Robert Power Max Ferguson (7 results)

Oversized Hardcover. Condition: Good. Ferguson, Max (illustrator).

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. Ferguson, Max (illustrator).

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Ferguson, Max (illustrator).

Hardcover. Condition: Fine. Near Fine. 1st Edition. This copy is inscribed by Max Ferguson to Michiko Kakutani. Michiko Kakutani is an American literary critic and former chief book critic for The New York Times. Her awards include a Pulitzer Prize for Criticism. An interesting association copy. Ferguson, Max (illustrator). Inscribed by Artist. Book. …

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. First edition. Small quarto. 128pp. Fine in modestly sunned and lightly rubbed, very good dust jacket with very light evidence of two labels removed from the cover panel. Signed by artist Max Ferguson on the title page. A collaboration in which Power wrote 500-word short stories based on paintings by Ferguson. Signed.…

hardcover. Condition: As New. Ferguson, Max (illustrator).

VG/VG near fine. hardcovers. clean crisp unclipped dj. no inscriptions. delightful clean copy. From the personal collection of a dealer/collector. Often featuring solitary figures, the brooding atmospheres and urban landscapes of Max Ferguson's paintings have a narrative and cinematic quality that hint at hidden stories, secrets, and conversations waiting to happen. Robert Power's critically acclaimed fiction of longing and resolution, alienation and loving, provides the perfect vehicle to breathe life into these luscious paintings. Lulu in New York and Other Tales, is an exquisite and beautifully crafted volume of sixty stories from Power, inspired by Ferguson's paintings. Some of the pictures, like Chess Players and Interiors leant themselves to whimsical or heart-rending conversations. Others, such as Woman in Bath, Subway and Billy's Topless have violence and menace simmering at their core. And then there are paintings that tell tales of refection and of love both lost and found. An aged Mr. Gordon looking over the East River. The couple in Bobby Short recalling their first meeting. And another Couple in Hallway stumbling over their words, saddened by infidelity. What binds Ferguson's painting and Power's storytelling is a common understanding and appreciation of the nuances, agonies and ecstasies, complexities and delicacies, of the human condition.…