Robert Feinstein (115 results)

paperback. Condition: Good. The item is in good condition and works perfectly, however it is showing some signs of previous ownership which could include: small tears, scuffing, notes, highlighting, gift inscriptions, and library markings.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Condition: good. Shows moderate signs of wear and previous use. Can include notes highlighting. A portion of your purchase benefits nonprofits! - Note: Edition & format may differ from what is shown in stock photo & item details. May not include supplementary material such as toys, access code, dvds, etc.

Paperback. Condition: Good. 3. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Soft cover. Condition: Very Good. Drawings by Trygve Olson (illustrator). 1st Edition. Paperback is very clean with prior owner gift inscription on inside cover being only mark. Otherwise, light edge wear w square edges and a tight binding.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Signed Copy . Good dust jacket. Birthday card signed by author laid in. Signed by author on title page.

Soft Cover. Condition: Very Good with no dust jacket. Illustrated by Rochelle Feinstein, Randolfo Rocha (illustrator). Square, tight binding. Clean and bright pages. Wraps have light handling wear and spine crease. Contributors: Gary Snyder, Helen Vendler, Chris Adrian, Peter Ho Davies, Elizabeth Gilbert, Joyce Hackett, John Hodgman, Michael Knight, Rob Owen, J. David Stevens, Silvana Paternostro, Alan Ainsworth, Kevin Cantwell, Jennifer Franklin, Rick Hilles, Richard Lamb, Kate Light, Nick Norwood, Mark Scott, Brenda Shaughenssy, Marc Woodworth, Anna Akhmatova, Agha Shahid Ali, Scott Cairns, James Cummins, Edward Nobles, Eric Ormsby, Baron Wormser, Charles Wright. ; 8.5" (21.5 cm) tall; 312 pages.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition First Printing. Glorious gift book for "serious collectors & neophytes, flower lovers & photography fanatics,'' brilliantly illustrated with 100 full-color, full-page photographs. Introduction by Robert Hesse, judge for the American Orchid Society. A First Edition, First Printing from Feb. 2007, this hardcover has decorative black paper over boards with design to front & rear that match those on the accompanying DJ. Both are in Fine condition: completely clean, binding straight & strong, pages white & unmarked, colors bright. The unclipped DJ shows slight wrinkling to top edge, invisible under the protection of the clear mylar cover, provided Free! Our photos depict the Exact book you will receive from us, never "stock" images of books we don't actually have! All orders processed before 2 pm Weekdays (Pacific time) ship that same day; later orders, weekends & holidays, very next business day. SORRY: book is too large for expedited domestic or any international shipping due to postage costs.

Trade Paperback. Condition: Very Good. A Very Good copy with moderate shelfwear to spine and tanning to spine, else a nice, clean copy. 64pp. with Publisher's announcement for the third issue laid in. The issue includes substantial work by Olson, Duncan, Lansing, Kelly, and other known English poets. Published by Andrew Crozier.

Soft cover. Condition: Very Good. No Jacket. Robert Rauschenberg: The Silkscreen Painting, 1962-64. Feinstein, Roni. Whitney Museum of Art,/Bulfinch Press. 1990. 179p. oversized hardcover no dust jacket, boards bumped/scuffed, binding tight, text clean/unmarked, NOT xlib, name/date inked front endpaper but crossed out, remainder mark bottom page edges15.00.

Magazine. First edition. Near Fine magazine with a touch of tanning and bumping to the edges. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The August/September 1980 issue of Photographica (Vol. 12, No. 7), the magazine for the members of The Photographic Historical Society of New York, with: Robert Feinstein on an odd early use of the stereopticon; Felice Pike on a symposium on investing in photography; 1954 as a "crossroads year" for the 35mm camera by Burton Rubin; George Gilbert on the graphic design of the back of cabinet cards; exhibition and book reviews; and much more. Edited by William B. Welling. Staple-bound self-wrappers; 16 pages; b&w illustrations throughout; 8.5 x 11 inches.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. Fulbrook, III, John (jacket design); Baptist, Bill (jacket photograph); Crawford, Robert (author photograph) (illustrator). 1st Edition. As new condition dark gray boards, black spine, and orange spine lettering contained in a fine condition non price-clipped color photographic dust jacket. Includes List of Other Books by John Feinstein; Author Dedication; Introduction; Epilogue; Acknowledgments and Index. Illustrated with a section of black-and-white photographic plates. "What he did for golf in the monumental bestseller A Good Walk Spoiled and for Indiana college basketball in A Season on the Brink, John Feinstein now does for basketball in the NCAA's most fiercely competitive conference - the ACC. The Atlantic Coast Conference has always produced champions. Spectacular players including Michael Jordan, Grant Hill, Christian Laettner, David Thompson, and Kenny Anderson got their start there; the conference is home to legendary coaches like North Carolina's Dean Smith and Duke's Mike Krzyzewski; and at least one ACC team has competed in the Final Four in fourteen of the last seventeen years. The league has won a total of seven national titles. In A March to Madness, John Feinstein follows all nine ACC teams through the unforgettable 1996-97 season and illuminates the almost inconceivable pressures on coaches and players in the conference. It was a year in which Dean Smith broke Adolph Rupp's all-time record for coaching victories, superstar Tim Duncan and coach Dave Odom attempted to lead Wake Forest to its first Final Four in thirty-five years, Mike Krzyzewski tried to fall in love with coaching again, and Carolina fought its way into another Final Four after a dismal start. Behind those stories, A March to Madness brings to light the hidden world of college basketball - the bitter rivalries between coaches, the toll of competition on marriages and careers, the difficulties coaches have in dealing with NBA-bound players, and much more. With unparalleled access to the ACC's coaches and players, John Feinstein takes us onto the courts, into the locker rooms, even into the coaches' homes, and paints a living portrait of how college basketball is coached and played at the highest level. This is an unforgettable and moving book, full of the unerring knowledge of what drives great coaches that makes John Feinstein the most popular sportswriter at work today." - from the inner front jacket flap. "Feinstein is a masterly storyteller." - Washington Post. "What Feinstein does better than anyone else is to make you understand the complex mix of psychology, group dynamics, and political pressures that make athletes tick." - Kircus Reviews.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. [ART]. Roni Feinstein, Calvin Tompkins, Jennifer Russell, Robert Rauschenberg, et al. "Robert Rauschenberg: The Silkscreen Paintings, 1962-64." New York: Whitney Museum of American Art and Boston: Bulfinch Press, Little, Brown. Printed by Westerham Press in Great Britain, 1990. First edition. English language. Hardcover with blue cloth boards titled silver on spine in pictorial dust-jacket wrapped in clear Brodart. Nonfiction artist monograph with art historical text, full-color illustrations, foreword, bibliography, and exhibition checklist. 11 1/4 x 9 1/4 inches. 41 oz. 180 pp. 45 color plates; 46 black-and-white plates. Former library copy. Library stamps on inside front and back coards, title page, and front flyleaf. Library stickers on spine and front of Brodart. Toning at edges. Text clean. Good in Good jacket. ISBN: 9780821218334. "In the early 1960s, Rauschenberg made an abrupt change from the Combines and Assemblages that had earned him the reputation of enfant terrible of the art world. The result was a number of canvases, many of enormous size, that were created by using silkscreened images from magazines and his own photographs. Whether black and white or in vibrant colors, these works brought into play the artist's penchant for an intermingling of personal imagery that could be at once sensual, political, theatrical, or erotic. These spectacular silkscreen paintings, many of which are in private collections, are published together for the first time in this volume.".

Condition: As New. Unread book in perfect condition.

Condition: As New. In great condition. Minor cover wear.

Condition: New.

Condition: New.

paperback. Condition: Good. The item is in good condition and works perfectly, however it is showing some signs of previous ownership which could include: small tears, scuffing, notes, highlighting, gift inscriptions, and library markings.

Condition: As New. Unread book in perfect condition.

paperback. Condition: near fine. Robert Rauschenberg (illustrator). Illustrations in color and black and white. 179 pages. Square 4to, stiff pictorial wrappers. New York: The Whitney Museum in association with the Bulfinch Press, Little, Brown and Company, (1990). First softcover edition. A near fine copy. Published in conjunction with an exhibition.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains highlighter markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780821346846.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780821346846.

Stapled Wrappers. Condition: Very Good. First Edition. 61pp. Covers lightly soiled. Book.

Soft cover. Condition: Fine. No Jacket. 1st Edition. Periodical softcover First Edition pp62. Condition Internally bright, tight and clean. Slight bumping to corners. Light foxing and rubbing to covers. Unmarked. Clean. Stapled.