Royet Journoud (87 results)

paperback. Condition: Good. Good. Used with wear incl. biopredation but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.

softcover. Condition: Fine copy. 1st. 8vo, 47 pp., Translated by Keith Waldrop.

Soft cover. Condition: Near Fine. 1st Edition. Translated from the French by Keith Waldrop.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Paperback. Condition: New.

Soft cover. Condition: Good. Tight binding, bright colorful wraps, previous owner's name to inside front wrap, gift inscription to early title page, otherwise clean, unmarked pages throughout. Writing from John Hawkes, Robert Creeley, John Ashbery and many others. Claude Royet-Journoud (illustrator).…

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance; from the personal library of Professor Lloyd Austin, University of Manchester. Physical description; 54 ; ill. ; 23 cm. Features poems with parallel French and English text. Subjects; French poetry - History and criticism - Periodicals. Poetry - Periodicals. 1 Kg.…

First US edition. 108 pp. Light toning and a droplet mark to spine, else near fine in printed wrappers. Translated from the original French by Keith Waldrop.

First US edition. [20 pp w/notes]. Very near fine in glossy printed wrappers. Translated from the original French by Keith Waldrop. Serie d'ecriture supplement no. one.

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance; from the personal library of Professor Lloyd Austin, University of Manchester. Physical description; 54 ; ill. ; 23 cm. Features poems with parallel French and English text. Subjects; French poetry - History and criticism - Periodicals. Poetry - Periodicals. 1 Kg.…

First printing of this edition. [16 pp]. Near fine in stapled wrappers. Pages unopened. One of 50 numbered copies. Translated from the original French by Gary G. Gach.

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condition: Neuf.

Condition: Neuf.

Softcover. Condition: Very good. Great condition. Spine is sunned, impacting readability. Upper fore edge of cover and text block are stained, but legibility is not affected. Pages are clean and unmarked.

First edition, numbered & signed issue. [20 pp]. Near fine in stapled wrappers. Translated from the original French by Keith Waldrop. One of 50 (of 100) numbered copies.

Condition: NEW.

paperback. Condition: Very Good. Gallimard, Paris, c.1972, (stamped n. 271 of 2500 copies), trade paperbk., 85pp., VG $.

paperback. Condition: Very Good. Gallimard, Paris, c.1997, trade paperbk., 94pp., VG $.

paperback. Condition: Very Good. Gallimard, Paris, c.1978, trade paperbk., 104pp., VG $.

paperback. Condition: Very Good. AWEDE, Windsor, Vt., 1985, trade paperbk., 108pp., VG $.

Stapled Wrappers. Condition: Very Good. First Edition. (20pp.) 500 copies. Inscribed by Royet-Journoud for English poet, Andrew Crozier. Signed by Author(s).

Card Wrappers. Condition: Near Fine. First Edition. pp.104 Laid in is a short a.l.s. from Royet-Journoud to English poet Peter Riley written from a San Francisco hotel (I think) about how they will have missed one another in Paris & thanking Riley for his latest collection, Ospita. Riley's short neat penciled notes to text. The book itself is not signed. Signed by Author(s).…

Stapled Wrappers. Condition: Very Good. First Edition. (20pp.) No.2 of 100 copies. Inscribed by Royet-Journoud for English poet, Andrew Crozier. Signed by Author(s).

Paperback. Condition: Collectible-Very Good. Signed by both Claude Royet-Journoud and Dominique Fourcade on the half title page. Text and images are unmarked; pages are bright. Binding is sturdy. Covers show some light wear around the edges, mostly at the corners and at the head and base of the spine. Text is in French.…

Condition: Very Good. ~ Orné de 16 dessins de François Ribes (dont deux sur les couvertures). Le texte autographe de Pierre Reverdy, daté du 14-11-55, est reproduit sur 15 pages. Dans le texte de Jean-Luc Peurot, la tombe de Reverdy au cimetière de Solesmes est illustrée à la fin, occupant la dernière page du magazine ~ 72p ~ 24x17x1cm. ~ Très Bon état ~ LANGUAGE: Français // We accept PayPal & EU bank transfer in EUROS //. Magazines & Periodicals.…

soft cover. Condition: fine. first edition. In-8° broché, 233 pages - Articles originaux : Pour quel consensus ? - Un jour d'octobre à Paris. - A l'insu. - Mais maintenant je veux dire autre chose. Note sur le post-stalinisme. - Voyage en Pologne. - Munich. Un anniversaire oublié. - Erreur de localisation des événements dans le temps. - Il y a toujours un cadavre dans le placard. - L'oubli et la tradition. - Le nouveau nationalisme japonais. Construction d'une mémoire collective. - Sur une commémoration. - Des oublis en série. - Les mots retrouvés.…

Paperback. Condition: Very Good. First Edition; First Printing. Text in French. First Edition, First Printing (Stated). One of 500 copies. Dedicated to Keith Waldrop. Staplebound in goldenrod wraps. Very Good with moderate wear to covers and no marks to text. Pages lightly toned. Poetry-Collectible; 8vo 8" - 9" tall; 10 pages. …

soft cover. Condition: fine. first edition. [LOEW] Grand in-8° broché de 224 pages - Fondée en 1968 par Jean-Pierre Faye, Maurice Roche et Jacques Roubaud, la revue Change s?était donnée pour projet de changer le jeu des formes littéraires, critiques et théoriques. Animée par le « Collectif Change » qui, autour de ses fondateurs, rassemblait Jean Paris, Léon Robel, Mitsou Ronat, la revue s'appuya sur les formalistes russes, sur les travaux de Roman Jakobson et de Noam Chomsky pour affirmer son identité esthétique. Change cessa de paraître en 1983. …