Language: English
Published by Buffalo Fine Arts Academy, 1983
ISBN 10: 0914782487 ISBN 13: 9780914782483
Seller: Hoosac River Books, Adams, MA, U.S.A.
There is a small sticker affixed to the lower left corner of the front cover. The pages are clean and unmarked.
Published by The Drawing Center, New York, 2007
Seller: Independent Books, Long Beach, WA, U.S.A.
Paper. Condition: VG. Alan Saret (illustrator). Large-format, folded, unbound, exhibition brochure. Companion to the exhibition at the Drawing Center, New York, November 2007 through February 2008. The "Gang Drawings" are, at the very least, formally noteworthy in their breathtaking grace and clarity of process. From the collection of Sanje (Frank) Elliott, Buddhist mentor, artist, and friend to many. Condition notes: unnumbered pp; TPB. Pages: clean, bright, tight. Cover: white wraps, color artwork all surfaces, gray titles front; mild edge/shelfwear.
Published by Charles Cowles Gallery, 1980
Seller: ANARTIST, New York, NY, U.S.A.
Exhibition invite that unfolds, 6 x 7 inches; very good condition; an unmailed copy.
Language: English
Published by Buffalo Fine Arts Academy and Hallwalls, 1983
ISBN 10: 0914782487 ISBN 13: 9780914782483
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 16 pages; very good condition; light rubbing to covers; no internal marks.
Language: English
Published by Buffalo Fine Arts Academy, Buffalo, New York, 1983
ISBN 10: 0914782487 ISBN 13: 9780914782483
Seller: The Second Reader Bookshop, Buffalo, NY, U.S.A.
Paperback. Condition: Very Good. Very Good with moderate wear to covers and no marks to text. Unmarked pages, staplebound in purple wraps; with 7 images inside. 16 pp. Art Catalogs; 8vo - over 7¾" - 9¾" tall; 16 pages.
Published by New York, March 1970., 1970
27:27 cm. 95 S. mit unzhligen tw. farb. Abb. Fab. OBr. Ex. leicht berieben, Katne etw. gestaucht. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!
Published by Newport Harbor Art Museum, Newport Beach, CA, 1982
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
First Edition
Paperback. Condition: Near Fine. 1st. 108 pages, illustrations (some colour); 19 cm. Exhibition held July 16 to September 5, 1982 at the Newport Harbor Art Museum. Near fine. Tight, clean copy. Age toning. Size: 12mo. Collectible.
Published by The Drawing Center, 2007
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 16 unbound pages and covers; very good condition; light rubbing to covers; no internal marks. Press release and invite card laid in.
Published by Lorence Monk Gallery, 1989
Seller: ANARTIST, New York, NY, U.S.A.
Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.
Published by The Newport Harbor Art Museum, Newport Beach, 1982
ISBN 13: 2900013767236
Signed
Wrappers. Condition: Very Good. (Newport Beach). (1982). 8vo. INSCRIBED by Saret on page between t.p. and table of contents. Faint uneven toning to slightly rubbed wrappers. Light bumping to lower joint end of rear wrapper. Mildest shelfwear to d.j. extremities. Overopening to front hinge and gutters of page 108 and last page. VG in wrappers. INSCRIBED.
Seller: Fenrick Books, Queens, NY, U.S.A.
First Edition
No Binding. Condition: Good. 1st Edition. Köln, Germany: Galerie Ricke, 1969. Announcement Card. 4 2/16 x 5 13/16 . Good. Creasing and minor edge wear. Postage stamp, hand-applied rubber stamp and type-written address of the noted Fluxus collector T. Deelstra. Galerie Ricke announcement card for the release of 7 multiples by David Bradshaw, Eva Hesse, Stephen Kaltenbach, Bruce Nauman, Alan Saret, Richard Serra, and Keith Sonnier.
Language: English
Published by Buffalo Fine Arts Academy, 1983
ISBN 10: 0914782487 ISBN 13: 9780914782483
Seller: Mispah books, Redhill, SURRE, United Kingdom
US$ 140.19
Quantity: 1 available
Add to basketpaperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
Language: English
Published by Fondazione Prada Venice, Italy, 2013
ISBN 10: 8887029555 ISBN 13: 9788887029550
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.
Published by Sidney Janis Gallery New York, NY, 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[24] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 7 - 31, 1970 at Sidney Janis Gallery, New York. Artists in the exhibition included Marcel Duchamp, Kurt Schwitters, Hans Arp, Joan Miro, Buckminster Fuller, Jackson Pollock, Christo, Bruce Conner, Walter De Maria, Robert Rauschenberg, Robert Whitman, Ellsworth Kelly, James Rosenquist, Oyvind Fahlström, Lucas Samaras, Robert Indiana, Jim Dine, Jasper Johns, Claes Oldenburg, Robert Barry, Bruce Bauman, Arman, Barry Flanagan, Les Levine, Robert Gordon, George Kuehn, Fred Sandback, George Segal, Picasso, Man Ray, Francis Picabia, Allan Kaprow, Lawrence Weiner, Victor Burgin, Lloyd Hamrol, Peter Hutchinson, George Herms, Ernst Hesse, William Bollinger, Alan Saret, Robert Rohm, and Robert Watts. Good. Moderate wear and scruffing to covers. Contents clean and unmarked.
Published by New York, NY: Charles Cowles Gallery., 1980
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. [Exhibition brochure]. 12mo. [6 pp]. Single color illustrated card, folded into thirds. Very good. 2 color plates. Includes artist bio and bibliography. Brochure created to announce exhibition "Alan Saret" at Charles Cowles Gallery in New York, NY from May 10 through May 31, 1980. Scarce, From the Collection of the Art Historian Peter Selz.
Published by Artists Space New York, NY, 1979
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 8.9 x 13.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with show held January 6 - February 10, 1979. Organized by Donald Sultan, artists included Tom Martin, Auste Peciura, Alan Saret, Patti Smith, and Nancy Spero. Very Good / Fine. Clean and unmarked with minimal bumping to corners.
Published by Karma Books, 2022
ISBN 10: 1949172783 ISBN 13: 9781949172782
Seller: Michael Knight, Bookseller, Forest Grove, OR, U.S.A.
Paperback. Condition: Very Good. 2nd edition, 2022. Limited printing of 500 copies. Paperback. Clean and solid. Ships from a smoke-free home. 108 pages. Hand-wrapped and packaged in cardboard.
Published by New York: Kineticism Press, 1971
Seller: Mast Books, New York, NY, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. New York: Kineticism Press, 1971. Softcover, side-stapled wrappers. First edition. 114 pp., 9.25 x 9.25 inches. Contents include: "Rumbles" featuring Bas jan Ader, John Perreault, Vito Acconci and Paul Kos; "Interview: Bruce Nauman"; "Interview: Terry Fox"; "Klaus Rinke Retrospective"; "Documents: John Van Saun"; "Documents: Dennis Oppenheim"; "Documents: Richard Serra"; "Yves Klein" by Shunk-Kender; "King for a Day" by Bruce McLean; "112 Greene Street"; "Mrs. Burke, I Thought You Were Dead" by William Wegman; "Drifts and Conversions" by Vito Acconci; "A Discussion with Acconci, Fox, and Oppenheim" by Vito Acconci, Terry Fox and Dennis Oppenheim. Cover features Bruce Nauman. Very Good, surface wear to wrappers with rubbing along spine, contents clean and unmarked.
Published by Kineticism Press New York, NY, 1971
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
114 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 2 of the quarterly periodical "Avalanche", published Winter 1971. Cover features Bruce Nauman. Contents: "Rumbles," featuring Bas Jan Ader, John Perreault, Vito Acconci, and Paul Kos; "Interview: Bruce Nauman"; "Interview: Terry Fox"; "Klaus Rinke Retrospective"; "Documents: John Van Saun"; "Documents: Dennis Oppenheim"; "Documents: Richard Serra"; "Yves Klein," by Shunk-Kender; "King for a Day," by Bruce McLean; "112 Greene Street," by Alan Saret and Jeffrey Lew; "Mrs. Burke, I Thought You Were Dead," by William Wegman; "Drifts and Conversions," by Vito Acconci "A Discussion with Acconci, Fox, and Oppenheim," by Vito Acconci, Terry Fox, and Dennis Oppenheim. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [a pseudonym for Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good. Rubbing of covers and edgewear. 2 cm. scratch on recto at spine with some surrounding creasing. Contents clean and unmarked.
Published by Art-Rite Publishing Co. New York, NY, 1975
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
68 pp.; 27 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 - 1976 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Demi," by Demi R; "Clothes (That Become You)," by Dale McConathy; "Social Realism: Or Living The Artistic Life," by Willy Lenski and Judy Riflka; "The Song of Lilith," by Sylvia Sleigh; "The Gospel of Mary Magdalene," by Elaine Pàgels; "A Transcript of Patti Smith," by Patti Smith; "Rhymes Getting Even," by Edit deAk; "Pencil Moustache Makes Up," by Edit deAk; "How Very Bicentennial," by Walter Robinson; "Junk Politics," by Walter Robinson; "Trans - Atlantic Crossing," by Gregory Battcock; "Henry Pearson: Black Icons Into An Outer Space," by Lucy R. Lippard; "The Regiomantrine Decision," by Alan Saret "The Ghosthouse of @L@EL at Artpark," by Alan Saret. Cover: Edward Ruscha. References : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. No. A1975.09 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 140. Good / Very Good. 1.8 cm. tear to top edge of recto with additional 1 mm. tears to top edges of recto. Yellowing of covers and pages. Contents clean and unmarked.
Published by P.S. 1 / Institute for Art and Urban Resources Long Island City, NY, 1981
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[18] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held December 7 - January 25, 1981. Watercolors selected by Brooks Adams, Martha Beck, Jack Boulton, Paul Cummings, Donald Droll, Klaus Kertess, Beatrix Medinger and Roberta Smith. Artists included Alan Saret, Gary Bower, William Allan, Mimmo Paladino, Barbara Novak, Richard Tuttle, Robin Bruch, Stephen Mueller, Michael Tetherow, Robert Kushner, George Sugarman, Judy Pfaff, Carroll Dunham, Stephen Ellis, Nancy Mitchnick, John Torreano, Nancy Spero, Judith Linhares, Wes Disney, Ellen Phelan, Lucio Pozzi, Edith Gauthmey, Frank Moore, Gioia Timpanelli, Sondra Freckelton, Saul Steinberg, Jack Youngerman, Robert Kitchen, William Garbe and Thomas Lo Cicero. Fair. Significant wear to bottom edges of publication including yellowing, soiling and bumping. 4 mm. tear to right side recto edge. 4 mm. tear to left side edge of verso. 7 mm. dog-ear to upper right corner of recto and 1.2 cm. dog-ear to bottom left corner of recto. 3.3 cm. of yellow to bottom edge of verso, continuing through to interior pages. Additional handling wear and rubbing.
Published by University Art Museum Santa Barbara, 1984
Seller: ANARTIST, New York, NY, U.S.A.
Poster, measuring 17 x 22 inches; very good condition; light creases to top edge; machine folded 2 times into 4 sections; a mailed copy with address label on rear. Will be mailed folded.
Published by Katonah, NY: Katonah Gallery, 1971., 1971
Seller: Joe Maynard, Nashville, TN, U.S.A.
Signed
Soft cover. Condition: Good. PRESENTATION COPY from Robert Pincus-Witten to fellow art critic/historian Donald Kuspit. INSCRIBED to "Donald" and SIGNED "Robert" in red ink at verso of front cover, 16pp including wrappers, half-tone illustrations including Eva Hesse sculpture to cover (mild toning, creases, a few indentations and dimples, lower corner starting to "dog ear" good to very good). Signed by Author(s).
Published by Art-Rite Publishing Co. New York, NY, 1975
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
68 pp.; 27 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 - 1976 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Demi," by Demi R; "Clothes (That Become You)," by Dale McConathy; "Social Realism: Or Living The Artistic Life," by Willy Lenski and Judy Riflka; "The Song of Lilith," by Sylvia Sleigh; "The Gospel of Mary Magdalene," by Elaine Pàgels; "A Transcript of Patti Smith," by Patti Smith; "Rhymes Getting Even," by Edit deAk; "Pencil Moustache Makes Up," by Edit deAk; "How Very Bicentennial," by Walter Robinson; "Junk Politics," by Walter Robinson; "Trans - Atlantic Crossing," by Gregory Battcock; "Henry Pearson: Black Icons Into An Outer Space," by Lucy R. Lippard; "The Regiomantrine Decision," by Alan Saret "The Ghosthouse of @L@EL at Artpark," by Alan Saret. Cover: Edward Ruscha. References : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. No. A1975.09 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 140. Very Good / Fine. Yellowing of covers and pages with a 6.2 cm. crease and a 2 mm. tear to verso edge. Contents clean and unmarked. A very well preserved copy.
Published by Newport Harbor Art Museum, 1982
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 108 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.
Published by Newport Harbor Art Museum, 1982
Seller: Zed Books, New York, NY, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. 8vo. 108 pp. Very Good. Mild toning and slight wear to wraps.
Published by Kunsthalle Bern Bern, Switzerland, 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[170] pp.; 31.5 x 24 cm; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue housed in paperboard binder published in conjunction with show held March 22 - April 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, with variant catalogue. "An exhibition sponsored by Philip Morris Europe." Extensive and primary exhibition dedicated to the amalgam of Pop, Minimal and Conceptual Art. Texts by Harald Szeemann, Scott Burton, Grégoire Müller and Tommaso Trini. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Alighiero Boetti, Mel Bochner, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McClean, Walter De Maria, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Fred Sandback, Alan Saret, Sarkis, Jean-Frédéric Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio. Includes a biography, bibliography, illustrations and portrait for each artist. Texts in English, French, German and Italian. References : "When Attitudes Becomes Forms : Bern 1969 / Venice 2013" by Germano Celant, Thomas Demand, Rem Koolhaas, Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, Glenn Phillips. Venice, Italy : Fondazione Prada, 2013. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 50-51. Good / Very Good. Covers lightly soiled with few pale stains and worn with mild bumping to cover corners and spine. Contents clean and unmarked. Binding has not rusted. A much better than average copy of a book that tends to have extensive damage due to nature of covers.
Published by Self-published., 1975
Seller: Tim Byers Art Books, Richmond, United Kingdom
US$ 1,261.70
Quantity: 1 available
Add to basketpp. (70), including 30 blank pages and 40 xeroxed pages. A xeroxed artist book documenting the construction of one of Alan Saret?s most notable habitable sculptures, the Ghosthouse. The project, executed at the Lewiston, NY Artpark in 1975, was Saret?s attempt to align his interest in architecture and sculpture by exploring the possibilities of developing malleable, light-weight architectural systems. He was specifically concerned with the problem of shelter as a basic material need of human life, and aesthetic questions became inseparable from social and ecological ones. Saret worked with a variety of common, flexible materials which he manipulated for specific locations. Dominant among these materials are various forms of wire, particularly galvanised farm and chicken wire.The wigwam-style Ghosthouse was a large, hand-formed architectural structure made exclusively of wire-mesh which the artist inhabited for several months. Its name was derived, in part, from the fact that structure is more absent than present, made using non-rigid, flexible substances, approximating an almost organic translucent form. The first 32 pages of this book illustrate construction of the Ghosthouse, using xeroxed images of photographs, some with descriptive text, as well as xeroxed reproductions of artist drawings. The remainder of the book is a reprint of an article on the Ghosthouse first published in issue 11-12 of Art-Rite magazine (Winter/Spring 1975/76). This copy still in the padded mailing envelope which Saret used for posting - it was mailed to Ira Licht, then Director of the Lowe Art Museum in Coral Gables, Florida. [Rare. Only two copies located on WorldCat, at MoMA NY and at Seattle Art Museum]. Original card wrappers with xeroxed front cover. White plastic comb binding.
Published by Bykert Gallery New York, NY, 1968
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 10 x 10 cm.; die-cut; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Double sided circular announcement published in conjunction with show held November 2 - 28, 1968. Very Good. Scattered very light colored stains on verso. Recto clean and unmarred.
Seller: Bellerophon Studio, Brooklyn, NY, U.S.A.
Magazine / Periodical First Edition
Soft cover. Condition: Fine. 1st Edition. Art-Rite #11-12, Ed Rusche. Art-Rite Publishing Co., 1975/76. Paper wraps with image of gremlin in good condition some discoloration due to inherent vice of newspaper quality paper, small loss on back cover.