Plumb John: Signed (22 results)
SIGNED - A Yeoman of England: A Collection of Essays Dedicated to Henry Plumb, the Lord Plumb of Coleshill.
WERTWYN, Puck (compiler) ; MacGregor, John (editor) ; Plumb, Charles Henry
- Hardcover
- First Edition
- Signed
Seller: G. & J. CHESTERS, TAMWORTH, , United KingdomG. & J. CHESTERS
Contact seller5-star sellerCondition: Used - As new
US$ 4.21
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Hardcover. Condition: As New. Dust Jacket Included. 1st Edition. 320 pages, an As New hardback in an as new dust-jacket [0954386108]. Book is completely new (unused). Half signed 'Henry' on the ffep & dated 21/3/14. Signed by Author(s).
Published by Hollywood, Oxford Press 1955 1955
- Hardcover
- First Edition
- Signed
Seller: The Warm Springs Book Company, Fremont, CA, U.S.A.The Warm Springs Book Company
Contact seller4-star sellerHardcover. First Edition. Hardback, 1st Edition, Very Good/no DJ, decorated brown boards, inscribed by author on free front endpaper, introduction by Bing Crosby, light tanning to pages 0.0 0.0 0.0. Signed by Author.
Published by Self Published 1955
- Hardcover
- Signed
Seller: Books of Paradise, Magalia, CA, U.S.A.Books of Paradise
Contact seller5-star sellerCondition: Used - Very good
US$ 9.95
US$ 6.00 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. No Edition Stated. Inscribed to Jack Roney by author inside front cover; book has some small discoloration spots to covers in gutters, pages toning; DJ has toning, mild shelfwear, little bit of light rubbing, couple small faint soil spots, very tiny chip to 3 of…the folds; b/w photos ; 210 pages; Signed by Author.
Published by Self-published. 1996
- Softcover
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 34.01
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good. 1st Edition. 16mo. Folding card with mounted colour photograph, signed by Plumb and his wife Joan. . Signed by Author(s).
Published by Self-published. 2001
- Softcover
- First Edition
- Signed
- Art Print
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 34.01
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good. 1st Edition. 16mo. Folding card with mounted colour photograph, signed by Plumb. Signed by Author(s).
Published by Self-published. 1995
- Softcover
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 34.01
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good. 1st Edition. 16mo. Folding card with mounted colour photograph, signed by Plumb and his wife Joan. . Signed by Author(s).
Language: English
Published by John H. Plumb Publication 2021
Series: Troubles in Time Travel, Book 2 of 2. Book 2 of 2 - Troubles in Time Travel
- Softcover
- Signed
Seller: Table of Contents, Omaha, NE, U.S.A.Table of Contents
Contact seller5-star sellerCondition: Used - Good
US$ 75.00
US$ 5.50 shippingShips within U.S.A.Quantity: 1 available
Soft cover. Condition: Good. Author signed (signature only) on the title page. Trade paperback. Light wear to cover edges/corners. The table of contents page has a tiny tear on the top edge. Content pages are clean and unmarked. 269 pages. Signed by Author.
Published by Plough Arts Centre. 1995
- Softcover
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 38.09
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Soft cover. Condition: Very Good. 1st Edition. 16mo. Three panel folding card. Biography, 5 colour illusts. With the private view invitation card and a further invitation sheet directly from the artist and signed in ink by Plumb. Signed by Author(s).
Published by Parry Jackman Ltd, London 1956
- Hardcover
- First Edition
- Signed
Seller: Camilla's Bookshop, Eastbourne, SX, United KingdomCamilla's Bookshop
Contact seller4-star sellerCondition: Used - Very good
US$ 27.21
US$ 35.86 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Bound in cream coloured cloth with gilt lettering to spine and with a black printed on yellow paper dust wrapper, this slim hardback volume of three poems by Charles Plumb, a preface by Roy Campbell and illustrated with black & white line drawings by…John Peppiatt, is in VG condition. The author has inscribed the front endpaper with a long inscription in blue biro. Very slight rubbing on head and tail of dust wrapper. Otherwise overall VG. Peppiatt, John (illustrator). Inscribed by Author(s).
Published by Self-published., Barnstaple. 2000
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 34.01
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Folding sheet. Condition: Very Good. First edition. 16mo. Folding card with mounted colour photograph, signed by Plumb.
- Softcover
- Signed
Seller: Xerxes Fine and Rare Books and Documents, Glen Head, NY, U.S.A.Xerxes Fine and Rare Books and Documents
Contact seller5-star sellerCondition: Used - Very good
US$ 100.00
US$ 5.95 shippingShips within U.S.A.Quantity: 1 available
Condition: VG. England and Spain 1971. Poetry. Octavo, 52pp., errata, original printed stiff wraps. Inscribed, signed and dated to Arlene Dahlberg. A short pen note and two pen quotation marks on title page, one or two ink corrections in text, from Dahlberg? VG, spine lightly rubbed, front free blank is tearing a bit at inner ma…rgin from staples. Scarce.
More imagesPublished by Self-published., London 1990
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 244.86
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Canvas. Condition: Fine. First edition. Original acryllic and collage painting form the 'Bijou' series 1996-2001. 175x122, canvas on card with wooden stretcher.
More imagesPublished by Self-published., London 1988
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 340.08
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original pastel drawing on paper. Signed lower right. Sheet size 760x460mm, image size 755x380mm 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to c…reate limitations in my working process so that the dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
More imagesPublished by Self-published., London 2002
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 516.92
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Canvas. Condition: Fine. First edition. Original acryllic painting on canvas from 2002 500x400. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that… the dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
More imagesPublished by Self-published., London 2002
- First Edition
- Signed
- Art Print
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 612.14
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original acryllic painting on paper. 390x545mm. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that t…he dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
More imagesPublished by Self-published., London 2002
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 612.14
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original acryllic painting on paper. 465x380mm. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that t…he dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
More imagesPublished by Self-published., London 2002
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 612.14
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original acryllic painting on card. 397x500mm. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that th…e dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
More imagesPublished by Self-published., London 2002
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 612.14
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original acryllic painting on paper. 490x410mm. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that t…he dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
Published by Self-published., London 2002
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 612.14
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
single sheet. Condition: Fine. First edition. Original acryllic painting on sand textured paper. 680x500. Pin-holes to corners. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitatio…ns in my working process so that the dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
More imagesPublished by Self-published., London 2002
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 612.14
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original acryllic painting on paper. 435x525mm. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that t…he dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.
More imagesPublished by Self-published., London 1993
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 1,700.39
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original acryllic and pastel on paper. 830x640mm.Signed and with his stamp to reverse. Pin-holes to corners. Note: this can only be posted unframed. 'The vitality and freedom of Plumb's new paintings come from the kind of confidence that is most often acquired only with experience an…d age. Yet they are also engendered by excitement and enthusiam fuelled by the awareness that new discoveries are being made. Plumb experiments with unconventional methods and materials. he now uses brushes rarely if at all, preferring the direct effects produced by applying the paint with large spatulas and knives and even with the kind of piping tool with inetrchangeable nozzles used by pastry cooks. He sometimes includes a small amount of luminescent pigment, too, to create dominant accents. And he subtly varies the consistency of the paint from one area to another so as to emphasise some parts of the of the surface or the edges of the canvas. At their best the results are richly expressive and senuous'. Frank Whitford 'John Plumb' The Bath Contemporary Art Fair, 21-23 May 1993.
More imagesPublished by Self-published., London 1993
- First Edition
- Signed
Seller: Roe and Moore, London, , United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Fine
US$ 1,700.39
US$ 15.19 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Single sheet. Condition: Fine. First edition. Original acryllic and pastel on paper. 640x830mm.Signed and with his stamp to reverse. Pin-holes to corners. Note: this can only be posted unframed. 'The vitality and freedom of Plumb's new paintings come from the kind of confidence that is most often acquired only with experience an…d age. Yet they are also engendered by excitement and enthusiam fuelled by the awareness that new discoveries are being made. Plumb experiments with unconventional methods and materials. he now uses brushes rarely if at all, preferring the direct effects produced by applying the paint with large spatulas and knives and even with the kind of piping tool with inetrchangeable nozzles used by pastry cooks. He sometimes includes a small amount of luminescent pigment, too, to create dominant accents. And he subtly varies the consistency of the paint from one area to another so as to emphasise some parts of the of the surface or the edges of the canvas. At their best the results are richly expressive and senuous'. Frank Whitford 'John Plumb' The Bath Contemporary Art Fair, 21-23 May 1993.
