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Published by Macmillan Pub Ltd, 1995
ISBN 10: 0333606876ISBN 13: 9780333606872
Seller: MusicMagpie, Stockport, United Kingdom
Book
Condition: Very Good. Lawrence, John (illustrator). 1710259822. 3/12/2024 4:10:22 PM.
Published by CreateSpace Independent Publishing Platform 22 A, 2017
ISBN 10: 197567202XISBN 13: 9781975672027
Seller: AwesomeBooks, Wallingford, United Kingdom
Book
Paperback. Condition: Very Good. Tom Brown's school-days. By: Thomas Hughes, illustrated By: Louis (John) Rhead and By: E. J. Sullivan, introduction By: W. D. Howells (NOVEL): The . attended Rugby School from 1834 to 1842. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Published by Henry Holt, New York, 1995
ISBN 10: 0805033971ISBN 13: 9780805033977
Seller: Old Book Shop of Bordentown (ABAA, ILAB), Bordentown, NJ, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: fine. John Lawrence (illustrator). Reissue. Fine in fine dust jacket with matching slip case. Hardcover (4 1/2" x 5 1/2"). Reprint of 1908 version. 216 pp. Retelling of the classic story of the archer in green. After killing the king's horse, Robin Hood becomes the outlaw Sherwood Forest, robbing the rich and giving to the poor. Beautiful color and pen & ink illustrations by John Lawrence.
Published by Calla Editions, 2014
ISBN 10: 1606600532ISBN 13: 9781606600535
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. Rhead, George; Rhead, Frederick; Rhead, Louis (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Everyman's Library, 1994
ISBN 10: 0679436405ISBN 13: 9780679436409
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Rhead, Louis (illustrator). Unread book in perfect condition.
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Published by Books for Christians, 1972
Seller: Book Alley, Pasadena, CA, U.S.A.
Hardcover. Condition: Very Good. A very good copy, with light aging. Still very good and solid. No dustjacket, no markings to text. Religion. Pasadena's finest independent new and used bookstore.
Published by Books for Christains, Charlotte, North Carolina, 1972
Seller: Wm Burgett Bks and Collectibles, San diego, CA, U.S.A.
Book
Hardcover. Condition: Fine. No Jacket. Illustrator-George Woolliscroft Rhead; Illustrator-Frederick Rhead; Illustrator-Louis Rhead (illustrator). First Thus. Nice clean copy in fine condition. LARGE or heavy BOOK, MAY REQUIRE EXTRA POSTAGE. NO INTERNATIONAL AMAZON/ALIBRIS ORDERS. Size: Folio - over 12" - 15" tall.
Published by Books For Christians, Charlotte, N.C., 1972
Seller: Bay Used Books, Sudbury, ON, Canada
Hardcover. Condition: Good. Rhead, George Woolliscroft: Rhead, Frederick: Rhead, Louis (illustrator). Good to Very good condition. No Dust Jacket. Minor wear. Binding tight, pages slightly age toned but otherwise clean, small discoloration on the cover. Over-sized hardcover. Pictures available upon request.
Published by Century, New York, 1898
Seller: R Bryan Old Books, Sewell, NJ, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Rhead, Louis & George & Frederick (illustrator). Religion. Rhead Brothers illustrated edition, first printing. Decorated tan cloth covers rubbed and soiled, corners and spine ends bumped but not frayed. Hinges shaken, front hinge partially cracked, endpapers finger-smudged but not marked, interior clean, pages toned.
Published by Palala Press, 2015
ISBN 10: 1341573354ISBN 13: 9781341573354
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
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Published by The Century Co., 1898, 1898
Seller: Small World Books, Rochester, NY, U.S.A.
Book First Edition
Pictorial Hard Cover. Condition: Good +. Dust Jacket Condition: No DJ. George Woolliscroft Rhead, Frederick Rhead & Louis Rhead (illustrator). 1st Thus. Former Owner's Bookplate Inside Front Cover, Otherwise Unmarked, Solid Copy.Covers With A Small Cut On Top Of Spine And A Little Wear On Bottom Of Spine. Front Cover With Colorful Picture Of The Pilgrim In Red/Maroon Clothing And Pack On His Back Running With Folks Behind, Building, Trees In Green And Light Brown Background. Covers Soiled With Foxing Or Dark Spotting Esp. On Edges. Interior Clean With No Foxing. Lettering On Spine Faded And Mostly Unreadable. No Priority Or International Shipping.
Published by London, C. Arthur Pearson, Ltd., n. d. (ca. 1900), 1900
Seller: George Kent, Bookseller, Silverhill, AL, U.S.A.
First Edition
Hardcover. Condition: Good. No Jacket. 1st Edition. Every page is beautifully decorated and there are over 120 separate designs by the three Rhead brothers. Contents are in very good condition; cover has edgewear and there is a split between front panel and spine running from the bottom for about 3" Presentation label from Grimesthorpe Wesley Reform Young Men's Bible Class daeted 28th June, 1903.
Published by R. H. Russell, NYC, 1900
Seller: Reader's Corner, Inc., Raleigh, NC, U.S.A.
Book First Edition
Cloth. Condition: Good. No Jacket. George Wolliscroft Rhead & Louis Rhead (illustrator). First Edition. A touch of foxing, the brown cloth binding has been recoated, previous owner's name on the front flyleaf, otherwise a VG hardcover copy, no DJ. 144 pages, printed in Edinburgh by T. & A. Constable. Photos on request. MEDIA SHIPPING ONLY.
Rhead, George Frederick and Louis (illustrator). (Rhead, George, Frederick, and Louis)illus. THE PILGRIM'S PROGRESS by John Bunyan. Century, NY, 1898. 4to., pictorial cloth, 184pp., illustrated. Inner hinge opening at pp. 88-89, else a very nice copy.
Published by R. H. Russell, New York, 1900
Seller: Russ States, Oil City, PA, U.S.A.
Cloth. Condition: Very Good -. No Jacket. George Woilliscroft Rhead & Louis Rhead (illustrator). 1900, 144pp, ilus., pastedown to front cover, deckled edges, corners lightly bumped, some soiling & shelfwear to cover, no dj, owner's name to fep, no dj, contents clean.
Published by C. Arthur Pearson Ltd, London
Seller: The Calder Bookshop & Theatre, London, United Kingdom
Book
Cloth. Condition: Very Good. George Woolliscroft Rhead, Frederick Rhead, Louis Rhead (illustrator). Richly illustrated edition. Bound in aubergine cloth with lettering and decoration blind-stamped to front cover and gilt lettering to the spine. Spine sunned, corners and spine-ends slightly worn; back cover rubbed. Shadowing of endpapers and flyleaves, but book block is otherwise in pristine condition.
F. A. Ackermann Kunstverlag, München, 1974. Blattmaß: ca. 44,3 x 57,6 cm, (Blattrand etwas fleckig)---Verlag: F. A. Ackermann Kunstverlag Verlag: F. A. Ackermann Kunstverlag - Slg. Josef Voggenauer, Archiv für alte und neue Werbegraphik, München / Printed in West Germany by lithographic process - 30 Gramm.
Published by William Heinemann, 1900
Seller: Stella & Rose's Books, PBFA, Tintern, MON, United Kingdom
Association Member: PBFA
Hardback. Condition: Very Good. No Jacket. Rhead, George Woolliscroft & Rhead, Louis (illustrator). 1900. Very good condition with no wrapper. Large format. Decorated blue-grey boards with gilt titles. 12 illustrations by George Wooliscroft Rhead and Louis Rhead. Corners bumped and worn with surface loss. Scattered foxing. Packaged with care and promptly dispatched!.
Published by The Century Co., New York, 1898
First Edition
Condition: Very Good Minus. 1st Edition. Brown cloth binding with illustrated front board. Slight wear to ends of spine and corners of boards. Light marking to boards. Browning and rubbing to page edges. Creasing and a couple of short tears to lower corner of leading blank. Good solid binding, very clean text throughout. Sunday School presentation inscription to front free endpaper, dated 1905. First edition to feature the striking Art Nouveau style illustrations by Louis Rhead and his brothers Frederick Rhead and George Woolliscroft Rhead. Overall condition is Very Good Minus. Please Note: This is a heavy item and international postage will be more than the standard rate. Actual Royal Mail postage costs are: Europe £14.65; USA £27.60; Oceania £30.50; Rest of World £25.15. A postage supplement will be requested after the order has been placed. Size: 9.75 x 13 inches (24 x 33 cm). Hardback. Printed pages: xx, 184.
Published by The Century Co., New York, 1898
Seller: Barry Cassidy Rare Books, Sacramento, CA, U.S.A.
Book
Hardcover. Condition: Very Good. Rhead, George Woolliscroft; Rhead, Frederick; Rhead, Louis (illustrator). Original publisher's brown cloth binding with dark brown lettering on front cover and spine. Color illustration of the main character carrying his burden as he flees a town. 10" x 13." 184 pages, complete. Many black-and-white illustrations, complete. Pages are very clean and intact overall. Pages have slight age toning throughout. A few pages in the back have small closed tears along the gutter not affecting text or illustrations. Covers are very clean and intact except for light to moderate darkening throughout, slight rubbing, and slight wear to corners and head and tail of spine. Binding is tight. A Very Good copy. The famous Christian allegory by John Bunyan (1628-1688), an English author and Puritan preacher. The first printing of the illustrations contained herein. Replete with illustrations, some of which are full-page, and border decorations around the text. "Embellished with over one hundred and twenty designs done by three brothers, George Woolliscroft Rhead, Frederick Rhead, Louis Rhead." The Rhead brothers were artists and prominent figures of the English Arts and Crafts movement.
Published by Century, NY, 1898
Seller: Second Life Books, Inc., Lanesborough, MA, U.S.A.
Rhead, George Woolliscroft, Frederick, and Louis Rhead (illustrator). 4to, xix, 184. Embellished with over 120 designs by George Woolliscroft, Frederick, and Louis Rhead. Foreword by H. R. Haweis. Tan cloth, with pictorial stamping on front in blue, red and yellow. Cover little worn and soiled, one hinge tender, o/w VG.
Published by Londres, Arthur Pearson, sans date.
Un volume in-4°, reliure éditeur percaline de couleur bleue avec , 291 pages. Illustrations et ornements nombreux (en Noir) de Georges WOOLLISCROFT RHEAD, Frédérick RHEAD et Louis RHEAD. Reliure éditeur, TRES BON ETAT.
Published by C. Arthur Pearson, London 1900, 1900
Seller: ROBIN SUMMERS BOOKS LTD, Aldeburgh, United Kingdom
Condition: Very Good. Illustrated edition. Hardback. Quarto. 201pp. Original blue cloth with gilt spine titles, gilt cover titles with blind decorated border. Illustrated throughout, text with illustrated borders. Covers slightly worn and marked with slight fading to spine, otherwise very good indeed. No dust jacket. No date, c.1900. Please be aware that this volume is heavy and therefore extra postage may be requested.
Published by D. Appleton-century, 1936
Book
Hardcover. Condition: Very Good. Cloth bound. Illustrated boards. Good binding and cover. Minor shelf wear. Slight sunning to spine. Personal library bookplate inside front board of Richard Henry Webster. Otherwise,clean, unmarked pages. Profusely illustrated. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. Ships daily.
Published by Champenois, 1897
Art / Print / Poster
Couverture souple. Condition: Bon. Lithographie originale en couleurs signée dans la planche, timbre sec de l'éditeur dessiné par Alexandre Charpentier (1856-1909). Planche : 400 x 310 mm. Publiée mensuellement entre mai 1897 et avril 1899, L'estampe moderne fut fondée par l'éditeur Henri Piazza et par Charles Masson, futur directeur du musée de Luxembourg. Accompagnés de l'imprimeur Champenois, ces messieurs se donnèrent pour but de rendre accessible à tous l'art de l'estampe. Chaque livraison (il y en aura 24 au total) comportait 4 chromolithographies originales de format 31 x 41 cm, ornées en marge du timbre sec de la revue (Lugt L.2790), soit un total de 100 estampes, incluant celles offertes en prime aux abonnés, pour un tirage limité à 2000 exemplaires en édition courante sur vélin et 150 épreuves sur papier Japon. Ce fut là l'une des publications illustrées les plus emblématiques dans laquelle tous les plus grands illustrateurs de la fin du XIXème siècle furent représentés (y compris les femmes) avec des estampes inédites, réservées uniquement pour l'ouvrage et couvrant les courants artistiques majeurs de l'époque : Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. L'illustration de la couverture fut confiée à l'artiste tchécoslovaque Alfons Mucha. Légère trace de manipulation sur l'angle inférieur gauche.
Published by Les Maîtres de l'Affiche - imprimerie Chaix, 1896
Art / Print / Poster First Edition
autre. - Les Maîtres de l'Affiche - imprimerie Chaix, Paris 1896, 29x39,9cm, une affiche lithographiée sur vélin fin. - Lithographie originale en couleurs tirée sur vélin fin. Timbre à sec de l'imprimeur en bas à droite de la planche. Superbe publication mensuelle française, les Maîtres de l'Affiche, parut entre 1895 et 1900 à l'initiative de Jules Chéret. Chaque numéro de la revue comprend quatre affiches reproduites au format cloche et en chromolithographie présentant pour chacune un timbre à sec d'authentification. Bel exemplaire de cette affiche réalisée par l'un des peintres les plus importants de l'âge d'or de l'illustration américaine. [ENGLISH TRANSLATION FOLLOWS] Original color lithograph: "Advertising - The Sun gives best results" - Les Maîtres de l'Affiche - plate 38 Les Maîtres de l'Affiche - imprimerie Chaix | Paris 1896 | plate: 29 x 39.9 cm | frame: 38 x 43.5 cm | framed lithograph poster on vélin fin paper Original color lithograph on vélin fin paper. Printer's embossed stamp to lower right of plate. A superb French monthly publication, the Maîtres de l'Affiche [Masters of the Poster Form] appeared from 1895 to 1900 under the aegis of Jules Chéret. Each number of the review included four reproductions of posters in cloche format (30 x 40 cm), chromolithographed with an embossed stamp for authentification. A fine copy.
Seller: Inter-Antiquariaat Mefferdt & De Jonge, Amsterdam, Netherlands
Art / Print / Poster
"Read The Sun", colour lithograph by Louis John Rhead, published by impremerie Chaix between 1895-1900 for their "Maîtres de l'Affiche: publication mensuelle contenant la reproduction des plus belles affiches illustrées des grands artistes, français et étrangers". Size (paper): 40 x 29 cm. The Sun was a London evening newspaper published in England between 1893 and 1906. Intended to be a literary publication and explicitly without political allegiance, it was founded and initially edited by T. P. O'Connor. The Maitres de l'Affiche series was the direct result of international interest in posters and poster artists that reached its height in the mid-1890s in Europe and America. The masterpieces of artists like Jules Chéret, Henri de Toulouse-Lautrec, and Alphonse Mucha transformed commercial advertisements into an esteemed art form worthy of public adoration and scholarly pursuit. Along with the decade's wave of poster journals, books, and exhibitions came a serious desire to collect the artworks for personal enjoyment and study -- but the sheer size of posters made storage awkward and often times impossible. The Maitres de l'Affiche ("Masters of the Poster") series was born of this dilemma. By offering subscribers reductions of the era's most important posters, collectors and enthusiasts were able to build miniature archives of posters from around the world. The complete Maitres de l'Affiche series boasted 256 expertly produced miniature lithographic plates representing the best of the Belle Époque. During its five-year run from late 1895 to 1900 the series was hugely successful, and it continues to be popular today, offering experts and novices alike a convenient and dazzling overview of some of the finest achievements in poster art. It is not surprising that the exquisite Maitres de l'Affiche collection was the brainchild of Jules Chéret, inventor of the three-stone lithographic process and virtual founder of the modern poster. As early as the 1860s, Chéret's magnificent creations brought elegance and colour to the urban landscape of Paris and soon generated an international industry. By 1866, Chéret opened his own print shop, which would eventually become a branch of the large French publisher Imprimerie Chaix. His role as artistic director at Chaix provided Chéret with the platform and resources necessary to launch the Maitres series. The first four plates were released in December of 1895 and featured posters by Chéret, Toulouse-Lautrec, Julius Price, and Dudley Hardy. The series would continue for a total of sixty months, ending in November of 1900 -- truly spanning the peak of the poster craze. In the end, there were a total of 240 regular plates and 16 bonus plates. The Maitres de l'Affiche series operated much like a contemporary magazine. A poster enthusiast had the option of purchasing the current month's four plates from a specialized dealer, or he could choose to subscribe to the series for the length of one year. In France, a one-year subscription cost 27,- francs, equivalent to roughly five to ten original full-sized versions of the posters highlighted in the Maitres series. The first plate of every month was a poster by Chéret himself, making him the most frequently represented artist in the series. As a matter of fact, Chéret's 60 regular and seven bonus plates comprise nearly 25-percent of the entire collection. All in all, 97 artists from around the world were represented in the Maitres de l'Affiche series, though more than half of them were French. In contrast, only four were from Italy, six from Germany and eight from England. A range of popular styles are evident in the collection, including the classic Art Nouveau of Alphonse Mucha and Privat Livemont, the illustrations of Edward Penfield and Adolphe Willette, and the graphic qualities of Toulouse-Lautrec and Pierre Bonnard. The original, full-sized posters and the Maitres prints they inspired were never considered in competition with one another; rather, they were viewed as two entirely different entities. While posters were large and bold, prints were beloved for their exquisite size and detail. In addition, posters were often printed on inexpensive newsprint due to their anticipated short lifespan. Prints, on the other hand, were made on very fine paper using printing techniques too intricate for larger items. Print collecting was an extremely popular hobby in its own right well before posters became fashionable. Chéret introduced the modern poster, but it was not until Toulouse-Lautrec's Moulin Rouge in 1891 that posters were elevated to an art form print collectors deemed worthy of their attention. In many ways, the Maitres series can be seen as the successful marriage of the poster and print crazes. In his preface to Volume I of the Maitres series, Roger Marx, a notable 19th-century art historian and critic, described the streets of Paris as 'a museum in the breeze.' He wrote that 'the poster has a precarious fate. it gleams in sun, fades in the mist, dangles sadly in shreds, [and] sways in the wind after a heavy shower.' Although innately ephemeral in its purpose, the poster was saved by its beauty and charm. Les Maitres de l'Affiche, in its convenient format, has certainly stood the test of time. Price: Euro 375,- (excl. frame), Euro 575,- (incl. frame).
Published by New York: New York Sunday Journal, ca. 1900., 1900
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Poster. 21.75 x 15.5 inches. Tears and bits missing.
Published by New York: The Century., 1895
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Poster. Mounted on rag. 21 x 14 inches. Das Frühe Plakat, no. 448. Reims, 1297. Center fold. marginal flaws.
Published by Imprimerie Champenois |pour CH. Masson |& H. Piazza, 1897
Art / Print / Poster First Edition
Pas de couverture. - Imprimerie Champenois pour CH. Masson & H. Piazza, Paris (Juillet 1897), sujet : 22,5x34cm, planche : 40,8x55cm, une feuille. - Rare lithographie originale exécutée par Louis John Rhead pour L'Estampe Moderne, série numéro 3 publiée en juillet 1897. Une des 50 épreuves de grand luxe tirées sur Chine à grandes marges, imprimé à l'encre brune, signature de l'artiste et date dans la planche, timbre à sec de l'éditeur représentant un profil d'enfant en marge inférieure, contrecollée sur un feuillet de papier vélin avec au dos le tampon numéroté du tirage de luxe, rares rousseurs marginales. Magnifique publication mensuelle française éditée entre mai 1897 et avril 1899, L'Estampe moderne se constitue de chromolithographies inédites qui, contrairement à d'autres revues comme Les Maîtres de l'Affiche et tel qu'il est stipulé sur les serpentes, ont été réalisées spécialement par chaque artiste pour la revue. Ce sont ainsi 100 estampes qui paraissent au total, couvrant les courants artistiques majeurs de la fin du XIXème siècle : Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. Chaque livraison de quatre estampes est tirée à 2000 exemplaires vendus 3,50F et 100 sur papier Japon proposés à 10F. Henri Piazza prévoit également un tirage confidentiel de très grand luxe : 50 exemplaires sur Japon à grandes marges et 50 en noir sur Chine au prix considérable de 30F. Cette estampe d'un beau format est superbement imprimée sur l'un des plus prestigieux papiers : le Chine. « Malgré toutes ses qualités, le papier de Chine, trop inconsistant, doit sa réputation, non pas à sa propre beauté, mais bien à ses affinités particulières avec l'encre d'impression. Son tissu, lisse et mou tout ensemble, est plus apte qu'aucun autre à recevoir un beau tirage. Cette propriété fait rechercher le papier de Chine pour le tirage des gravures. » (Anatole France). L'intérêt des collectionneurs français pour les affiches artistiques s'amplifie au début des années 1890. Octave Uzanne, pour qualifier cette fièvre invente le terme d'« affichomanie ». L'affiche, à l'origine populaire et placardée dans les rues de la capitale, devient alors objet d'art et son support éphémère se fait précieux et voué à la conservation. Piazza décide de soustraire l'affiche à sa vocation publicitaire et de l'élever au rang d' uvre d'art à part entière au même titre que le livre illustré de luxe. Il compose ainsi une collection prestigieuse d' uvres entièrement originales, par les artistes européens les plus en vue du moment : Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc. Bel exemplaire dans le style Art Nouveau de l'artiste. [ENGLISH TRANSLATION FOLLOWS] La femme au paon" - Original lithograph on China paper - L'Estampe Moderne L'Estampe Moderne, Imprimerie Champenois pour C H Masson & H Piazza, Paris (july 1897), subject: 22.5 x 34 cm, plate : 40.8 x 55 cm, one leaf Rare original lithograph by Louis John Rhead for L'Estampe Moderne, series no. 3, published in July 1897. One of the 50 grand luxe proofs printed on China paper with wide margins, printed in brown ink, signed and dated by the artist in the stone. Embossed stamp of the publisher showing a child in profile to lower margin, laid down on a leaf of vélin paper with the numbered stamp of the tirage de luxe to verso, occasional spotting to margins. A magnificent monthly French publication that appeared between May 1897 and April 1899, L'Estampe moderne comprised unpublished chromolithographs that, unlike those in other magazines like Les Maîtres de l'Affiche and as is stipulated on the guard sheets, were specially made by each artist for the magazine. There are thus 100 prints that appeared in total, covering the major artistic currents of the l.