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Published by Oxford University Press, Incorporated, 1993
ISBN 10: 0192831046ISBN 13: 9780192831040
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Also find Softcover First Edition
Published by Oxford University Press,, 1993
Seller: Antiquariat Floeder, Schlechtsart, Germany
Illustrierter Original-Karton, Condition: Gestempelt. GUTES EXEMPLAR. [BHN-H-4] 428 Seiten, 8°.
Published by New York: The Poetry Project, 1967
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Fine. 1st edition. Near Fine. Tall 8vo, 36pp, stapled wrappers. Excellent, scarce early issue of this seminal little magazine. Unmarked copy, light toning/wear to wrappers. Not Signed.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.
Published by Berlin, Maison D'Edition de la Societe pour la Popularisation de L'Art Classique, 1925, 1925
In 4°, piena tela edit. blu, tit. e decori oro impressi al piatto e dorso, pp. X. Seguono 120 tavv. color seppia. Prima edizione francese che contiene 120 fotografie di nudi femminili. Dorso leggermente allentato con segni d'uso abrasioni e uno strappo di circa 2 cm. a metà del dorso. Raro.
Published by Berlin, 1925
Seller: Antiquariat C. Hoffmeister, Wolfenbüttel, Germany
4to. X S., 1 Bl., 120 Tafeln in Kupfertiefdruck. Blaue Olwd. mit vergold. Deckel- u. Rückentitel, berieben, nahezu tadellos. 0,800 gr.
Published by Chapman & Hall, London, UK., 1926
Seller: More On Books, East Sussex, United Kingdom
Book
Hardcover. Condition: Good. No Jacket. First Edition, First Impression of the first English language edition (published in London) of Nature And Culture - Woman, a rare book of selected black & white photographs illustrating and celebrating the naked female form. The photographs chosen are of women of a great many different nationalities. Unfortunately the original dustwrapper is missing. The binding shows rubbing and wear at the upper & lower edges at the fore-edge corners and at the head & foot of the spine. The blue and gold binding is darkened at the spine and also has a 5mm split to the upper edge where the spine joins the front board. The books interior is actually in Near Fine condition with all 120 plates present, clean and undamaged. Images emailed on request.
Published by Buchverlag der Gesellschaft zur Verbreitung klassischer Kunst, 1925
Seller: Antiquariat-Plate, Rosendahl, NRW, Germany
Book First Edition
Erste Auflage. 120 Seiten. Mit 120 getönten Lichtdrucktafeln. Enthält 120 Aktaufnahmen von Frauen aus aller Welt, meist aber aus Europa. Unter den Fotografen: E. O. Hoppé, Hermann Schieberth, Karl Schenker, Franz Granier, Frieda und Dora Horowitz, Nini und Carry Heß u. a. Sprache: Deutsch Gewicht in Gramm: 1600 Originalhalblederband mit Rücken- und Deckelvergoldung. Sehr schönes, wohlerhaltenes Exemplar.
Published by CHAPMAN & HALL., LONDON, 1927
Seller: Highstreet Books ABA ILAB, Honiton, United Kingdom
Book
Hardcover. Condition: Very Good. 120 Sepia, full page pictures, of females of various nationalities.Intoduction by Dr Peter Landow. 4to Pp, x, [1], 120 leaves.Original Blue cloth with gilt decoration to spine and front cover. Some slight shelf wear, ( very slight). Light spotting to front and rear endpapers whilst the rest of this book very good.
Published by Chapman and Hall, London, 1926
Seller: Archives Fine Books (ANZAAB, ILAB), Brisbane, QLD, Australia
First Edition
Cloth. Condition: Very good. Dust Jacket Condition: very good. First English Language Edition. Hardcover : pp. x (1, blank), 120 plates as called for : Blue cloth boards with gilt blocked border and title : top edge dye (yellow) : textured dustwrapper : small square bookseller sticker on front of jacket under the word "Woman" and again on the foot of the front pastedown near the gutter : in blue custom made clamshell box. The dust wrapper is lightly scuffed and soiled and with a 3cm vertical tear at the head of the spine : Boards and top edge dye a trifle faded. First printed in Germany in 1925 this collection of sepia tone photographs features women from around the world. More than twenty six nationalities are represented along with a few "mixed race" examples. Two Australian examples: plate 21 attributed to E. O. Hoppé, London plate 119 attributed to Kerry of Sydney and lent by the Vienna Ethnographis Museum.
Published by Berlin Buchverlag, der Gesellschaft zur verbeitung klassicher Kunst, 1925
Seller: La Chambre Noire, Lausanne, VD, Switzerland
Book First Edition
Couverture rigide. Condition: Très bon. Edition originale. Pleine toile bleue décorée or sur le premier plat et au dos, 310 x 237 mm. X, 120, (4) pages, préface, table et 120 planches de photographies reproduites en héliogravure sépia de nus féminins par divers photographes : Frantisek Drtikol, Jozsef Pésci, E. O. Hoppé, Germaine Krull, Wilhelm Von Gloeden, Lehnert & Landrock, etc. Ref: Bertolotti, Livres de Nus page 56. Très bel exemplaire.
Published by Chapman & Hall Ltd., 1926
Seller: AboveParBooks, Jersey City, NJ, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Some toning to pages, and foxing to first completely blank page and inside cover, but overall exceptional condition with original slipcase and dust cover. Cannot imagine a nicer copy of this title in existence. Please check pictures.