Rivkin Robert (14 results)

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good. Clean text. Email for further information.

Soft cover. Condition: Good. 1st Edition. Paperback. 1st edition. Inscribed by Robert S. Rivkin to the previous owner on the front free end page. Age toning to papers, otherwise very good. Inscribed by Author(s).

Soft cover. Condition: Good. A soft cover book. A good reading or reference copy. Other issues available details on request.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine dj. Illustrated by (dj drawing) Jules Feiffer (illustrator). First Edition. [nice tight clean copy, very slight bumping to a couple of corners; jacket shows light surface we Openly labeling the U.S. Army "an oppressive force," the intent of this book was to inform the ordinary GI "why the Army subjects him to the indignities, brutalities, and injustices that he used to associate only with totalitarian regimes." Toward this purpose, the author "has drawn upon an extensive array of factuall, legal, sociological and psychological materials, blended them with his own experiences in the Army, and produced in one volume both a clear and constructive soldier's guide to survival and a stinging indictment of American militarism." A Vietnam-era classic, and a book whose publication would have been literally unimaginable during any previous American war. The author was an attorney who was himself drafted in 1967, and was stationed at Fort Polk, Louisiana (where he provided legal advice to young trainees bound for Vietnam), and later in South Korea, where he defended soldiers in special courts-martial. NOISBN.

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Draft script for the 1940 film, with the name of uncredited screenwriter Leonard Lee in manuscript pencil over date on lower left. Paramount "File Copy" and "Master File" stamps and manuscript annotation in pencil on front wrapper. Script divided into sequences, as was customary for the period. Paramount's 1940 Technicolor south seas adventure. Dea (Dorothy Lamour) is marooned on an isolated island since childhood with only the company of Koko the chimp, when Skipper Joe (Lynne Overman) and Johnny Potter (Robert Preston) are marooned on the island by a mutinous crew. The three must battle angry natives and survive tidal waves, a forest fire, and the titular typhoon to survive. Nominated for an Academy Award. Set on a South Sea island, and shot on location in Santa Catalina Island, Los Angeles County Arboretum and Botanic Garden, and Baldwin Dry Lake, California. Self wrappers, with front wrapper dated July 8, 1939, rubber-stamped production No. 1908. 122 leaves, with last page of text numbered E-31. Mimeograph duplication, rectos only. Pages Near Fine, bound with three gold brads.

Four draft screenplays for the 1959-1960 television series. Copies belonging to an unknown cast or crew member, with their name in manuscript ink on the front wrapper of two scripts. All four episodes directed by Robert Altman, then only just beginning his directorial career. Rare. Collection includes one Final Draft script for episode two, one Final Draft script for episode four, one Revised Final Draft script for episode 17, and one Final Draft script for episode 22. Laid in with the screenplay for episode two is a master shooting schedule, laying out filming locations from May 21 to May 25, 1959. "The Troubleshooters" followed a construction team as they traveled the world for different jobs, headed by two engineers-one older, gruff, and grizzled, the other young, well-educated, and soft-spoken. The series was canceled after a single season, with 26 episodes produced in total. Episode two script ("Disaster," here under the working title "The Law and the Profits"): Orange titled wrappers, noted as FINAL DRAFT on the front wrapper, noted as production No. 107, dated May 5, 1959, with credits for director Robert Altman, producer Allen Rivkin, and screenwriters William Kendall Clarke and Paul Gangelin. Title page integral with the front wrapper, as issued. 23 leaves, with last page of text numbered 20. Mimeograph duplication, rectos only, with blue revision pages throughout, dated May 5. Pages Fine, wrapper About Fine, bound with two gold brads. Episode four script ("The Lower Depths"): Red titled wrappers, noted as FINAL DRAFT on the front wrapper, noted as production No. 121, dated May 18, 1959, with credits for director Robert Altman, producer Allen Rivkin, and screenwriter Ward Wood. Title page integral with the front wrapper, as issued. 38 leaves, with last page of text numbered 36. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 5/22. Pages Fine, wrapper about Fine, bound with two gold brads. Episode 17 script ("Harry Maru"): Orange titled wrappers, noted as FINAL DRAFT on the front wrapper, noted as production No. 112, dated May 26, 1959, with credits for director Robert Altman, producer Allen Rivkin, and screenwriter Jack Natteford. Title page integral with the front wrapper, as issued. 29 leaves, with last page of text numbered 28. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 6/4. Pages Fine, wrapper about Fine, bound with two gold brads. Episode 22 script ("The Town That Wouldn't Die"): Orange titled wrappers, noted as REVISED FINAL DRAFT on the front wrapper, noted as production No. 112, dated May 26, 1959, with credits for director Robert Altman, producer and screenwriter Allen Rivkin, and screenwriter Robert Presnell Sr. Title page integral with the front wrapper, as issued. 38 leaves, with last page of text numbered 37. Mimeograph duplication, rectos only. Pages Fine, wrapper Near Fine, bound with two gold brads.