Published by Kontakt-kultura, 2024
Seller: Ruslania, Helsinki, Finland
Manuscript / Paper Collectible
Condition: new. Language: Russian. Shipped worldwide WITHOUT CHARGING OF POSTAGE COSTS! (Economy class).
Published by Kontakt-kultura, 2024
Seller: Ruslania, Helsinki, Finland
Art / Print / Poster
Condition: new. Language: Russian. V.Majakovskij. A.Rodchenko Moskva, 1923, Reprintnoe izdanie 45 kh 60 sm.
Published by La Fábrica Editorial, 2008
ISBN 10: 8492498595 ISBN 13: 9788492498598
Seller: medimops, Berlin, Germany
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Published by Corvina Kiado, Budapest, 1979
ISBN 10: 9631307794 ISBN 13: 9789631307795
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Hardcover. 268 pages. Monograph on this important Russian artist. Features text in German by German Karginow. Includes some color and numerous black and white illustrations. A near fine copy with some minor wear in a close to near fine dust jacket with some sunning to and along the spine.
Published by Bilbao Bizkaia Kutxa
ISBN 10: 8495653451 ISBN 13: 9788495653451
Seller: Ludilivre Photobooks, FONTAINEBLEAU, France
Condition: Neuf. Neuf, sous film plastique d'origine. new and sealed !.
Published by Mazzotta, 1992
ISBN 10: 8820210525 ISBN 13: 9788820210526
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 168 pages; in Italian; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Published by Ernst Museum, Budapest, 1988
ISBN 10: 9637402349 ISBN 13: 9789637402340
Seller: Wissenschaftl. Antiquariat Th. Haker e.K, Klettgau, Germany
softcover. Condition: Sehr gut. (72) p. Hu. / En. Marginal wear to cover. ISBN: 9789637402340 Sprache: Englisch Gewicht in Gramm: 546.
Published by Museum of Modern Art Oxford, Oxford, 1979
ISBN 10: 0905836138 ISBN 13: 9780905836133
Seller: Clayton Fine Books, Shepherdstown, WV, U.S.A.
First Edition
Soft cover. Condition: Fine. First Edition. Near fine in wrappers.
Munich., Prestel-Verlag., 1991. 4to. In fine condition.
Published by Statni nakladatelstvi krasne literatury a umeni, Prague, 1964
Seller: RARE PAPER INC, Brooklyn, NY, U.S.A.
Publisher's wrappers. 15.5 x 17.5 cm. 102 pages: illustrations. Text in Czech. Alexander Rodchenko, a trailblazer of Russian Constructivism, is celebrated for revolutionizing art and sculpture with his innovative use of materials and his pioneering approach to form and space. This book delves into Rodchenko's creative odyssey, exploring his profound influence on modern art and his enduring legacy as a sculptor and artist whose works challenged and transcended the boundaries of his time.
Published by Knickerbocker Press, 1996
ISBN 10: 1577150023 ISBN 13: 9781577150022
Seller: ANARTIST, New York, NY, U.S.A.
Oversize hardcover with dustjacket, 344 pages, in English, French and German; very good condition; spine slightly shaken; light rubbing and edgewear to dj; no internal marks. Foreign shipping may be extra for this book.
Published by New York: Museum of Modern Art, 1998
ISBN 10: 0870700634 ISBN 13: 9780870700637
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 336 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Published by Madrid 2009, 2009
Seller: Dedalus-Libros, Madrid, MAD, Spain
Sin paginar 40 x 16,5 cm Textos en Español e Inglés. Encuadernación editorial en tela con estampaciones en las cubiertas anterior y posterior. Sobrecubierta de acetato impreso. Estado de conservación: Muy bien.
Published by Published by State Art Publishers, Soviet Union, moscow, leningrad, 1939
Seller: Westsider Rare & Used Books Inc., New York, NY, U.S.A.
Hardcover - as published. Condition: Good++.
Published by Irina Novosilzov, (tr.), 1900
ISBN 10: 8489860955 ISBN 13: 9788489860957
Seller: Iridium_Books, DH, SE, Spain
Condition: Muy Bueno / Very Good.
Published by TF EDITORES, 2017
ISBN 10: 849244178X ISBN 13: 9788492441785
Seller: Iridium_Books, DH, SE, Spain
Condition: Muy Bueno / Very Good.
Publication Date: 1929
Seller: Sanctuary Books, A.B.A.A., New York, NY, U.S.A.
First Edition
Paperback. Condition: Near Fine. First Edition. 24 mo. pp. 46 pp. 13 x 9 cm. Original publisher's wraps. Designed by Rodchenko, with additional illustrations of Rodchenko's stage designs within text. A collection of essays following the production of the play Inga, which was help in the Theater of The Revolution in 1929. Includes essays are by the playwright (Anatoly Glebov), the director (Max Tereshkovich), and the designer (Alexander Rodchenko). Each contributor uses the play as a point of departure, before pursuing an independent topic. Glebov discusses the new role of women in Socialist society; Rodchenko, furniture and clothin for the new era (the play is largely set in a communal apartment). Also included is an essay on Constructivist design by Elena Eichengolz. Rare.
Published by Ð"оÑÑРаÑÑÑРенное РРРаÑелÑÑÑРо РРобÑаРРÑелÑнÑÑ Ð ÑкÑÑÑÑÐ (The State Publishing House of Graphic Arts), MоÑкРа (Moscow), 1935
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
First Edition
Softcover. Condition: f to vg. First edition. Folio (16 1/2 x 11 3/4"). Unpaginated. Original illustrated wrappers, with red and black lettering on front cover. "USSR in Construction" was a stunning photographic propaganda magazine published in the Soviet Union from 1930 to 1941, and briefly in 1949. It was published in Russian, French, English, German, with a Spanish-language edition added in 1938. The magazine's self-proclaimed aim was to "reflect in photography the whole scope and variety of the construction work now going on the USSR." It was conceived and designed to be an important foreign relations tool and to portray a positive image of the developments occurring in the Soviet Union to the rest of the world. "USSR in Construction" informed readers abroad of the rapid construction and industrialization taking place within the Soviet Union and depicted the nation as a leading industrial power. From a design perspective, the magazine was a fascinating example of early 20th-century photomontage, with its recurrent use of inserts, and spectacular fold-out pages. The method of printing used for the printing was rotogravure, a type of intaglio printing process, in order to create extremely high quality duotone images (in blue, green, salmon, and olive). With this striking Russian-language issue of "USSR in Construction" dedicated to the "brave Soviet paratroopers," renown Soviet artist Aleksander Rodchenko* and his wife Varvara Stepanova introduced a circular design as the basis for their page layout, thus allowing them to accomodate a variety of scenes from the parachutists' everyday activities as well as Communist political messages. This issue is complete with the parachute fold-out, and the origami-folded centerfold depicting Stalin surrounded by half a circle, which in turn is superimposed over a triangle-shaped image of clouds with numerous parachutists floating down. Discoloration and minor foxing along upper margin of covers. Moderate creasing along spine. Tiny closed tears along fore-edge of back cover, with previous owner's inscription (in Russian) on upper margin. Tip of corners slightly creased throughout (not affecting text or images). Text in Russian. Wrappers in overall fair, interior in good+ to very good, parachute fold-out and origami-folded centerfold in very good condition. *Aleksander Mikhailovich Rodchenko (1891-1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles - usually high above or down below - to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (From Wikipedia).