Pinharanda (176 results)

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Very Good. No Jacket. Binding sound, text clean, light shelf wear. No jacket (as issued?) Edition of 1000 copies. Portuguese/English texts. 80 pages. 4to (oversize) hardcover. Book.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

61 pages with numerous color & black & white plates; includes Antonio Campos Rosado, Bernardo Pinto de Almeida & Alexandre Melo; Text in Portuguese & English. Fine paperback exhibition catalog in decorative wrappers (soft cover book in original shrinkwrap)/ no dust jacket.

gebunden. Condition: Neu. Neu -Aus Eisen, Glas und Spiegel schuf José Pedro Croft (geb. 1957 in Porto) sechs monumentale Skulpturen, die in einen direkten Dialog mit der Architektur Venedigs treten werden und auf das Wechselspiel von Licht und der Farbe des Himmels sowie auf die Wasserbewegungen der Kanäle und dem Wind eingehen. Seine Arbeit, die eine stark visuelle wie szenografische Beziehung zur Umgebung schafft, fordert uns auf, Räume, Baubedingungen, aber auch die Rezeption der Werke selbst zu überdenken. Und sie hinterfragt unsere Wahrnehmung architektonischer Räume. Croft ist einer der bedeutendsten portugiesischen Bildhauer. Er gehört der 1980er-Jahre Generation an, die für die Verbindung der portugiesischen mit der zeitgenössischen Kunst sorgte. In dieser Arbeit setzt sich Croft in einem direkten wie indirekten Dialog mit lvaro Siza, dem Vertreter Portugals auf der Architekturbiennale von 2016, auseinander, der - in unmittelbarer Nachbarschaft, auf der Insel Giudecca - ein für ein Jahrzehnt brachgelegenes Sozialwohnungsprojekt zu Ende führte. Der Katalog zum portugiesischen Pavillon der Biennale in Venedig. (Text engl., port.) 208 pp.

Gebunden. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Aus Eisen, Glas und Spiegel schuf José Pedro Croft (geb. 1957 in Porto) sechs monumentale Skulpturen, die in einen direkten Dialog mit der Architektur Venedigs treten werden und auf das Wechselspiel von Licht und der Farbe des Himmels sowie auf die Wasserbewegungen der Kanäle und dem Wind eingehen. Seine Arbeit, die eine stark visuelle wie szenografische Beziehung zur Umgebung schafft, fordert uns auf, Räume, Baubedingungen, aber auch die Rezeption der Werke selbst zu überdenken. Sie hinterfragt unsere Wahrnehmung architektonischer Räume (privat wie öffentlich). Croft ist einer der bedeutendsten portugiesischen Bildhauer. Er gehört der 1980er-Jahre Generation an, die für den Anschluss der portugiesischen an die zeitgenössische Kunst sorgte. In dieser Arbeit setzt sich Croft in einem direkten wie indirekten Dialog mit Álvaro Siza, dem Vertreter Portugals auf der Architekturbiennale von 2016, auseinander, der - in unmittelbarer Nachbarschaft, auf der Insel Giudecca - ein für ein Jahrzehnt brachgelegenes Sozial-wohnungsprojekt zu Ende führte. 208 pp. Englisch.

Condition: New.

Paperback or Softback. Condition: New. Black Ancient Futures. Book.

Softcover exhibition catalog, 62 pages, in Spanish and English, very good condition, no internal marks, clean and crisp. Includes: Antonio and Pedro de Campos Rosado, Rui Sanches.

Condition: New.

Paperback. Condition: Good. Dust Jacket Condition: No Dust Jacket. Softcover. Portuguese and Spanish language art publication. Item smells a little of nicotine. Covers are a little grubby, with light edge-wear and minor wear to leading corners, spine and spine ends. Pages are sunned around edges, possibly as a result of nicotine exposure. Binding is sound and pages are tight throughout. Contents are clear. AF. Used.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Ohne Stempel, keine An-und Unterstreichungen, sehr guter und frischer Zustand. Hardcover. Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Paperback. Condition: new. Paperback. Artists from the vast African diaspora challenging the dominant aesthetic representations of AfricaThe visual and textual proposals presented in this book challenge the dominant aesthetic representations of Africa through languages that propose and reimagine a past, a present and a future for the black artistic experience in a transcontinental reality. These are broad proposals that do not aim to illustrate a current or movement, but embrace the creation of fantasies, science-fiction narratives, and discourses where criticism, satire and irony are evident.This book brings together a significant group of voices from the vast African diaspora that offers dense visual and philosophical thought rich in references to African history, mysticism, mythology, ecology and fictions. Through visual and textual proposals, these voices challenge the dominant aesthetic representations of Africa through languages that propose and reimagine a past, a present and a future for the black artistic experience in a transcontinental reality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condition: Fine.

Encuadernación de tapa blanda. Condition: Muy Bien. Excelente estado, sin marcas ni señales de uso.

Paperback. Condition: New. 1. ed. Very good condition. Some shelf wear and bent edges on covers. «Há que louvar, em Pinharanda Gomes, dois méritos: o seu poder de labor alongado e continuado; a sua crença na ideia desusada em nosso solo retórico tão rotundo de alegres tropos e melancolicamente distraído do pensamento. Pinharanda Gomes é um ensaísta filosófico, um filósofo. E só Deus, que sabe tudo, sabe como é, em Portugal, desabrigado e anavalhado o "filosofar"». (Nuno de Sampayo in «A Capital», 2.11.1973). If book and packaging weight exceeds 400gms, additional shipping charges may apply. New. 216 pp. 12.6x18.6 cm; 280 gm.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: New. Artists from the vast African diaspora challenging the dominant aesthetic representations of Africa The visual and textual proposals presented in this book challenge the dominant aesthetic representations of Africa through languages that propose and reimagine a past, a present and a future for the black artistic experience in a transcontinental reality. These are broad proposals that do not aim to illustrate a current or movement, but embrace the creation of fantasies, science-fiction narratives, and discourses where criticism, satire and irony are evident.This book brings together a significant group of voices from the vast African diaspora that offers dense visual and philosophical thought rich in references to African history, mysticism, mythology, ecology and fictions. Through visual and textual proposals, these voices challenge the dominant aesthetic representations of Africa through languages that propose and reimagine a past, a present and a future for the black artistic experience in a transcontinental reality.

Condition: new.

Condition: New.

Condition: New. Idioma/Language: Español. Mário Cesariny (Lisboa, 1923) es ampliamente conocido como una de las voces poéticas más significativas y polémicas del surrealismo portugués. Sin embargo, durante mucho tiempo su obra plástica, que acompaña e incluso precede a algunos de los momentos más intensos de su poesía, no ha recibido el mismo reconocimiento, una situación que sólo en los últimos años ha comenzado a cambiar. Históricamente, la producción de Cesariny se integra dentro del movimiento de abstracción no geométrica de la posguerra y desempeñó un papel destacado en la ruptura con la figuración surrealista más ortodoxa. Navío de espejos pretende contribuir al redescubrimiento de la profunda unidad que subyace en las distintas vertientes de la obra de Cesariny a través de una amplia muestra de dibujos, pinturas, collages, objetos y ensamblajes creados entre la segunda mitad de los años cuarenta y la actualidad. El volumen se completa con una antología poética y una selección de textos breves del artista, así como diversos ensayos y artículos sobre Cesariny escritos por reconocidos expertos en su obra, como Joao Pinharanda y Perfecto E. Cuadrado, y una exhaustiva biobibliografía. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condition: NEW.

Soft cover. Condition: Good. ouvrage annote au stylo.portugais.255 p.poids 390 gr.format 23 x16 cm.

Condition: Neu. ONLY AS A PACKAGE DUE TO THE WEIGHT (= currently ¤ 4.50 postage). Abroad = 16 ¤! 207 pages in two languages (English / Portuguese), 100 photos, illustrated cover, still originally sealed, / DEVIDO AO PESO APENAS COMO UM PACOTE (= atualmente ¤ 4,50 postagem) a ser enviado. No estrangeiro = 16 ¤! 207 páginas em dois idiomas (inglês / português), 100 fotos, capa ilustrada, ainda lacrada originalmente, Official Portuguese Representation at the 57th International Art Exhibition, La Biennale di Venezia / Mad of iron, glass, and mirror, the monumental sculptures by José pedro Croft (Porto, 1957) established a direct dialogue between the landscape and architecture of Venice, a city defined by the skys ever-changing color and ligth resulting from its waters movements. Crofts work establishes an intense, visual game with its environs and forces us to reconsider the occupied stes and their construction-conditions, all the while questioning ideas about private and puplic architectural spaces. Croft is one of the most outstanding and internationally-Known sculptors today. With this work, Croft, Portugals official representative of the 2017. Venice Bienale of Arts, also establishes a dialogue with the social housing project of Alvaro Siza, the Portuguese representative of the 2016 Venice Biennale of Architecture on Giudecca island. / Representação Oficial Portuguesa na 57 Exposicao Internacional de Arte, La Biennale di Venezia. Loucas de ferro, vidro e espelho, as esculturas monumentais de José pedro Croft (Porto, 1957) estabelecem um diálogo direto entre a paisagem e a arquitetura de Veneza, cidade marcada pela mutação da cor e da luz do céu que dela decorrem. movimentos da água. A obra de Croft estabelece um intenso jogo visual com seus arredores e nos obriga a reconsiderar as áreas ocupadas e suas condições de construção, questionando ao mesmo tempo ideias sobre espaços arquitetônicos privados e públicos. Croft é um dos escultores mais destacados e internacionalmente conhecidos da atualidade. Com este trabalho, Croft, representante oficial de Portugal na Bienal de Artes de Veneza 2017, também estabelece um diálogo com o projeto de habitação social de Alvaro Siza, representante português na Bienal de Arquitetura de Veneza 2016 na ilha de Giudecca. Sprache: Englisch Gewicht in Gramm: 1130 4 ° (quart), linen ribbon/4 ° (quarto), fita de linho.

Condition: New.

Encuadernación de tapa blanda. Condition: Muy Bien. Excelente estado, sin marcas ni señales de uso.

208 Seiten, Mit 100 Abbildungen; Texte: Joao Pinharanda, Luiz Camillo Osório, Aurora Garcia, Isabel Matos Dias; [ "This catalogue is published on the occasion of the Portuguese Official Representation 57th International Art Exhibition - La Biennale di Venezia", May 13 to November 26, 2017]; --- gutes Exemplar, ungelesen Sprache: Englisch Gewicht in Gramm: 1600 Lex.-8°, Gebundene Ausgabe / Leinen.