Robert Rauschenberg, Signed (58 results)

Softcover reprint of an exhibition catalog which was designed by Robert Rauschenberg, about 80 pages, mostly b/w photographs of working in progress; very good condition; light rubbing to spine; small crease to center top edge of cover and first few pages; no internal marks. Foreign shipping may be extra.

SOFTCOVER. Condition: NEAR FINE. Dust Jacket Condition: NoNE. PHOTOS (illustrator). FIRST. SOLID CLEAN BRIGHT AND UNMARKED MAY BE SIGNED ON FFEP BUT I CAN'T BE SURE PUBLISHED TO COINCIDE WITH AN EXHIBITION OF HIS WORK AT THE PUBLISHERS GALLERY IN 2000 FORWARD BY DAVE HICKEY A VERY RARE TITLE SMALL SCRAPE ON FRONT COVER WHERE STICKER WAS REMOVED BLUE TISSUE GUARDS IN PLACE A VERY NICE COPY.

Condition: Good. Post Card 6" x 4" Oblong, Color Photograph, Very Good.Herb Yellin (1935-2014) was the highly respected publisher and founder of Lord John Press, considered by many to be one of the most important small presses of the 20th century. His close personal relationships with many significant writers resulted in an impressive number of unique, collectible, signed limited edition books. Working with some of modern literature's biggest names?Stephen King, Ray Bradbury, John Updike, Eudora Welty, and Joyce Carol Oates among them?and entertaining his personal fascination with Hollywood, Yellin was able to create a new realm for Lord John Press combining the two fields; several books, including The Lord John Film Festival, were the result.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. Features text by Mary Lynn Kotz. Includes 200 illustrations with 92 in color. A fine copy in yellow cloth boards and in a fine dust jacket. Signed and warmly inscribed by Mary Lynn Kotz on the half title page. Signed.

Paperback. Condition: Very Good. Shelfwear to cover (as is often the case!) Signed by the author/artist, Robert Rauschenberg. Small triangle of ffep excised at top corner. Signed by Author(s). Book.

Paperback. Condition: Very Good. Shelfwear to cover (as is often the case!) Signed by the author/artist, Robert Rauschenberg. Small triangle of ffep excised at top corner. Signed by Author(s). Book.

Profusely Illustrated (illustrator). Softcover, 630 pages, very good condition; light crease to spine; inscribed and signed by "Walter" [Hopps] on half-title page; no other internal marks. Foreign shipping will be extra.

Hardcover. Condition: Near Fine. Photographs Throghout; Front Cover After Robert Rauschenberg (illustrator). 1st Edition. 72 Pp. Cloth, Front Cover Orange And Spine And Rear Cover Orange (Not Faded). Light Wear. Inscribed By The Author To Social Artist, Thanking Him For His Letter Discussing His Work Which Mondale Included In The Book; The Compliments Slip From Lerner Indicating A Publication Date Of June 1, 1972; The Publicity Sheet For The Book; The Note Indicating It Is A Complimentary Copy And Acknowledging His Art On P. 276; And The Art Books For Everyone Catalog. Artists Look At Politics About As Favorably As They Look At The Detailed Procedures Of Mass Production Of Sausages, And For Similar Reasons. Inscribed by Author(s).

Leinen. Dust Jacket Condition: mit Schutzumschlag. Quart. 199 S. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlreichen, teils farb. Abb. der empfindliche silberne Umschlag etwas berieben, Umschlaghinterseite etwas knitterig, sonst sehr gutes Exemplar. auf dem fliegenden Vorsatz quer über die ganze Seite vom Künstler mit "Bob Rauschenberg" signiert. Signatur des Verfassers.

Profusely Illustrated (illustrator). First Edition. First edition. Softcover. 629 pages. The simultaneous wrappers issue. A massive catalog for traveling show that started in New York and went on to Houston, Cologne and Bilbao. Includes essays by Trisha Brown, Ruth E. Fine, Billy Kluver with Julie Martin, Rosalind Krauss, Steve Paxton, Nancy Spector and Charles F. Stuckey. Includes hundreds of color and black and white illustrations, a chronology, list of previous exhibitions, list of performance history, an selected bibliography, and a checklist. A clean near fine copy in wrappers with some light wear. Signed by Rauschenberg on the front free endpaper with a black marker. A very nice copy of what remains one of the best and most comprehensive books on Rauschenberg. This is a heavy and oversized book and will require extra shipping. Signed.

Soft cover. Condition: Near Fine. Robert Rauschenberg (illustrator). 1st Edition. Condition Near Fine. First edition. Softcover. 629 pages. Includes essays by Trisha Brown, Ruth E. Fine, Billy Kluver with Julie Martin, Rosalind Krauss, Steve Paxton, Nancy Spector and Charles F. Stuckey. A clean near fine copy in wrappers with some light creasing to back cover. Signed by Rauschenberg on the front free endpaper with a black marker. rubbing and wear to the paperback cover and edges. Illustrated wraps. Introduction by Walter Hopps. Published on the occasion of the exhibition from the Solomon R. Guggenheim, Guggenheim Museum Soho, New York NY September 19, 1997-January 7, 1998, The Menil Collection, Contempoary Arts Musuem and The Museum of Fine Arts, Houston, Houston TX February 13-May 17, 1998 , Museum Ludwig, Cologne June 27-October 11, 1998 and the Guggenheim Museum Bilbao, Bilbao November 20, 1998-February 26, 1999. Chronology. Exhibition and Performance History. Select Biography and Index.This is a heavy and oversized book and will require extra shipping. Signed by Illustrator(s).

Profusely Illustrated (illustrator). Softcover, 630 pages, very good condition; light creases to spine; light edgewear to cover; Robert Rauschenberg has signed his last name in black marker across center of first red page; no other internal marks. Foreign shipping will be extra.

Hardcover with dustjacket, 320 pages, very good condition, dj spine lightly faded; signed Bob Rauschenberg in gold marker at top of half-title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very good. Dust Jacket Condition: Very Good. tall case. First edition. Signed by the artist on the half-title page. Light bump on top corner.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First. Signed on red front free-endpaper, "Bob Rauschenberg." Binding tight and straight, inner pages clean and unmarked. Dust Jacket is flap-intact, clean with light edgewear, now protected within mylar cover.; 10.25 X 2.25 X 11.75 inches; 629 pages; Signed by Author.

Hardcover. First Edition. Quarto, 320 pages. In Good condition with Good minus dust jacket. Blue and brown pictorial spine with black text and open tear on bottom edge. Dust jacket shows many small, faint indents and scrapes on front and back covers that do not disrupt the jacket image. Light shelf wear on jacket top and bottom edges. Two-and-a-half inch closed tear in jacket front, starting at the bottom of the front hinge. Area of open tearing at base of jacket spine, with missing material impacting the name of the publisher and author's last name. Boards are bound in yellow cloth with red lettering and show very minor shelf wear on covers. Bumping to bottom corner of spine with tearing and fraying to cloth, which corresponds to open tear in dust jacket. Text block shows light age toning around page edges. Small areas of scuffing on bottom edge of text block near spine and fore corner. Faint foxing on fore edge of text block. Names of former owners written in ink near top edge of front endpaper. Some scuffing on front end paper. Signed flat in gold ink by Robert Rauschenberg on half title page: "Bob Rauschenberg". DL Consignment. Shelved in Room C. Presumed first edition; publisher does not indicate edition or printing number. Book was published in the same year as its copyright. 1399578. Special Collections.

Hard cover. Condition: Very good. Dust Jacket Condition: Very good. New edition. Signed by Rauschenberg and Kotz on half-title page. Jacket is lightly worn along edges, but protected by a mylar cover. Cover corners are slightly bent inwards. Top corner of spine is bumped, but binding is tight. Inside is clean and unmarked.

Hardcover. Condition: Very Fine. 1st Edition. ***** This is the true first American edition, first printing (with "First American Edition" stated on the copyright page, and with NO later printings listed). ***** This book is SIGNED by the author/artist (Robert Rauschenberg) on the half-title page. The author/artist has not inscribed this book to anyone; it is just signed by the author. ***** Signed examples of this title are rare. ***** Very nice hardcover with dust jacket. There is NO writing, NO bookplates, and NO remainder marks. It is NOT a book club edition and NOT a former library book. The dust jacket is NOT price-clipped ($30.00). ***** CONDITION: Both the book and dust jacket are in nice VERY FINE condition. ***** OUR GUARANTEE TO YOU: All books are guaranteed to be as described. We believe that no sale is complete until you are happy. Any book is returnable for a full refund (including postage) if you're not 100% satisfied. All books are packaged very carefully and shipped via USPS Mail with Delivery Confirmation. ***** Thank you! Richard Vick, Modern First Editions (Buying and Selling Modern First Editions since 1982). Signed by Author(s).

Vintage photograph of artist Robert Rauschenberg in the pressroom of the "Miami Herald," in December of 1979. With manuscript annotations on the verso identifying Rauschenberg and crediting photographer John Doman, as well as numerous date stamps, on the verso. Rauschenberg was at the newspaper office to create an original lithograph for the cover of the December 30, 1979 edition of the "Miami Herald's" Sunday magazine, "Tropic." The print, titled "Piece for Tropic," was issued in an edition of 650,000 (presumably the subscription number), of which 150 were signed at random by the artist. 10 x 8 inches. Very Good, showing various signs of frequent use in a newsroom.

Soft cover. Condition: Good. signed by the artist, owner name is handwritten, 216 pages. Signed by Illustrator(s).

Soft Cover. Condition: Very Good. First Edition. First Printing in self wraps SIGNED by Robert Rauschenberg (as 'Bob Rauschenberg') to large front flap without inscription, no markings, no spine/cover creases, slight shelf/edge wear with a few nicks to spine extremities, else Fine signed copy of Pace's first publication of Rauschenberg's anagrams; 4to; 29 full page color plates. Signed by Artist.

Soft cover. Condition: Fine. 1st Edition. 1st Printing. Signed. 128 pages. Published in 1977. Rare Robert Rauschenberg collectible item. A fine copy of the ARTNews Magazine January 1977 Monthly Issue, signed by Robert Rauschenberg. This is one of a handful of copies that were signed by the great artist on behalf of the publisher and distributed to ArtNews Magazine donors only. NONE of the signed copies was commercially sold, and most have disappeared. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Magazine Issue is now rare. Pictorial softcovers, which feature Robert Rauschenberg on the cover, as issued. Art by Rauschenberg and other artists. Contributions by various journalists, art critics, and scholars. Printed on pristine-white, archival stock paper in the United States to the highest standards. American magazines, when they were still being printed regularly, almost always surpassed books in terms of production values. Without DJ, as issued. Published on the occasion of the artist's major retrospective held at the National Collection of Fine Arts in 1977. Presents "Rauschenberg: The ARTNews Magazine Cover Issue". The Cover Portrait of the artist with "Bed", his 1955 combine, behind him, which is permanently housed at the museum. "A protean genius who showed America that all of life could be open to art. Rauschenberg didn't give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "My fear is that something interesting will happen, and I'll miss it" (Robert Rauschenberg). An absolute "must-have" title for Robert Rauschenberg collectors. This copy is very boldly and beautifully signed in black pen-marker on the Front Cover by Robert Rauschenberg. It is signed directly on the Cover itself, not on a tipped-in page. This title is a great Issue. As far as we know, this is the only such signed copy available online and is in especially fine condition: Clean, crisp, and bright. Please note: According to dealers who knew him, Rauschenberg basically stopped signing books in the 1990's. Signed copies still available online are vintage, not recent, and very few. A rare signed copy thus. Lavishly illustrated with black-and-white and color plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG). Signed by Author.

Soft cover. Condition: As New. 1st Edition. 1st Printing. Signed. 70 pages. Published in 1981. Retrospective collection of photographs on subject. The first of a planned series on American cities, the project ended with a companion volume on New York City. The first and only edition. Published in a small and limited print run as a softcover original only. There is NO Hardcover Edition. There is no ISBN. The First Edition is now rare. An austerely elegant production by Robert Rauschenberg: Oversize-volume format. White softcovers with metallic-silver titles beautifully embossed on the cover and spine, as issued. Photographs by Robert Rauschenberg. Essay by Clifford Ackley. Matching white hard board slipcase. Printed on pristine-white, thick uncoated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Robert Rauschenberg's "Photos In + Out City Limits: Boston". The great artist's collection of black-and-white photographs on Boston. It is the partial fulfillment of his 30-year-old wish to photograph the entire United States, a project he never completed. Showcases his unique approach to photography as a process of discovery, selection, and assemblage of objects from everyday life. One of the least well-known facts about Rauschenberg is that he began his career as a photographer. He makes no distinction between his photography and his painting, and he brings the same acute eye to both. The photographs, like the paintings, are formally rigorous, sensuous, and piercing. His celebrated method of appropriating found images and objects to capture the fabric, tempo, and "feel" of modern life is photographically-inspired and characterizes his large body of work. The idea of appropriation is not unique to Rauschenberg. It is a central tenet of Surrealism and continues to be the latter Movement's enduring legacy. What makes Rauschenberg's work unique is the way he has "set in motion an interplay of shapes in which the human form is integrated to a rigorous yet flamboyant sense of design, pictures in which art and real life coincide" (Pontus Hulten). "A protean genius who showed America that all of life could be open to art. Rauschenberg didn't give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "Mine is the need to be where it will always never be the same again. Photography is the most direct communication of non-violent contacts" (Robert Rauschenberg). An absolute "must-have" title for Robert Rauschenberg collectors. This copy is very prominently and beautifully signed in pencil by Robert Rauschenberg. It is signed directly on the page itself, not on a tipped-in page. This title is a great art photography book. This is one of few such signed copies of the First Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Rauschenberg basically stopped signing books in the 1990's. Signed copies still available online are vintage, not recent, and few. Copies available online have serious flaws because the color white soils very easily. A rare signed copy thus. 45 tritone plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG). Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good Dust Jacket. French edition of Rauschenberg's photographs. A lovely copy in a dust jacket that has some light edge wear and is missing a 2" x 3/4" piece from the white back panel. This copy is boldly inscribed and signed by Rauschenberg on the front endpaper. Inscribed by Author(s). Book.

Hardcover First Printing. First Edition. Prelims lightly foxed, fine in lightly foxed fine dust jacket. Signed by Rauschenberg on half-title. Laid in is a news clipping advertising the book signing at Ives Book Shop.; Signed by Author(s).

Hardcover. Condition: As New. 1st Edition. 1st Printing. Signed. 70 pages. Published in 1982. Retrospective collection of photographs on subject. One of the greatest art photography books of the 20th century. The First Hardcover Edition. Precedes and should not be confused with the Softcover Edition. There is no ISBN. The First Edition is now rare. An austerely elegant production by Robert Rauschenberg: Oversize-volume format. White linen cloth boards with metallic-silver titles beautifully embossed on the cover and spine, as issued. Photographs by Robert Rauschenberg. Essay by Colta Ives. Matching white linen cloth slipcase. Printed on pristine-white, thick uncoated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Robert Rauschenberg's "Photos In + Out City Limits: New York". The great artist's collection of black-and-white photographs on New York City. It is the partial fulfillment of his 30-year-old wish to photograph the entire United States, a project he never completed. Showcases his unique approach to photography as a process of discovery, selection, and assemblage of objects from everyday life. One of the least well-known facts about Rauschenberg is that he began his career as a photographer. He makes no distinction between his photography and his painting, and he brings the same acute eye to both. The photographs, like the paintings, are formally rigorous, sensuous, and piercing. His celebrated method of appropriating found images and objects to capture the fabric, tempo, and "feel" of modern life is photographically-inspired and characterizes his large body of work. The idea of appropriation is not unique to Rauschenberg. It is a central tenet of Surrealism and continues to be the latter Movement's enduring legacy. What makes Rauschenberg's work unique is the way he has "set in motion an interplay of shapes in which the human form is integrated to a rigorous yet flamboyant sense of design, pictures in which art and real life coincide" (Pontus Hulten). "A protean genius who showed America that all of life could be open to art. Rauschenberg didn't give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "Mine is the need to be where it will always never be the same again. Photography is the most direct communication of non-violent contacts" (Robert Rauschenberg). An absolute "must-have" title for Robert Rauschenberg collectors. This copy is very prominently and beautifully signed in charcoal pencil by Robert Rauschenberg. It is signed directly on the page, not on a tipped-in page. The signature beautifully matches the facsimile of his signature on the book's cover and title page. This title is a great art photography book. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Rauschenberg basically stopped signing books in the 1990's. Signed copies still available online are vintage, not recent, and few. Copies available online have serious flaws because the color white soils very easily. A rare signed copy thus. 70 tritone plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG). Signed by Author.

First edition. Wrappers, fine, one gathering bound upside down. Signed by Rauschenberg on the cover.

Condition: Good. 4to. 108 pp. Portfolio. First Edition. Very Good. Mostly Black and White Plates, 364 total, 20 in color. Signed. In Hardcover White Plastic Box, with Jasper Johns 'Target 1970' inside covers, with Johns offset-litho-facsimile signature, watercolor pads, paintbrush & catalogue. Includes exhibition checklist and bibliography. Prospectus loosely laid in. Catalogue Raisonne of Gemini's complete publications.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Hardcover. Condition: fine. First Edition. 70p, quarto. Illustrated. A fine copy in publisher's slipcase. Boldly signed "Bob Rauschenberg" on dedication page.

Paperback. Condition: Very Good. . . . . Boldly signed by Bob Rauschenberg on half-title page. 4to, paperback. Vg condition. Shallow bend to lower corner of cover & first few pgs; slight moisture-rippling to rear cover & last few pgs (no staining at all); slight smudge to one letter of Rauschenberg's signature, interior otherwise bright & clean, binding tight. xii, 216 p., illus. (some color), includes "Catalogue of Works", pp. 61-197. Prepared in conjunction with an exhibition organized by the National Collection of Fine Arts, Smithsonian Institution, and shown at National Collection of Fine Arts, Washington, D.C. [and other museums] October 30, 1976-January 15, 1978. Signed.