Picasso, Signed (380 results)

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. Inscribed and signed by Arianna Huffington: "To -- With warmest wishes Arianna Huffington. 4 April 1992." Small remainder mark to bottom edge else bright and fine in a price-clipped dust jacket. Signed by Author.

Hardcover. Condition: very good. Dust Jacket Condition: very good. First Edition, no additional pri. NOT an ex library book. Signature of author. Prior owner name with 1970 date on front endpaper. Colorful frontis by Pablo Picasso. 78 pages. Dust jacket has 1/2" tear, no chips. Price is not clipped. Signed by author.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. Inscribed and signed by Arianna Huffington: "For -- With all my warmest wishes, Arianna 9 June 1990" Bright and fine in a price-clipped dust jacket. Signed by Author.

Soft cover. Condition: Very Good. 1st Edition. Oversized softcover. White pictorial covers with red and orange lettering. Covers have some rubbing and light scratching, but overall remain clean. Some shelf-wear along bottom edges. Binding is strong. Title page dated 1993. Copyright page dated 1991. Clearly inscribed on title page to Mary Case by someone, but the name is indiscernible -- a "Felix A----", most likely. Pages free of marks or tears, with illustrations throughout. Please e-mail us with questions or to request photos -- or if you know who this mystery signature might belong to! This is an oversized book. Extra shipping charges may be required for international or priority delivery. Signed by Author(s).

Hardcover. Condition: Fine. Autorensignatur; Leichte Rillen / Abschürfungen / Risse / Knicke.

Broschiert. Condition: Gut. 128 S. : überw. Ill. ; Das Buch ist in einem neuwertigen Zustand. Mit persönlicher Widmung des Autors. Sprache: Deutsch Gewicht in Gramm: 510.

Rústica. Condition: Bueno. 1ª ed. 12.5x17.3. 123pp. 2h. Rústica. Dedicatoria autógrafa. .

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Jacket by Katya Sanigar (aged 6 1/2), other illustrations by children, Lee Miller and after Picasso (illustrator). 1st Edition. First edition, first impression. SIGNED, INSCRIBED AND DOODLED BY ANTONY PENROSE, IN BLUE PEN, ON TITLE PAGE 'For Frances in memory of Michael Muir with best wishes from Antony Penrose'. Some minuscule edge wear to top and bottom of jacket and spine, not price clipped (price on back jacket (£8.95), no other inscriptions, internally clean tight and square, overall a vg++ copy, looks unread. 48pp, lavishly illustrated. This delighful children's book is a wonderful introduction to Picasso. It tells the true story of Antony Penrose, son of the photographer Lee Miller and the painter and writer Roland Penrose, and his childhood friendship with the great artist. Some sixty five enchanting illustrations accompany the text, including Picasso's most appealing artworks, plus evocative archive photography by Lee Miller. An inspiring look at the creative practices of an artist, this is an illustrated book to enthral and inspire all young art fans. Scarce signed. Signed by Author(s).

4°, Hardcover/Pappeinband. Condition: Gut. 100 S., zahlr. Abb. Gebraucht. guter Zustand. Mit Signatur von Roland Doschka. SU., gebraucht; Innendeckel mit Exlibris Aufkleber, ansonsten guter und sauberer Zustand. Aus dem Inhalt: Vorwort / Roland Doschka: Zur Genese des schöpferischen Prozesses. Picassos Zeichnungen zwischen Eros und Thanatos - Werke von existenzieller Dimension / Marilyn McCully: Picassos kubistische und postkubistische Zeichnungen / Anne Baldassari: Das Auge Goethes. Über die Farbe im zeichnerischen Werk Picassos. Sprache: Deutsch Gewicht in Gramm: 1582.

Picasso et al (illustrator). Second edition. Inscribed & dated (1948) by Merle Armitage on front free endpaper. Lovely history of modern dance, ballet including drawings by Isadora Duncan, Matisse, numerous photos of ballerinas, modern dancers, decorum and costumes. Picasso end papers. 58 pages of narrative and more than 200 hundred pages of illustrations and photographs. Toning to outer edges, closed tear to front flap, soiling to spine, and loose strip on top of rear cover.

First Edition. First edition. Hardcover. 161 pages. Text in English by Sydney Picasso. Features photographs by Paul-Emile Miot and drawings by Charles-Claude Antiq, and Conway Shipley. A fine copy in photo-illustrated boards. No dust jacket as issued. Signed and inscribed by Picasso on the title page. Uncommon thus. Signed.

Portrait of PIcasso by Francoise Gilot (illustrator). Signed by Huffington on front fly. Very mild shelf wear, else fine. Full red leather, decoratively gilt Signed Limited First Edition, first printing.

Softcover. Condition: Very Good. Oversized red card covers. Inscribed to the cover "to Wayne" by Paloma Picasso. Mild thumbing/edgewear, lightly sunned. ; quarto; Signed by Author.

hardcover. Condition: very good(+). Dust Jacket Condition: very good(+). Picasso, Pablo (illustrator). First. 48 full-page color plates, other black-and-white illustrations. xiii + 400pp., large 4to, cloth-backed blue boards, d.w. New York: Atlantic Monthly Press, (1995). First edition. A very good (+) copy in a very good (+) dust wrapper. Signed by Norman mailer on the half-title page.

Hard Cover. Condition: Fine. Dust Jacket Condition: Very Good. Picasso (illustrator). Signed Limited First Edition. LIMITED EDITION OF 450 COPIES. This One Signed By the Author on the Title Page. FINE COPY IN VERY GOOD DW. Size: Hard Cover. Signed by Author.

Signed by the author, grandson of Pablo Picasso, "To Carol and Philip, This is an "original" story/ Sincerely. Olivier. 11.12.04." with blue shrpie on title page. 8vo Bright red boards. 344 pages. MINT. Like new/ Like new condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Dustjacket,Slipcase. Plates By Kandinsky, Pasquale Giovanni Napolitano, Elise, Picasso, Feininger, Arp, Etc. (illustrator). 1st Edition. V, 155 Pp + Plates At End. Yellow Dust Jacket Printed In Black, Attached Over Plain Boards. Light Wear, 1" Crack At Top Of Front Endpapers, Spine Very Slightly Browned, Small Tears At Corners. Inscribed By The Author Louis Danz To Wilmot Gordon And Dated In 1937. Inscribed by Author(s).

Softcover. Condition: Very good. No jacket. Inscribed by Paloma Picasso. Bottom outside corner is creased. Covers have mild edge wear.

First Edition. Very good paperback copy; edges and panels somewhat dust-dulled and nicked. Remains quite well-preserved overall. Publishers presentation copy. Series; Les sentiers de la creation. Physical description; ii, 118 pages : illustrations ; 22 cm. Subjects; Mural painting and decoration. French artists' preparatory studies. French art. Art history. European painting. Visual arts. 3 Kg.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 2 pages. Notes; No clear publication date given. Invitation SIGNED by Roland Penrose. Subjects; Picasso. Invitation cards. 3 Kg.

Condition: Bon état. in-8, broché, couverture en couleurs illustrée par Picasso, 281 pp., dessins et photos in et hors texte. On joint un carton d'hommage signé par Pierre Abraham. Bon état.

Soft cover. Condition: Very Good. First Edition. 12pp. Red square wraps. Photos of Paloma Picasso, 11 black and white, one color to promote her first perfurme. Author inscription and signature in gilt sharpie on the front panel. Contributing photographers are Alexander Liberman, David Douglas Duncan Helmut Newton, Horst, Richard Avedon, others. Size: 11 1/2" x 12 1/2". Signed and Inscribed By Paloma Picasso. Book.

Condition: Good. Autographed. 4to. 86 pp. Soft cover. Good. Illustrated paper wraps. Some shelf wear, creasing at corners, and staining on front right edge. Minor loss at bottom corner at verso. Mild toning of pages, else pages fine. Color and B&W plates throughout. Signed by Peter Selz on first page and dated 1962. From the Collection of the Art Historian Peter Selz. M. Knoedler and Co.: 1895-1909 --Saidenberg Gallery: Cubism --Paul Rosenberg and Co.: The twenties --Duveen Brothers, Inc: The classic phase --Perls Galleries: The thirties --Staempfli gallery, Inc.: The forties --Cordier-Warren Gallery: The fifties --The New Gallery: Drawings --Otto Gerson Gallery: Sculpture.

Condition: FINE. First printing. A book which "sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition." Illustrated with 48 full-page color plates, other black-and-white illustrations. SIGNED on the title page and dated in the year of publication. Notes, bibliography, photo credits. A large quarto. xiii, 400 pp. Fine in red cloth-backed blue boards in a very near fine dust jacket (some fading to lettering on spine and front cover, but blue background is bright and unfaded).

. In-12 br. Étude autour de la polémique provoquée, à la mort de Staline, par la publication de son portrait par Picasso dans Les Lettres Françaises, hebdomadaire dirigé par Aragon. Illustrations. E.O. Envoi autographe de Laurent Lévy.

Condition: Good. Color silkscreen print after Picasso. Signed Picasso - Vea in the plate. 12 x 9 inches.

First Edition. Very good paperback copy; edges and panels somewhat dust-dulled and nicked. Remains quite well-preserved overall. Publishers presentation copy. Series; Les sentiers de la creation. Physical description; ii, 118 pages : illustrations ; 22 cm. Subjects; Mural painting and decoration. French artists' preparatory studies. French art. Art history. European painting. Visual arts. 1 Kg.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 2 pages. Notes; No clear publication date given. Invitation SIGNED by Roland Penrose. Subjects; Picasso. Invitation cards. 1 Kg.

kart. Condition: Sehr gut. 2., rev. und erg. Aufl. 419 S. : zahlr. Illustr. Gutes Exemplar mit geringfügigen Gebrauchsspuren. - Sehr zahlreiche Abbildungen. / INHALT : Inhalt -- Die frühen Bronzen -- Größere Formate -- Gosol und die Abwendung vom Psychologischen -- Außereuropäische Einflüsse -- Die Rolle der frühen Plastik im Gesamtwerk -- Der Frauenkopf und die kubistische Plastik -- Umkehrung von Positiv-Negativ-Verhältnissen -- Das anthropomorphe Musikinstrument -- Das Absinthglas, Begegnung von Realität und Reflexion -- Konstruktionen und Stilleben -- Physiognomische Darstellung und Bühnenplastik -- "Raumzeichnungen". Entwürfe für eine Statue. "Aus nichts, aus Leere" (Apollinaire) -- Biomorphe Verzerrung -- Arbeiten aus Metall -- Reliefs und geschnitzte Statuetten -- Modellieren und Konstruieren -- Das Atelier in Boisgeloup -- Die Liegende Badende. Picasso und Matisse -- Tierplastik -- Verselbständigung organischer Massen -- Die vier Frauenköpfe -- Relieftechnik und Übernahme von Texturen -- Fundstücke und Der Stierschädel -- Plastische Skizzen -- Großformatige Arbeiten in Paris -- Die Verwendung der Schneiderpuppe - Mann mit Lamm -- Der Totenkopf -- Keramik und plastisches Arbeiten -- Blume und Vase -- Die "enzyklopädischen" Skulpturen Ziege und Pavian mit Jungem Skulptur und Malerei Bemalte Strukturen Klappskulpturen aus Blech Die Gruppe der Badenden Beschränkung auf Flächenskulptur Nachwort Anmerkungen -- Werkverzeichnis der Skulpturen -- Einführung -- Abbildungen -- Beschreibung der Werke -- Konkordanz von Katalognummern und Seiten der Abbildungen -- Verzeichnis der Abbildungen im Text -- Biographie -- Ausgewählte Bibliographie. // Dieses Buch zeigt das gesamte plastische Werk Picassos. Das erweiterte Oeuvreverzeichnis, das hier vorgelegt wird, reproduziert und beschreibt nahezu 740 Werke. Die Übersicht reicht von winzigen, aus Papier gerissenen Figuren über Konstruktionen aus Metall, Holz und Fundstücken, modellierten Skizzen, Klappskulpturen aus Blech zu den großen, oft monumentalen Arbeiten. All dies übersteigt die Gattungsgrenzen, die der Plastik lange vorgeschrieben waren. Picasso selbst hat im Gespräch Brassai gegenüber unmißverständlich die Ansicht geäußert, daß auch seine kleinste Invention zum plastischen Werk gehöre: "Mir, Picasso, beibringen zu wollen, was eine Skulptur und was keine ist! So eine Unverschämtheit! . Was ist eine Plastik? Was ist Malerei? Immer klammert man sich an altmodische Ideen, an überlebte Definitionen, als ob es nicht gerade die Aufgabe des Künstlers wäre, neu zu finden." Die Publikation ist wohl die umfassendste Darstellung von Picassos plastischem Werk. Zahlreiche, zum Teil unveröffentlichte Zeichnungen und Dokumente illustrieren den Text. Als Werner Spies Picasso 1971 die erste Fassung seines Skulpturenbuches überreichte, meinte dieser: "Es kommt einem vor, als entdeckte man eine unbekannte Zivilisation." Eine faszinierendere Definition läßt sich für diese Arbeiten wohl kaum finden. "Umfassender noch als seine Gemälde erschließen Picassos Skulpturen die gesamte Kunst des Jahrhunderts in ihren Ursprüngen und Verwandlungen aus klassischer Tradition bis zu Kunsttendenzen der Gegenwart. In immer neuen Grenzüberschreitungen mißt dieses erregende Oeuvre, vor dem niemand gleichgültig bleibt, den Reichtum aller formalen und technischen Möglichkeiten findend und erfindend aus" (Süddeutsche Zeitung). (Verlagstext) ISBN 9783775711098 Sprache: Deutsch Gewicht in Gramm: 2900.

Original-kartoniert. Condition: Sehr gut. 4 Original-kartoniert en 280 pp. - Information zur Signatur: with Deborah Rothschilds dedication to the historian Brigitte Hamann. 1.