Rainer Wehinger (6 results)

Hardback. Condition: New. 1.

30,5 x 42,5 cm. 55 Seiten. Mit zahlreichen farbigen "musikalischen Graphiken" und beiliegender Schallplatte. Schwarzer Orig.-Leinenband mit farbigem Deckeltitel. In Orig.-Schuber. - Eines von 200 nummerierten Exemplaren. Der Druckvermerk von György Ligeti signiert. Die farbigen graphischen Darstellungen wurden im Siebdruck bei Domberger hergestellt. Tadellos erhalten.

First edition. Association copy, inscribed by Ligeti to Carl Dahlhaus, signed and dated in Berlin, 1973. Printed in 200 numbered copies, this copy has Dahlhaus' name written in Ligeti's hand instead of number. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller. 55, (1) p. First edition of the special aural score for Ligeti's "Artikulation" designed by Rainer Wehinger. Inscribed by Ligeti to Carl Dahlhaus (18281989) the German musicologist. Ligeti and Dahlhaus had a famous discussion on musical form, held at the Darmsädter Internationale Ferienkurse für Neue Musik in 1965. Ligeti composed "Artikulation" in 1958, this is one of only two electric pieces he composed before returning back to the instrumental medium. Ligeti provides this explanation for his music: "The piece is called Artikulation because in this sense an artificial language is articulated: question and answer, high and low voices, polyglot speaking and interruptions, impulsive outbreaks and humour, charring and whispering". Although the piece had an original score by Ligeti, twelve years after it was composed, Rainer Wehinger created this "Hörpartitur" or aural score, a more "user friendly" version. It focuses on the main sonic characteristics: uses a timeline measured in seconds; shapes and colours instead of notes on a staff; different colours represent variations in timbre and pitch, the dots are standing for impulses and combs for noise. György Ligeti (19232006) was a Hungarian (Transylvanian) born composer. Studied at the Music Academy of Cluj and Budapest. After his graduation he started to collect folk music in Romania and taught composing and counterpointing at the Liszt Academy of Music in Budapest. He left Hungary after the revolution in 1956, and started to work at the radio station in Cologne where he made acquaintance with Karlheinz Stockhausen who had a major influence on his art. In 1959 settled down in Vienna and became citizen in 1967. Taught at the Universities of Darmstadt, Stockholm, Stanford and Hamburg. Under the influence of Stockhausen started to compose music for electronic instruments, and these works, "Artikulation" and "Atmosphères", gave him reputation in the Western European music scene. Soon he gave up composing electronic music but his experiences with such instruments made and effect on his later compositions. . Front pastedown, half title and title creased. Overall both the book and the vinyl are in fine condition. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller First edition. Association copy, inscribed by Ligeti to Carl Dahlhaus, signed and dated in Berlin, 1973. Printed in 200 numbered copies, this copy has Dahlhaus' name written in Ligeti's hand instead of number. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down.

First edition. Printed in 200 numbered copies, this is unnumbered. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller. 55, (1) p. First edition of the special aural score for Ligeti's "Artikulation" designed by Rainer Wehinger. Ligeti composed "Artikulation" in 1958, this is one of only two electric pieces he composed before returning back to the instrumental medium. Ligeti provides this explanation for his music: "The piece is called Artikulation because in this sense an artificial language is articulated: question and answer, high and low voices, polyglot speaking and interruptions, impulsive outbreaks and humour, charring and whispering". Although the piece had an original score by Ligeti, twelve years after it was composed, Rainer Wehinger created this "Hörpartitur" or aural score, a more "user friendly" version. It focuses on the main sonic characteristics: uses a timeline measured in seconds; shapes and colours instead of notes on a staff; different colours represent variations in timbre and pitch, the dots are standing for impulses and combs for noise. György Ligeti (19232006) was a Hungarian (Transylvanian) born composer. Studied at the Music Academy of Cluj and Budapest. After his graduation he started to collect folk music in Romania and taught composing and counterpointing at the Liszt Academy of Music in Budapest. He left Hungary after the revolution in 1956, and started to work at the radio station in Cologne where he made acquaintance with Karlheinz Stockhausen who had a major influence on his art. In 1959 settled down in Vienna and became citizen in 1967. Taught at the Universities of Darmstadt, Stockholm, Stanford and Hamburg. Under the influence of Stockhausen started to compose music for electronic instruments, and these works, "Artikulation" and "Atmosphères", gave him reputation in the Western European music scene. Soon he gave up composing electronic music but his experiences with such instruments made and effect on his later compositions. . Front panel slightly sunned at edges. Overall a fine copy. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller First edition. Printed in 200 numbered copies, this is unnumbered. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down.

Hardback. Condition: New. 1.

Condition: Sehr gut. Text mit Illustrationen und Reproduktion von Ligetis Originalnoten und Sonderpartien für "Artikulation" auf S. 5-35. Wehinger's klangliche Note wird auf Papier in Farbe auf S. 37-55 gedruckt. In einer Tasche im Rückendeckel eine Vinyl-Schallplatte (von WERGO, WER 331, 33 RPM Format) von "Artikulation" mit Gebrauchsanleitung zur Tonhöhe. First edition. Printed in 200 numbered copies, this is unnumbered. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 5-35. Wehinger's aural score is printed on different paper in colour on pp. 37-55. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part. **** György Sándor Ligeti (Georg Alexander Ligeti; 28. Mai 1923 in Târnaveni, Siebenbürgen, Rumänien 12. Juni 2006 in Wien) war ein österreichisch-ungarischer Komponist. Er gilt als einer der bedeutenden Komponisten des 20. Jahrhunderts und als Repräsentant der Neuen Musik. Nach seinem Entschluss nach dem Ungarnaufstand 1956 ins Exil zu gehen und nach seiner Ankunft in Köln begann er, elektronische Musik zu komponieren. Zu den wenigen Arbeiten in diesem Bereich gehören Glissandi (1957) und das vorliegende Werk Artikulation (1958) 5900 Hec.Bib.OG Sprache: Deutsch Gewicht in Gramm: 1100 43 x 30 cm, quer. Schwarzes Leinen mit oranger Titelvignette. Am EB minimale Staubflecken. Sonst außen wie innen völlig frisch. Sehr gutes Exemplar der sehr seltenen Partitur. Erste Ausgabe. Gedruckt in 200 numerierten Exemplare, Das vorliegende Exemplar ist nicht numeriert. Buchgestaltung und Bindung von Günther Stiller. [Best.-Nr.: Edition Schott 6378].