Rudd Natalie (193 results)

Paperback. Condition: Fair. A lively introduction to self-portraiture, reflecting on the work of over sixty artists from the Renaissance to the present day.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Condition: Very Good. Slight cover and edge wear, Paperback book.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Dust Jacket Condition: 7730147. 1770302972. 2/5/2026 2:49:32 PM.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Condition: new.

Paperback. Condition: Very Good. This volume forms part of Tate Publishing's Modern Artists monographs. In a career spanning five decades, Peter Blake has established himself as one of the most influential and original artists working in Britain. Coming to prominence in the late 1950s and 60s his deployment of popular culture icons and consumer goods in his work earned him the title of 'father of pop'. His continued engagement with the technique of collage gave rise to one of the most iconic images of the 1960s, the cover he designed for The Beatles' @Sgt Pepper's Lonely Hearts Club Band'. Preferring to work outside of art world trends, Blake has instinctively drawn from his own life experience to produce work that unabashedly celebrates sentimental themes such as love, magic and nostalgia.…

Paperback. Condition: Good. This volume forms part of Tate Publishing's Modern Artists monographs. In a career spanning five decades, Peter Blake has established himself as one of the most influential and original artists working in Britain. Coming to prominence in the late 1950s and 60s his deployment of popular culture icons and consumer goods in his work earned him the title of 'father of pop'. His continued engagement with the technique of collage gave rise to one of the most iconic images of the 1960s, the cover he designed for The Beatles' @Sgt Pepper's Lonely Hearts Club Band'. Preferring to work outside of art world trends, Blake has instinctively drawn from his own life experience to produce work that unabashedly celebrates sentimental themes such as love, magic and nostalgia.…

Paperback. Condition: New. Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share 'selfies' in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.With 97 illustrations in colour.…

Condition: New. Brand New.

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Good. Mid shelf wear to cover, edges, and corners. Text block clear and binding good. WR.

Condition: New.

Paperback. Condition: New. Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share 'selfies' in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.With 97 illustrations in colour.…