, Roy De Forest, Andre de Dienes, Sari Dienes, Jim Dine, Enrico Donati, Rosalyn Drexler, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, Charles Ginnever, Mathias Goeritz, Robert Indiana, Jasper Johns, Allan Kaprow, Yves Klein, Irving Kriesberg, Anthony Magar, Robert Mallary, Louise Nevelson, Claes Oldenburg, Alfonso Ossorio, Lil Picard, Leo Rabkin, Robert Rauschenberg, George Rickey, Lucas Samaras, Salvatore Scarpitta, Jesus Rafael Soto, Richard Stankiewicz, Takis Vassilakis, Jean Tinguely, Stan Vanderbeek, Robert Watts, Robert Whitman, Wilfrid Zogbaum, and Berke, Bermudez, Bouras, Deschais, Doyle, Giles, Goodyear, Harris, Hendricks, Higgins, Kemeny, Kimball, Langlais, Latham, Levinson, Little, Long, Michaels, Millares, Terry, Wilson. Includes prices for works offered. Good. Folded in four with an additional vertical crease. Wear along fold lines and yellowing of pages. 8 mm. tear to top edge of first and second pages with chipping to third page. Fingerprint and ink smudging soiling to first page and bumping to top left corner with edgewear. Contents clean and unmarked.

[28] pp.; 27.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. Artists included Anthea Alley, Stephen Antonakos, Hans Arp, Hubert Berke, Jose Bermudez, Ronald Bladen, Lee Bontecou, Harry Bouras, George Brecht, Alberto Burri, Alexander Calder, John Chamberlain, David Chapin, Chryssa, Christo Coetzee, Bruce Conner, Joseph Cornell, Roy De Forest, Sari Dienes, James Dine, Enrico Donati, Tom Doyle, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, William Giles, Charles Ginnever, Mathias Goeritz, Red Grooms, Grover Hendricks, Edward Higgins, Robert Indiana, Paul Jenkins, Jasper Johns, Zoltan Kemeny, Yffe Kimball, Yves Klein, Irving Kriesberg, Bernard Langlais, John Latham, John Little, Hubert Long, Anthony Magar, Robert Mallary, Glen Michaels, Manolo Millares, Renee Miller, Henry Moore, Louise Nevelson, Claes Oldenburg, George Ortman, Alfonso Ossorio, Lil Picard, Arnaldo Pomodoro, Leo Rabkin, Robert Rauschenberg, Irwin Rubin, Salvatore Scarpitta, Kurt Schwitters, Richard Stankiewicz, Takis, Antonio Tapies, Alice Terry, Sofu Teshigahara, Stanley Vanderbeek, Robert Whitman, May Wilson and Wilfred Zogbaum. Includes eight installation images by Rudolph Burckhardt and checklist of the exhibition with prices listed. Very Good. Light rubbing of covers and edges with 7.1 cm. of yellowing to recto. Contents are clean and unmarked.