Preminger 1905 (8 results)
- Softcover
- Signed
Seller: Daniel Montemarano, Newfield, NJ, U.S.A.Daniel Montemarano
Contact seller5-star sellerCondition: Used - Fine
US$ 85.00
US$ 6.95 shippingShips within U.S.A.Quantity: 1 available
Soft Cover. Condition: Fine. 3"x5" card - SIGNED by famed director Otto Preminge (signature only). Also includes a unsigned B&W photo of Preminger. AUTOGRAPH.

Published by ohne Ort und Datum
- Manuscript
Seller: Kotte Autographs GmbH, Roßhaupten, GermanyKotte Autographs GmbH
Contact seller5-star sellerCondition: Used
US$ 118.14
US$ 22.94 shippingShips from Germany to U.S.A.Quantity: 1 available
Quer-8vo. 1 p. Namenszug auf Albumblatt.Bekannt wurde er durch Filme wie Laura (1944), Faustrecht der Großstadt (1950), Der Mann mit dem goldenen Arm (1955), Anatomie eines Mordes (1959) und Sturm über Washington (1962).

Portraitphotographie mit eigenh. Unterschrift.
Preminger, Otto, US-amerikanischer Schauspieler und Regisseur (1905-1986).
Published by o. O. u. D.
- Manuscript
Seller: Kotte Autographs GmbH, Roßhaupten, GermanyKotte Autographs GmbH
Contact seller5-star sellerCondition: Used
US$ 177.21
US$ 22.94 shippingShips from Germany to U.S.A.Quantity: 1 available
140 : 90 mm. Brustbild im Halbprofil.

Published by ohne Ort und Datum
- Manuscript
Seller: Kotte Autographs GmbH, Roßhaupten, GermanyKotte Autographs GmbH
Contact seller5-star sellerCondition: Used
US$ 212.65
US$ 22.94 shippingShips from Germany to U.S.A.Quantity: 1 available
180 : 247 mm. Portrait im Profil nach links.

Published by ohne Ort und Datum
- Manuscript
Seller: Kotte Autographs GmbH, Roßhaupten, GermanyKotte Autographs GmbH
Contact seller5-star sellerCondition: Used
US$ 212.65
US$ 22.94 shippingShips from Germany to U.S.A.Quantity: 1 available
253 : 186 mm. Brustbild im Halbprofil nach links. Leichte Knickspur.
More imagesPublished by New York, 1963
- Signed
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB
Contact seller5-star sellerunbound. 4 pages, 11 x 8.5 inches, New York, April 15, 1963. This document represents an agreement between R.C.A. Records and Gamma Productions with respect to the manufacture and distribution of the soundtrack to the motion picture "The Cardinal." Much detail pertaining to royalties, re-recording certain parts in stereo, promot…ional budgets, and ad campaigns, etc. Boldly signed by Preminger on the last page constituting the agreement. Very good condition. "The Cardinal" was released in 1963 and focused on an Irish-American priest whose dedication carried him through the ranks to one of the highest seats of power within the Catholic Church, starring Tom Tryon, Carol Lynley and Dorothy Gish.

- Signed
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB
Contact seller5-star sellerunbound. Exceptional vintage sepia photograph, 10 x 8 inches, signed, "Love Otto, 1943." The photo depicts a young and dapper looking Preminger dressed in a suit, flashing his trademark stare. Gentle edge-wear along the left edge; near fine condition. American film director best known for pushing the boundaries of censorship by…dealing with topics which were taboo in Hollywood, such as drug addiction ("The Man with the Golden Arm") and rape ("Anatomy of a Murder").

Seller: Traces Ecrites, Paris, FranceTraces Ecrites
Contact seller5-star sellerAssociation member: ILAB
Condition: Used
US$ 1,535.81
US$ 17.20 shippingShips from France to U.S.A.Quantity: 1 available
2 lettres dactylographiées signées 3 In-4 3 février - 13 mars 1958 Une lettre ornée d'un bel entête reproduisant l'affiche de Bonjour Tristesse, l'autre avec gaufrage de Carlyle Productions. marques d'agrafe rouillée Deux lettres d'Otto Preminger au père de la comédienne Jean Seberg, accompagnées d'un double dactylographié de ré…ponse. Jean Seberg fait ses débuts au cinéma dans le rôle-titre de Jeanne d'Arc dans Sainte Jeanne (1957) d'Otto Preminger, d'après la pièce de George Bernard Shaw ; elle a été choisie parmi 18 000 candidates dans le cadre d'un télécrochet ; mais les critiques sont sévères et le film est très mal reçu. Cependant, Preminger promet de lui donner une seconde chance dans son film suivant, Bonjour tristesse (1958), tourné sur la côte d'Azur en France d'après le roman éponyme de Françoise Sagan. Il adresse ces deux lettres au père de Jean Seberg qui, à vingt ans, est encore mineure, au sujet de ses droits. "Please forgive the delay in answering your letter, but I have been out of town until this morning. I was surprised and shocked to hear that Jean finds it difficult to get out along on the salary she is making. For most of the time, until now, Carlyle Productions paid all her expenses and bought all her clothes for appearances which we requested, like publicity trips, photographic sessions, openings, etc. This is actually not provided for in the contract, nor is it usual in the picture industry. Carlyle Productions also, did not exercise its contractual right for a twelve weeks lay-off period during the first year of Jean's contract, but continued to pay her salary during the time her services were not required. According to industry practice, we would have the right to ask Jean to make her permanent residence either in Los Angeles or in New York. Jean chose New York as her residence. She is to live here on her salary and cannot expect additional expense monies, unless we request her to render services outside of New York. I thought we have treated Jean particularly well and generously and that she had a very good opportunity to make substantial savings during the past year. It was very nice to see you again. Warmest regards to you and Mrs Seberg". Mr Seberg transmet la lettre à Jean et écrit, au crayon, en marge : "Jean, this sounds reasonable to me. You may destroy this now. Daddy". Le père de Jean Seberg répond et conteste point par point ses affirmations, et lui demandant un chèque de $1,500 (double dactylographié, 1 p. in-4, [5 mars 1958]). Enfin Otto Preminger répond à son tour sur les exigencies de Jean et son père. "Apparently I did not succeed in making my position quite clear to you. The idea of Jean's employment contract is that she works for Carlyle Productions either here or in California for the salary she receives. Exploitation of a picture is part of her work. Whenever she leaves New York on our request we, naturally, pay her expenses. If, following your suggestion, we agreed to pay Jean daily expenses of $25, while she works for us in New York, that would simply mean raising her salary by $175 par week". Cinéaste américain d'origine Autrichienne, réalisateur de Rivière sans retour.