Rupf Margrit (14 results)

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Hardcover. Condition: new. Hardcover. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Condition: Fine. sealed.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Hardcover. Condition: new. Hardcover. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. A special bondBorn in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Hardback. Condition: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

4°, Gebundene Ausgabe. Condition: Sehr gut. 1.,. 351 S. Das Buch ist in sehr gutem, sauberen Zustand. ISBN: 9783716513972 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 2172.

Condition: Sehr gut. 1. Auflage. 29 x 24 cm. 351 S. Illustriertes OHalbleinen. Einband minimal berieben, Seiten minimal nachgedunkelt, sonst sehr gutes Exemplar. Erschienen anlässlich der Ausstellung "Rupf Collection - Kubismus im Korridor" des Kunstmuseum Bern vom 2. Dezember 2005 - 26. Februar 2006, anlässlich des 50-jährigen Bestehens der Stiftung. Durchgehend mit meist farbigen Abbildungen versehen.

8°. 72 S., sw-Abbildungen, XIX S. sw-Abbildungen, broschiert (gut erhalten).

Condition: new.

Hardcover/Pappeinband. 192 S. mit Abb. / gutes Exemplar // Bildende Kunst L013 9783866785816 *.* Sprache: Deutsch Gewicht in Gramm: 1350.