Rosa Barrett (20 results)

Hardcover, no dust jacket. Ex-library. Stained cover. Pencil marks. Shaken, cocked spine. Foxing. 149 pages. 149 pp.

Hardcover. 137p., first edition, first printing, very good condition in like unclipped dj. Children's book.

Condition: as new. Dust Jacket Condition: as new. Hbk square small 4to 137pp profusely illustr b+w photos an unread copy excellent clean tight unmarked in sleeve-protected dj as new.

Softcover. Condition: Fine. Advance excerpt. Tall octavo. 14pp. Illustrated. Fine in glossy wrappers. Prints brief extracts from chapters of the book, including the first (only?) page of Rosa Park's foreword and portions of interviews conducted by children.

Booklet - Unbound Pages. Condition: Very Good. 89 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: 16 x 23 cms. Category: Royal Statistical Society of London; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Hardcover. Condition: Good. No Jacket. THE BOARDS ARE HEAVILY RUBBED AND STAINED. THE CORNERS ARE SCUFFED AND BUMPED. THE SPINE IS SLIGHTLY COCKED AND HEAVILY FADED. THE EDGES OF THE SPINE ARE SCUFFED. BOTH ENDS OF THE SPINE ARE SCUFFED. THE PAGES HAVE AN UNFINISHED EDGE WHICH ARE HEAVILY YELLOWED. THE FFEP HAS PENNED MARKS AND A STICKER TO THE BASE CORNER. THE BINDING IS LOOSE BUT THE PAGES ARE ALL ATTACHED. THE REAR INSIDE BOARD HAS CRACKED AT THE HINGE. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Hardcover. Condition: Very Good. First Edition. Hardback. No Dust Jacket. 8vo. pp xiv, 149. Original publisher's blue cloth, lettered gilt at the spine. The publisher's own retained copy with their perforated stamp in the preliminaries and a label on the front pastedown reading 'file copy - Nov. 20th 1925.' Portrait frontispiece. Slight dulling to lettering at spine, otherwise very good.

Condition: Good. José Janés. Encuadernación en tapa dura. Waltari, Mika; Scholz, Víctor; Naveira, Rosa S. de; Bosch Barrett, Manuel; Gómez Manchón, Ceferino; Blancafort, Manuel R Obras de Mika Waltari Tapa deslucida. Tapa ilustrada. Pags.1207. Volúmenes.1.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 56. A perfect gift for your loved ones. Reprinted from 1884 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 1 Language: English Pages: 56 Volume 1.

Condition: Very Good. Adelaide, H.F. Leader, Government Printer, [1880s]. Sheet size 568 × 450 mm, printed surface approximately 460 × 340 mm. A few very faint marks; a couple of short tears to the edges (well clear of the printed surface and easily matted out); in excellent condition. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 45 in the bottom right-hand corner of the sheet. From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the plates as published. Eventually, enough became too much . 'The entire work, as issued from the Government Printing Office, consisted of nine parts, each part containing five plates, making a total of forty-five plates. Of these forty-five plates, Miss Fiveash only supplied thirty-two drawings in watercolour of the centre or main branch only. Miss Camilla Hammond sketched the Banksia Ornata, and Mrs Smart sketched the native cherry, and it was from these sketches that the drawings upon stone were made. The remaining eleven plates and title page, together with all the additional work, consisting of the various woods, barks, seed-vessels, botanical sections, and details of the flowers, were drawn direct upon the stones from photos and natural specimens wholly and solely by me during the time I held the position of Chief Lithographer at the Government Printing Office. And, further, I may state that not only did I make the drawings, which consisted of forty-five outlines and 400 colour-stones, but was held responsible by Mr Brown for their proper reproduction in all their natural colours, a matter in which he was very particular' ('Evening Journal', 23 April 1900).

Condition: Very Good. Adelaide, E. Spiller, Government Printer, [1880s]. Sheet size 563 × 434 mm, printed surface approximately 465 × 340 mm. A couple of light creases (one affecting the right-hand margin of the image); a few small chips and tears at the edges (well clear of the printed surface and easily matted out); in very good condition. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 26 in the bottom right-hand corner of the sheet. From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the plates as published. Eventually, enough became too much . 'The entire work, as issued from the Government Printing Office, consisted of nine parts, each part containing five plates, making a total of forty-five plates. Of these forty-five plates, Miss Fiveash only supplied thirty-two drawings in watercolour of the centre or main branch only. Miss Camilla Hammond sketched the Banksia Ornata, and Mrs Smart sketched the native cherry, and it was from these sketches that the drawings upon stone were made. The remaining eleven plates and title page, together with all the additional work, consisting of the various woods, barks, seed-vessels, botanical sections, and details of the flowers, were drawn direct upon the stones from photos and natural specimens wholly and solely by me during the time I held the position of Chief Lithographer at the Government Printing Office. And, further, I may state that not only did I make the drawings, which consisted of forty-five outlines and 400 colour-stones, but was held responsible by Mr Brown for their proper reproduction in all their natural colours, a matter in which he was very particular' ('Evening Journal', 23 April 1900).

Condition: Very Good. Adelaide, E. Spiller, Government Printer, [1880s]. Sheet size 563 × 435 mm, printed surface approximately 470 × 340 mm. A couple of very faint marks and creases (outside the printed surface); in excellent condition. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890). From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the plates as published. Eventually, enough became too much . 'The entire work, as issued from the Government Printing Office, consisted of nine parts, each part containing five plates, making a total of forty-five plates. Of these forty-five plates, Miss Fiveash only supplied thirty-two drawings in watercolour of the centre or main branch only. Miss Camilla Hammond sketched the Banksia Ornata, and Mrs Smart sketched the native cherry, and it was from these sketches that the drawings upon stone were made. The remaining eleven plates and title page, together with all the additional work, consisting of the various woods, barks, seed-vessels, botanical sections, and details of the flowers, were drawn direct upon the stones from photos and natural specimens wholly and solely by me during the time I held the position of Chief Lithographer at the Government Printing Office. And, further, I may state that not only did I make the drawings, which consisted of forty-five outlines and 400 colour-stones, but was held responsible by Mr Brown for their proper reproduction in all their natural colours, a matter in which he was very particular' ('Evening Journal', 23 April 1900).

Condition: Very Good. Adelaide, E. Spiller, Government Printer, [1880s]. Sheet size 564 × 439 mm, printed surface approximately 462 × 343 mm. Tiny closed tear to one edge (well clear of the printed surface and easily matted out); in excellent condition. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), initialled in the image 'R.C.F.' (Rosa Catherine Fiveash). From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the plates as published. Eventually, enough became too much . 'The entire work, as issued from the Government Printing Office, consisted of nine parts, each part containing five plates, making a total of forty-five plates. Of these forty-five plates, Miss Fiveash only supplied thirty-two drawings in watercolour of the centre or main branch only. Miss Camilla Hammond sketched the Banksia Ornata, and Mrs Smart sketched the native cherry, and it was from these sketches that the drawings upon stone were made. The remaining eleven plates and title page, together with all the additional work, consisting of the various woods, barks, seed-vessels, botanical sections, and details of the flowers, were drawn direct upon the stones from photos and natural specimens wholly and solely by me during the time I held the position of Chief Lithographer at the Government Printing Office. And, further, I may state that not only did I make the drawings, which consisted of forty-five outlines and 400 colour-stones, but was held responsible by Mr Brown for their proper reproduction in all their natural colours, a matter in which he was very particular' ('Evening Journal', 23 April 1900).

Condition: Very Good. Adelaide, H.F. Leader, Government Printer, [1880s]. Sheet size 568 × 446 mm, printed surface approximately 240 × 460 mm. A few short tears and creases at the edges (well clear of the printed surface and easily matted out); a couple of very faint marks; in excellent condition. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 44 in the bottom right-hand corner of the sheet. From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the plates as published. Eventually, enough became too much . 'The entire work, as issued from the Government Printing Office, consisted of nine parts, each part containing five plates, making a total of forty-five plates. Of these forty-five plates, Miss Fiveash only supplied thirty-two drawings in watercolour of the centre or main branch only. Miss Camilla Hammond sketched the Banksia Ornata, and Mrs Smart sketched the native cherry, and it was from these sketches that the drawings upon stone were made. The remaining eleven plates and title page, together with all the additional work, consisting of the various woods, barks, seed-vessels, botanical sections, and details of the flowers, were drawn direct upon the stones from photos and natural specimens wholly and solely by me during the time I held the position of Chief Lithographer at the Government Printing Office. And, further, I may state that not only did I make the drawings, which consisted of forty-five outlines and 400 colour-stones, but was held responsible by Mr Brown for their proper reproduction in all their natural colours, a matter in which he was very particular' ('Evening Journal', 23 April 1900).

Condition: Very Good. Adelaide, E. Spiller, Government Printer, [1880s]. Sheet size 563 × 438 mm, printed surface approximately 460 × 340 mm. A few short closed tears at the edges (well clear of the printed surface and easily matted out); in excellent condition. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 17 in the bottom right-hand corner of the sheet, and initialled in the image 'R.C.F.' (Rosa Catherine Fiveash). From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the plates as published. Eventually, enough became too much . 'The entire work, as issued from the Government Printing Office, consisted of nine parts, each part containing five plates, making a total of forty-five plates. Of these forty-five plates, Miss Fiveash only supplied thirty-two drawings in watercolour of the centre or main branch only. Miss Camilla Hammond sketched the Banksia Ornata, and Mrs Smart sketched the native cherry, and it was from these sketches that the drawings upon stone were made. The remaining eleven plates and title page, together with all the additional work, consisting of the various woods, barks, seed-vessels, botanical sections, and details of the flowers, were drawn direct upon the stones from photos and natural specimens wholly and solely by me during the time I held the position of Chief Lithographer at the Government Printing Office. And, further, I may state that not only did I make the drawings, which consisted of forty-five outlines and 400 colour-stones, but was held responsible by Mr Brown for their proper reproduction in all their natural colours, a matter in which he was very particular' ('Evening Journal', 23 April 1900).

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1907 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 304 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 304.

Leather Bound. Condition: New. Language: eng. Language: eng. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1884. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - eng, Vol:- Volume v.1, Pages:- 56, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.1 56 56.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1907. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 304, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 304 304.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Articular Cartilage: Structure, Function, and Pathophysiology.- Does Arthritis Have a Nutritional Etiology?.- Metabolic Dysfunction in Arthritis.- Glucose: An Essential Metabolite and Structural Precursor for Articular Cartilage.- Mammalian Sugar Transporte.

Leather Bound. Condition: New. Language: eng. Language: eng. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1884. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - eng, Vol:- Volume v.1, Pages:- 58, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.1 58 58.