Philips Sandra (30 results)

Paperback. Condition: Good. No Jacket. Live Right (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Live Right (illustrator).

Paperback or Softback. Condition: New. Live Right (illustrator). Heart Surgery Game Plan. Book.

Condition: As New. Live Right (illustrator). Unread book in perfect condition.

First Edition. Hardcover, (pictorial cloth), Oblong 4to. 175pp. Tight. No names or other markings. Illustrated throughout in Black & White and in Full-color from the Exhibition. Nice d/j with tiny edgetear toe of spine panal, else Fine in Near Fine D/j.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. "This is the first major publication and exhibition devoted to a comparative view of the work of Georgia O'Keeffe and Ansel Adams." who became friends in Taos. The exhibition was organized y the Georgia O'Keeffe Museum in Santa Fe. Contains essays and beautiful illustrations by both artists. Contains an index, source notes, chronologies, and a bibliography in the rear. This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket has a few light scratches to the rear panel, else it is in similarly nice condition with no chips, tears, or markings.; B&W & Color Photographs & Illustrations; 4to 11" - 13" tall; 176 pages.

Paperback. Condition: Brand New. Live Right (illustrator). 1st edition. 144 pages. 7.90x5.20x0.60 inches. In Stock.

Hardcover/Hardback. Condition: Very Good. Dust Jacket Condition: Fine. First edition. Book condition: Very Good (Light toning to page edges, top corner of cover lightly bumped (3 mm). Else fine.) Binding: Hardcover without dustjacket (as issued) Language: English Edition: First edition Publishing place: San Francisco Publishing Year: 1997 Description: Unforgettable catalogue of the power of the law and the lens. 120 duotone and full-color illustrations. 2000.000000.

Condition: New. Live Right (illustrator).

Condition: As New. Live Right (illustrator). Unread book in perfect condition.

Hardcover. Condition: Very Good. No Jacket. Photo illustrated pressed hardboard covers, lightly bumped on edges. One faint fingerprint two inches in from the leading edge of front cover. Interior tight and unmarked. Text printed on matte paper, the well saturated images are printed on semi-gloss paper Published on occasion of the exhibition Rineke Dijkstra: A Retrospective, San Francisco, and New York, 2012.

Condition: Nuevo. Phillips, Coles (illustrator). Si yo fuera un hombre editado por Uve books.

Condition: New. Live Right (illustrator). KlappentextA renowned heart surgeon and coach in heart disease uses a fun football metaphor to make the reader understand heart disease. Taking the reader from the diagnosis kickoff to the recovery touchdown, the resource is a personal.

29x23. 144 pags. Muy ilustrado, fotos blanco y negro. Cartoné ed. con foto en sobrecubierta.

Cartoné (tapa dura cartón). Condition: New. Dust Jacket Condition: Nuevo. 01. Catálogo de la exposición que se celebrará en la Sala Fundación Mapfre Casa Garriga i Nogués, del 5 de junio al 8 de septiembre de 2019; y en Madrid, en 2020Learoyd es uno de los fotógrafos contemporáneos más reconocidos en la actualidad y esta retrospectiva supone un recorrido por su producción de más de una década. La obra de Richard Learoyd hunde sus raíces en el pasado, en el origen de la fotografía, pues obtiene sus imágenes mediante una cámara oscura construida por él mismo en la que normalmente no usa negativo. Sus retratos, al estar hechos con este proceso, dan lugar a una fotografía de tamaño natural. Esto impone la presencia directa del retratado y nos permite aproximarnos a él con una cercanía inusual. La exposición producida por Fundación MAPFRE contará con 52 obras provenientes de importantes colecciones públicas y privadas, además del propio estudio del fotógrafo. En la muestra también se incluye alguna obra realizada en España. LIBRO.

Condition: Nuevo. COLECCIÓN: CATALOGO DE EXPOSICION CATALOGO DE EXPOSICION - FOTOGRAFOS.

Carton?. Condition: Nuevo. Learoyd es uno de los fotógrafos contemporáneos más reconocidos en la actualidad y esta retrospectiva supone un recorrido por su producción de más de una década. La obra de Richard Learoyd hunde sus raíces en el pasado, en el origen de la fotografía, pues obtiene sus imágenes mediante una cámara oscura construida por él mismo en la que normalmente no usa negativo. Sus retratos, al estar hechos con este proceso, dan lugar a una fotografía de tamaño natural. Esto impone la presencia directa del retratado y nos permite aproximarnos a él con una cercanía inusual. La exposición producida por Fundación MAPFRE contará con 52 obras provenientes de importantes colecciones públicas y privadas, además del propio estudio del fotógrafo. En la muestra también se incluye alguna obra realizada en España.

Carton?. Condition: Nuevo. Learoyd es uno de los fotógrafos contemporáneos más reconocidos en la actualidad y esta retrospectiva supone un recorrido por su producción de más de una década. La obra de Richard Learoyd hunde sus raíces en el pasado, en el origen de la fotografía, pues obtiene sus imágenes mediante una cámara oscura construida por él mismo en la que normalmente no usa negativo. Sus retratos, al estar hechos con este proceso, dan lugar a una fotografía de tamaño natural. Esto impone la presencia directa del retratado y nos permite aproximarnos a él con una cercanía inusual. La exposición producida por Fundación MAPFRE contará con 52 obras provenientes de importantes colecciones públicas y privadas, además del propio estudio del fotógrafo. En la muestra también se incluye alguna obra realizada en España.

Tapa blanda. Condition: Nuevo.

Condition: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Taschenbuch. Condition: Neu. Live Right (illustrator). Neuware - A renowned heart surgeon and 'coach' in heart disease uses a fun football metaphor to make the reader understand heart disease. Taking the reader from the diagnosis kickoff to the recovery touchdown, the resource is a personal strategy for success in heart disease treatment.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: New.

Condition: Neuf.

Hardcover. Condition: New. Dust Jacket Condition: New. 3rd Edition. 2003/2017. Third edition (D.A.P. reissue). Originally published in 1977 by Clatworthy Colorvues, Greenbrae, California. Hardcover. Blue cloth-like covered boards, with title stamped in gilt on front cover and spine, with dust jacket. Photographs from various private and public collections edited by Mike Mandel and Larry Sultan. Includes a list of government agencies, educational institutions and corporations that permitted access to their files. Essay by Sandra S. Philips. Afterword by Robert F. Forth. 92 pp., with 61 duotone plates, 18 black-and-white reproductions printed on a 2-page spread entitled 'Outtakes from Evidence, 1977-2003,' and 7 additional black-and-white reference illustrations. 9-1/4 x 10 inches. This edition went out of print shortly after release. New in publisher's shrink-wrap. Before 1977, artists using photography usually made 'fine art photographs.' Museums and galleries, curators and collectors, increasingly embraced photography as an important medium. The contemporary art world was widening and refining its notions of 'art photography.' While practices and movements within the photographic arts were rapidly expanding and crossing into other media during the 60s and 70s, the constant at this time was that the 'art photograph' (or work of art that incorporated photography) was made by an artist. Many important artists at the time, such as Robert Heinecken, used images from the mass media and other sources as key elements in their cutting-edge works. And, artists such as Ed Ruscha were using photographs in a way that minimized the importance of the individual images (i.e., the photographic images were in service to the larger conceptual work). Then, Mike Mandel and Larry Sultan collaborated to publish 'Evidence,' and changed everything! With a brilliant sensibility for the absurd and a keen awareness of the complexity that the single image possesses when viewed outside its original context, Mandel and Sultan selected photographs from thousands of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined. Some of the photographs are hilarious, others are perplexing, but it's in their isolation from their original context that these images take on meanings that address the confluence of industry and corporate mischief, ingenuity and pseudo-science. The resulting book, 'Evidence,' strongly influenced our shifting awareness of 'the photograph' and introduced the importance of the 'found image' in art. The finished and provocative collection forever altered how we view images. Of course, we are now much more aware of multiple meanings images can evoke when viewed outside of a proscribed context. Before 'Evidence,' however, this was not. well, as evident. This book, unlike collections of "snapshot" photographs, forced the viewer to imagine that the larger world was using the camera to document dubious practices and alarming, amusing, and confusing experiments in the name of government. The 'photograph as art' question took on an entirely new perspective, and the world could never [seriously] look back. If borrowed from corporate-speak, a caption for 'Evidence' might be 'a paradigm shift' for photography. [Also included with the book is a copy of the planned introduction by Robert Heinecken, which was subsequently not published in the book, but was printed in the May-June 1977 issue of Afterimage.] From the publisher: "In 1977, photographers Larry Sultan (19462009) and Mike Mandel (born 1950) published a book that would radically transform both photography and the photobook canona book described by Martin Parr, in The Photobook: A History, as "one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks." Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and a hundred other corporations, American government agencies and educational, medical and technical institutions. They were looking for photographs that were made and used as transparent documents and purely objective instruments--as evidence, in short. Selecting 59 of the best, they published these images with the care you would expect to find in a high-quality art photography book, issuing them in 1977 in a simple, limited-edition volume titled Evidence. Long established as a photobook classic and a seminal example of conceptual photography, Evidence was reissued as a facsimile edition in 2003 by D.A.P. with a new spread of images and a group of black-and-white illustrations selected by the artists from an archive of photographs that were not included in the original book, plus a commissioned essay by Sandra Phillips. Today both this reissue and the original 1977 publication are exceptionally rare and command high prices. D.A.P. now reprints the 2003 edition of Evidence, making available to a general readership a truly pioneering and canonical photobook.".

Hardcover. SIGNED. First edition thus, first printing. Fine/As New clothbound hardcover in a Fine/As New dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The enormously influential and classic 1977 photobook of found institutional photography, drawn from various archives. This second edition features additional images and essays and was included on Vince Aletti's 2004 list of Best Photo Books. Edited by Larry Sultan and Mike Mandel; essay by Sandra Philips; afterword by Robert F. Forth. SIGNED BY both SULTAN & MANDEL on the title page and dated in 2004; no inscription. Unpaginated [108 pages]; 61 full-page duo-toned b&w plates + 18 'outtakes' + 7 text illustrations; 10 x 9.25 inches. List of government agencies, educational institutions and corporations that permitted access to their files. Ref: Parr & Badger, Photobook: Vol. 2, p.220-221; Roth, Book of 101 Books, p.240-241; Hasselblad Center, Open Book, p.314-315; 802 Photo Books from the M. + M. Auer Collection, p.607. Due to size and weight, international and expedited shipping will be more than quoted.

Taschenbuch. Condition: Neu. Neuware - Learoyd es uno de los fotógrafos contemporáneos más reconocidos en la actualidad y esta retrospectiva supone un recorrido por su producción de más de una década. La obra de Richard Learoyd hunde sus raíces en el pasado, en el origen de la fotografía, pues obtiene sus imágenes mediante una cámara oscura construida por él mismo en la que normalmente no usa negativo. Sus retratos, al estar hechos con este proceso, dan lugar a una fotografía de tamaño natural. Esto impone la presencia directa del retratado y nos permite aproximarnos a él con una cercanía inusual. La exposición producida por Fundación MAPFRE contará con 52 obras provenientes de importantes colecciones públicas y privadas, además del propio estudio del fotógrafo. En la muestra también se incluye alguna obra realizada en España.

Paperback / softback. Condition: New. Live Right (illustrator). This item is printed on demand. New copy - Usually dispatched within 5-9 working days 202.

Condition: PERFECTO EJEMPLAR. Castellano Pág: 245 30+23,5 profusion de ilustraciones b/n y color. E-12-1 Tela editorial impresa, con dorados en tapa y lomo. Cromo a todo color en portada.