Philips Dennis (13 results)

Hardcover. Condition: New. like new. book appears unused.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. 0. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Condition: Good.

Condition: Fine. Signed.

Encuadernación de tapa dura. Condition: Bien. Dust Jacket Condition: Bien. Traducción de Yago Moreno y José Hamad. Pearson Educación, M.

Encuadernación de tapa blanda. Condition: Bueno. 2ª Edición. Bueno/ Good.

47 pp.; 42 x 29 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 9, 1974, Special Prisoners Issue of Screw edited by Al Goldstein. Contents include: "Screw You," by Al Goldstein; "Sex in the Slammer," by Nick Dispoldo; "Penned-up Passions," by Dennis Philips; "Corresponding with Convicts," by the editors; "Sex Scene," by Larry Wichman; "Smut from the Past," by J.J. Kane; "Shit List," by Al Goldstein; "Diary of a Dirty Broad," by Honeysuckle Divine; "Funds for Felons;" "My Scene," by Burton N. Pugach; "Fuckbooks," by Michael Perkins; "Dirty Diversions," by Al Goldstein; "Naked City," by Rocco Bonelli and "Mail Order Madness," by John Milton. "Sex Scene" includes "Avant-Gore" account of Vito Acconci performance with photographs. Cover art by Marty Norman. Good. Sunning throughout and light foxing of covers. Staining to lower 10 cm. of recto and pages 36-47. Tear and bumping to left edge of recto measures 7 cm. Bumping of bottom center edge of verso and top left corner. Tear and bumping to bottom edge of pages 23-26 measures 6 cm. Tears to lower right of page 23 measures 5 mm and 1 cm. Creased lower right corner of page 23. Tears to bottom edge of page 25 measure 5 mm. and 9 mm. Otherwise clean and unmarked.…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.…

slim 4to. quarter goatskin over decorative english reflective paper. (36) pages. First edition of 75 numbered and signed copies by the poet and the photographer. This set of splendidly rich poems records the minutiae of the moment, moving from micro to macro throughout. The poems are both the residue of privacy and an accounting of terrain, the poets territory; a collision of megalopolis, mountain, and desert meeting in fire. Twenty-three photographs taken by Carolee Campbell inhabit the book. They do not illustrate as much as act as an ambient penumbra. The images were found in the glancing light shining off the edge of the poetry. The type is hand set Van Dijck with Felix Titling for the display. It is printed letterpress on dampened Barcham Green paper, handmade in 1986 at the Hayle Mill (now closed) in Maidstone, Kent in England. Two watermarks can be seen throughout, one of which includes the date. The text was printed on a Vandercook Universal I flatbed proof press. The photographs were printed digitally by Karen Skove Chu using UltraChrome K3 inks. They are printed on Japanese Asuka washi, then cut, and tipped in by hand. The boards are quarter leather using a forest green French goatskin and a decorative black English paper that glows with the luminescence of a ravens wing. The text is sewn into an inner cover of pure Belgian flax, handmade at Cave Paper in Minneapolis, Minnesota. Each of the one-of-a-kind sheets reflects the subtle interplay of browns, blues and blacks as the sheet is dyed multiple times, making each inner cover unique. The design, presswork, binding, and photography are by Carolee Campbell at Ninja Press with the assistance of Farida Sunada in the bindery. quarter goatskin over decorative english reflective paper. Ninja Press (illustrator).…