Popels (9 results)

Acquaforte mm. 225x115. Incisione tratta da pittura di I. Bellino.

Andrea Meldolla (illustrator). '133'Original antique print showing the Lamentation over the dead Christ with an angel, the Virgin and Nicodemus.Made by Jan Popels after Andrea Meldolla.Etching / engraving on hand laid (verge) paper.Sheet size: 24.5 x 31 cm (9.65 x 12.2 inch). Image size: 16.3 x 22 cm. (6.42 x 8.66 inch).LAMENTATION CHRIST-ANGEL-NICODEMUS-PL. 134PCOX-E2-18BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Andrea Meldolla, also known as Andrea Schiavone or Andrea Lo Schiavone (c. 1510/151563) was an Italian Renaissance painter and etcher, Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustrator). '199'Original antique print showing the Madonna and Child with St. Catherine and St. John.Made by Jan Popels after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 31 x 24.5 cm (12.2 x 9.65 inch). Image size: 22 x 16 cm. (8.66 x 6.3 inch).MADONNA-CHILD-ST. JOHN-PL. 199PCOX-E2-21BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustrator). '179'Original antique print showing the dead body of Christ supported by an angel.Made by Jan Popels after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24 x 30 cm (9.45 x 11.81 inch). Image size: 16 x 21 cm. (6.3 x 8.27 inch).BODY OF CHRIST-ANGEL-PL. 179PCOX-E2-20BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Titian (illustrator). '82'Original antique print showing Hagar in the wilderness with a female and angel.Made by Johannes Popels after Titian.Etching / engraving on hand laid (verge) paper.Sheet size: 25 x 32 cm (9.84 x 12.6 inch). Image size: 16.6 x 22 cm. (6.54 x 8.66 inch).HAGAR-WILDERNESS-ANGEL-PL. 82PCOX-E2-30BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Tiziano Vecelli or Vecellio (c.?1488/90 27 August 1576), known in English as Titian was an Italian painter during the Renaissance, considered the most important member of the 16th-century Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Giovanni Bellini (illustrator). '6'Original antique print showing St. George.Made by Jan Popels after Giovanni Bellini.Etching / engraving on hand laid (verge) paper.Sheet size: 19.5 x 32 cm (7.68 x 12.6 inch). Image size: 11 x 22.3 cm. (4.33 x 8.78 inch).SAINT GEORGE-PL. 6PCOX-E2-16BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Giovanni Bellini (c. 1430 26 November 1516) was an Italian Renaissance painter. Re-attributed to Antonello da Messina. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Children playing making a fire. Plate coming from a set on the four elements. Titled below in the center:'IGNIS', four lines in Latin:'Ignis Cuneta si terrestris / Deuoret apposita / Quid miramus si Caelestis / Vrat corda languida'; Signed below:'Ioan Popels Inuent ex / Ant. Coget fecit' Numbered within the composition on the bottom right:'4' l Etching and engraving on paper pasted on thicker paper; total: 226 x 125 mm OMP (Old Masters Prints Black Folders) C (5).

Bust portrait of Hendrik de Keyser (1565-1621), one of the most important Dutch sculptors of his day. Bust turned to the left, sitter looking at the viewer, holding a compass in his right hand.Titled below, with four lines of text in French describing his activities: 'HENRI DE KEYSER / Architecte de la ville d'Amstelredam, il etoit un de mellieurs sculpteurs d'Hollande, qu 'on / peult voire per le tombeau du prince d'Oraigne, qu' il a faict a Delft, et le maison de la / ville. le iour de sa naisance fut en l'an 1565. le 25 de may, dans la ville d' Vtrecht; et il / mourut a Amstelredam lan 1621. le 15 de maij.' Signed: 'I Meyssens fecit excudit.'Included in Cornelis de Bie's: 'Het gulden cabinet vande edele vry schilder-const.'published in Antwerpen in 1662 (vol. 3, p. 459). Engraving on paper, trimmed within plate mark; total: 160 x 112 mm; pasted down on thicker paper, in very good condition. Hollstein 278, Muller 2894.

Half-length portrait of Jacob Stoopius, leaning against a column, bust towards the viewer and gaze towards the sky.Stoopius was a merchant and a calligrapher in Antwerp.The name of the portrayed is written out in nice calligraphy: "Jacob Stoopius / Gandensis Antverpia Mercator Calographiae / admirator. Amator fautor eximius". Signed below: "Ioannes Meyssens excudit / J Popels pinxit". Engraving on paper, trimmed to plate mark; total: 277 x 191 mm; state II/2; cooked paper on the margins, resulting in a yellowing surface, probably due to sun exposure under an unfit passepartout. Light foxing especially on verso, otherwise interesting impression. Paper with watermark. Hollstein 135, Wurzbach 2, Atlas v. Som 4286.