Rupf Margrit (13 results)

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Softcover. Condition: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke. Rectangle and Square provides a comprehensive view of the holdings of Hermann and Margrit Rupf--one of the most important European collections of modern art, not least because many of the works were acquired in the year of their creation. Pieces by Hans Arp, Joseph Beuys, George Braque, André Derain, Lyonel Feininger, Lucio Fontana, Donald Judd, Ilya Kabakov, Wassily Kandinsky and many others are included.

Hardcover. Condition: new. Hardcover. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Condition: Fine. sealed.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Hardcover. Condition: new. Hardcover. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 192 Seiten/pp. - Hermann und Margrit Rupf trugen eine der bedeutendsten europäischen Sammlungen zur Klassischen Moderne zusammen. Das Besondere sind u. a. die vielen exquisiten Werke, die bereits im Jahr ihrer Entstehung erworben wurden. Seit den 1950er Jahren ist die Sammlung durch eine Stiftung am Kunstmuseum Bern öffentlich zugänglich und wird bis heute erweitert - wie zuvor durch das Sammlerpaar vor allem durch Ankäufe zeitgenössischer Kunst. "Rectangle and Square" erlaubt nun erstmals umfassenden Einblick in die Sammlung Rupf, offenbart Vorlieben des privaten Sammlers, dokumentiert die Tätigkeit der Stiftung und gibt zugleich einen wunderbaren Überblick über die letzten einhundert Jahre Kunstgeschichte.

4°, Gebundene Ausgabe. Condition: Sehr gut. 1.,. 351 S. Das Buch ist in sehr gutem, sauberen Zustand. ISBN: 9783716513972 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 2172.

Condition: new.

Hardcover/Pappeinband. 192 S. mit Abb. / gutes Exemplar // Bildende Kunst L013 9783866785816 *.* Sprache: Deutsch Gewicht in Gramm: 1350.