Ryman Robert Storr (15 results)

paperback. Condition: Used: Very Good. Very good glossy paper wraps; light rubbing along edges. Binding tight; contents clean and unmarked. Second printing. 144 pages. Clear plastic dust jacket very good over the paper wraps.

paperback. Condition: ACCEPTABLE. 143 mostly clean, unmarked, tight pages but there are instances of ink underlining and margin marks, and light tanning on edges; sturdy plastic wrap over paper cover.

First edition. Softcover. 62 pages. Exhibition catalog for a show that ran March 4 through April 30, 2017. Text in English and Spanish. Features essays by Courtney J. Martin and Robert Storr. Includes numerous illustrations. An ex-library copy from a gallery with there stickers and pocket. Otherwise a very good copy in wrappers with some other minor wear. Uncommon.

Robert Ryman (illustrator). Robert Ryman. Robert Ryman. Text by Christel Sauer and Urs Raussmüller. Espace d'art contemporain, 7 rue de Lille, Paris, 1991. Oblong 4to exhibition catalogue issued for the presentation of Robert Ryman's paintings at the Espace d'art contemporain in Paris, organised in collaboration with Urs Raussmüller, a key supporter and interpreter of Ryman's work. Illustrated throughout with high-quality colour and black-and-white plates reproducing Ryman's characteristically white, materially focused paintings, with accompanying essays by Christel Sauer and Raussmüller that discuss the artist's practice, installation strategies, and the phenomenology of viewing his work. Includes exhibition checklist and biographical notes.A substantial and now hard-to-find Ryman catalogue from the early 1990s, documenting an important European presentation of his work and the ongoing collaboration with the Raussmüller Organisation. Condition: Near Fine to Very Good: light bumping to edges of cover, clean and unmarked internally, binding tight; no inscriptions.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Couverture rigide. Condition: Très bon.

paperback. Condition: Good. Some shelf wear Satisfaction 100% guaranteed.

First edition. Hardcover. 195 pages. Exhibtion catalog. Features text in English, French, and German with a foreword by Urs Raussmuller, and additional texts by Christel Sauer and Robert Storr. Includes numerous color illustrations, list of previous exhibitions and other biographical and bibliographical information. A near fine copy in cloth boards with some slight bumping to the bottom corners and bottom of the spine. No dust jacket as issued. Internally a clean copy.

236 pp.; 30.3 x 23.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Tate Gallery, London, February 17 - April 25, 1993. Traveled to: Museo Nacional Centro de Arte Reina Sofia, Madrid, May 25 - August 16, 1993; The Museum of Modern Art, New York, September 22, 1993 - January 4, 1994; Museum of Modern Art, San Francisco, February 3 - April 17, 1994 and Walker Art Center, Minneapolis, July 23 - October 2, 1994. Curated and with an essay by Robert Storr. Includes catalogue entries by Catherine Kinley and Lynn Zelevansky with additional research by Linda Norden. Chronology by Lynn Zelevansky. Includes bibliography, a list of one-person exhibitions, and a glossary of technical terms. Very Good. Very light cover wear. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges may be required for this title.

Softcover, 236 pages; very good condition; light crease to spine; pages lightly yellowed at edges; no internal marks. Foreign shipping may be extra.

236 pp.; 30.3 x 23.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Tate Gallery, London, February 17 - April 25, 1993. Traveled to: Museo Nacional Centro de Arte Reina Sofia, Madrid, May 25 - August 16, 1993; The Museum of Modern Art, New York, September 22, 1993 - January 4, 1994; Museum of Modern Art, San Francisco, February 3 - April 17, 1994 and Walker Art Center, Minneapolis, July 23 - October 2, 1994. Curated and with an essay by Robert Storr. Includes catalogue entries by Catherine Kinley and Lynn Zelevansky with additional research by Linda Norden. Chronology by Lynn Zelevansky. Includes bibliography, a list of one-person exhibitions, and a glossary of technical terms. Very Good / Fine. Light edge wear to dust jacket and bumping of bottom right corner of recto. Light yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft Cover. Condition: Near Fine. This is a near fine softcover copy. Top edge of spine slightly bumped. Completely clean. Text in English and Spanish. This catalog was prepared to accompany the exhibition at the Museo Nacional Centro de Arte Reina Sofia, from May 26 to August 16, 1993. The exhibition was also shown at the Tate Gallery in London and the Museum of Modern Art in New York. Essay by Robert Storr. Catalogue by Catherine Kinley and Lynn Zelevansky. Chronology. Bibliography. Exhibition history. 11" high X 9" wide, 255 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Softcover, 256 pages; in Spanish and English; good condition: light creases to spine and lights crimps to top of spine; no internal marks. The Spanish version of the exhibition that also went to the Museum of Modern Art, New York and Tate Gallery London. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. (1993). 4to. Mild bumping to extremities of covers and d.j. Light bumping with denting to lower joint end of rear cover, and light bumping with rippling to lower fore corners of covers. Faint toning to margins of leaves. Faint creasing along top and bottom d.j. edges. Light wear and mild scraping to fore corners, spine head, and joint ends of faintly scratched and mildly rubbed d.j. VG/VG.

Soft cover. Condition: Very Good. Text in english and spanish, 4to, soft cover, 256 pages, illustrated, very good copy.