Salvo: First Edition (195 results)

Condition: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Di Salvo, Roberto; Lolli, Matteo; Donovan, Derec; Nauck, Todd (illustrator). …

Condition: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Included. 1st Edition. 128 p., well illustrated. [otob: 32(mid)].

Hardcover. Condition: Very Good. First Edition. First Edition, First Printing. Published by The Parrish Art Museum, Southampton, New York and, 1995. Octavo. Hardcover. Book is very good. Dust jacket is very good.

Paperback. Condition: Fine. First Edition. CLEAN Fine first edition paperback.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. Hardcover, blue cloth in pictorial dust-jacket. 128 pages. Selected Bibliography. Index of Works in the Exhibition. Illustrated with 87 portraits in color and black and white. First edition. A catalog published to accompany the exhibition by the same name organized by The Parrish Art Museum, Southampton, New York. No previous ownership marks. A clean, square, unmarked book. Dust-jacket shows moderate shelf-wear to rear panel. Fine in a very good dust-jacket. Size: 8vo - over 7¾" - 9¾" tall.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. This is a clean, unmarked copy with light general wear.

Paperback. Condition: Fine. 1st. 47 pages, colour illustrations; 25 cm. Tight, clean copy. *** American conceptual artist. Size: 8vo.

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. Dust jacket in good condition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. Dust jacket protected in a mylar cover. Secure packaging for safe delivery.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1968, Hawthorn Books, stated First, HB 222pp, VG/VG (dj price clipped, dj a little worn at edges, interior clean and unmarked, covers and their titles bright, binding tight).

Condition: FINE. First thus. Woolf's first novel, completed in 1912 when she was 30 years old, but only published three years later, in a much tamer version, as "The Voyage Out." This novel was reconstructed from the original manuscripts held by the New York Public Library by Louise deSalvo, who also wrote the introduction to this edition. xxvii, 350 pp. Very near fine in a like dustjacket.…

softcover. Condition: Collectible; Like New. First Edition. Profusely illustrated including full-page color plates. With essays by Donna De Salvo and David Moos. Published on the occasion of the exhibition, May 4 - August 1, 1996. Tight, clean and crisp. The book appears unread and looks New. No inscriptions. Not ex-library.…

1st edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 128 pages: illustrations (some color); 23 cm. Notes: Catalog for the exhibition at the Parrish Art Museum, July 16-Sept. 3, 1995, Wexner Center for the Arts, Columbus, Ohio, Feb. 3-Apr. 21, 1996, and Tampa Museum of Art, Tampa, Fla., July 14-Sept. 8, 1996. Includes bibliographical references (pages 119-121). Contents: Facing both ways: some thoughts on portraiture today / Donna De Salvo -- In praise of the particular: American portraits / Kenneth E. Silver -- Making faces / Maurice Berger -- Portraiture and performance / Max Kozloff -- The Gap alternative / Michele Wallace. Subjects: 1900-1999. Portraits, American 20th century; Exhibitions. Portraits, American. Self-portraits, American. Art, Modern 20th century United States; Exhibitions. Portraits 19th century. Portrait photography, American 20th century; Exhibitions. Other names: Berger, Maurice 1956-. Berger, Maurice 1956-. Parrish Art Museum. Wexner Center for the Arts. Tampa Museum of Art. Genre: Bibliography. Catalogue. Exhibition catalogs. Illustrated. 1 Kg. …

Hardciover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. 128pp. Numerous color and bw photos and illustrations. Contributions by Maurice Berger, Max kozloff, kenneth E. Silver and Michele Wallace. Photos on request. Size: 8vo - over 7¾" - 9¾" tall.

1st edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 128 pages: illustrations (some color); 23 cm. Notes: Catalog for the exhibition at the Parrish Art Museum, July 16-Sept. 3, 1995, Wexner Center for the Arts, Columbus, Ohio, Feb. 3-Apr. 21, 1996, and Tampa Museum of Art, Tampa, Fla., July 14-Sept. 8, 1996. Includes bibliographical references (pages 119-121). Contents: Facing both ways: some thoughts on portraiture today / Donna De Salvo -- In praise of the particular: American portraits / Kenneth E. Silver -- Making faces / Maurice Berger -- Portraiture and performance / Max Kozloff -- The Gap alternative / Michele Wallace. Subjects: 1900-1999. Portraits, American 20th century; Exhibitions. Portraits, American. Self-portraits, American. Art, Modern 20th century United States; Exhibitions. Portraits 19th century. Portrait photography, American 20th century; Exhibitions. Other names: Berger, Maurice 1956-. Berger, Maurice 1956-. Parrish Art Museum. Wexner Center for the Arts. Tampa Museum of Art. Genre: Bibliography. Catalogue. Exhibition catalogs. Illustrated. 1 Kg. …

Encuadernación de tapa blanda. Condition: Muy bueno. 1� Edición. Libro SIN ABRIR. CON HERMOSA DEDICATORIA DEL AUTOR A LA ANTERIOR PROPIETARIA. De un tiempo largo y de una indisciplina consciente, sale "De espaldas y lunas". Es un conjunto de relatos heterogéneos, pero que saltan a través de algunas constantes que se unen y deshilachan por igual: las rupturas o despedidas -las espaldas-, las lunas que son como vigías o alertas, las relaciones que se acaban… Un conjunto de relatos heterogéneos del autor David Salvo Jiménez. Los relatos exploran temas de rupturas, despedidas y relaciones que se acaban, con la luna como un símbolo recurrente. Dedicado por el Autor(es).…

Paperback. Condition: Near Fine. 1st. 256 pages, illustrations (some colour); 30 cm. Accompanies the exhibition held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 to March 7, 1993; and other venues. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This important book revises our understanding of one of the key moments in American art: the beginnings of Pop art. A style celebrated for its use of mass-production, Pop art has conventionally been seen as constituting a complete break with the art movements that preceded it. Hand-Painted Pop: American Art in Transition, 1955-62 reevaluates this perception by considering Pop art's complex, layered period of evolution, focusing on its crucial seven years of development. Accompanying eight essays by distinguished art historians are 235 illustrations tracing Pop art's earliest beginnings. Many of the works shown have rarely been seen; others are among the most famous icons of our time. Hand-Painted Pop: American Art in Transition, 1955-62 places these works in the broader context of American culture. Among the topics covered are the formal links between New York School painting and early Pop art; the evolution of artists' choice of subject matter in the period; art education in the postwar era; the success and failure of the critical response to Pop; and gay iconography in the paintings of several Pop artists. This substantial revisionist history sheds considerable light on a central movement in art history." - Publisher. *** CONTENTS: Director's foreword, by Richard Koshalek; The faked gesture: pop art and the New York School, by Paul Schimmel; "Subjects of the artists": towards a painting without ideals, by Donna De Salvo; Unsentimental education: the professionalization of the American artist, by David Deitcher; Famous paintings seen and not looked at, not examined, by John Yau; Not necessarily pop: Cy Twombly and America, by Linda Norden; Early pop and the consumptive critic, by Stephen C. Foster; Modes of disclosure: the construction of gay identity and the rise of pop art, by Kenneth E. Silver; Fabulous confusion! Pop before pop?, by Dick Hebdige. Size: 4to. Collectible. …

Brossura. Condition: nuovo. prima edizione. Traduzione di Laura Angelica Gristina Cura di Andrea L. Carbone Prefazione di José Luis Villacañas Berlanga, Michele Cometa. In 8°, pagine 224. Una messa a punto teorica e una raccolta di case studies in vista della definizione dello statuto e delle intersezioni di due discipline, l'iconografia e la storia dei concetti, che studiano secondo prospettive complementari la relazione tra immagini e concetti. L'immaginario del potere e della sovranità, i codici miniati dell'Apocalisse, la pittura di Tiziano, di Dürer e del maestro del Trionfo della morte di Palermo, l'opera scientifica di Aristotele e quella letteraria di Caillois appaiono così sotto una luce nuova, aprendosi a interpretazioni inedite.…

Paperback. Condition: Fine. 1st. 64 pages, illustrations (some colour); 27 cm. Text in English and Dutch. Firm binding, clean inside copy. Size: 4to.

Paperback. Condition: Very Good. No Dustjacket. First Edition. ISBN 0500280193. Trade Paperback. Very Good Condition. Tight sound unmarked copy with minor rubs to edges and corners of covers, slight dustsoiling to bottom edge of book. No statement of later printing on copyright page. No Signature.

Soft cover. Condition: Very Good. 1st Edition. first printing/vg softwraps with rubbed covers. carlo blangiforti (illustrator).

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by The New Press, 1994. Folio. Hardcover. Book is like new. Dust jacket is like new.

Hardcover, in dust jacket. Condition: Near Fine. dj. First edition, first printing. With contributions by Maurice Berger, Max Kozloff, Kenneth E. Silver, and Michele Wallace. Remainder bottom edge, light toning page edges, near fine in near fine dust jacket, in mylar cover.

First edition. 128 pp. Fine in fine dust jacket. Maurice Berger, Max Kozloff, Kenneth E. Silver, and Michele Wallace contribute.

Encuadernación de tapa blanda. Condition: Como Nuevo. 1ª Edición. R2-4.

Soft Cover. Condition: Near Fine. First Edition. soft cover, as issued., faint reading crease to spine, negligible impact. no other flaws - clean, no writing or markings, strong sewn binding.; 127pp., illustrated throughout in color, b/w. two essays and a section of shorter pieces by contemporary artists and architects such as, vija celmins, chuck close, and robert irwin. Size: Square 8vo. Exhibition Catalogue.…

Encuadernación de tapa blanda. Condition: Como Nuevo. 1ª Edición. 216 pp/ R2-5.