Schaufelein (36 results)

No Binding. Condition: Good. Postcard in Good condition, unmailed, with writing on reverse. Cards are sent in stiff mailers. Postcard.

Condition: wie neu. Bd. 1: 194 S. : Ill.; Bd. 2: 473 S. : nur Ill., 34 cm, jeweils mit Schutzumschlag. bearb. von Karl Heinz Schreyl. Sprache: Deutsch.

Band I; Katalog. Band II; Bilddokumentation. Cloth. 35x25,5 cm. -(very) good.-(Band I has some discolouring and spotting on the front board, Band II is in almost mint condition.).

Gr.8°. XII, 307 S. Mit 189 teils farb. Abb. Original-Leinenband mit Schutzumschlag. Mit beiliegendem Sonderdruck der Beiträge Husband u. Talbot. Gewicht (Gramm): 970.

2 volumes . Verlag Dr. Alfons Uhl, Nördlingen 1990. Large 4to. 194 pages + 1214 b/w illustrations on plates. Publisher's green cloth with dust wrappers. Wrappers with some wear. Near fine/ good.

Ln. m. Sch. Condition: Gut. XII S., 306 S. gutes Exemplar Aufgrund meiner Knie-OP versende ich vorübergehend nur dienstags & freitags. Danke für eure Verständnis Sprache: Deutsch Gewicht in Gramm: 1001.

Leinen. 1990. 2°. Oln.OU. (Us. beschädigt). Buch.

1. Aufl., 2 Bände. Band 1: 194 S. Band 2: 1214 Abb. Sprache: Deutsch Gewicht in Gramm: 4500 4°, OLwd, Orig-Schutzumschlag, sehr schöner Zust.

Bearbeitet v. Karl H. Schreyl. 2 Bände. Band 1: Katalog. Band 2: Bilddokumentation. Mit zahlr. Abbildungen. 4to. In 2 OLwd.-Bänden mit Schutzumschlägen. Besitzaufkleber; Gute, saubere Exemplare.

2 Bände. Ca. 35 X 26 cm. 194 (1) Seiten, mit Abbildungen; 1214 Abbildungen. Original-Leinenbände mit Original-Umschlägen. Das Werkverzeichnis der Druckgraphik, erfaßt das gesamte Werk von 1214 Arbeiten. Mit Konkordanzen zu Bartsch, Geisberg und Oldenbourg. Tadellos.

Condition: Good. Engraving. 12.5 x 20 cm. Very Good.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 74. A perfect gift for your loved ones. Reprinted from 1865 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 74.

2 Bände (Katalog u. Bilddokumentation). Folio. 194 S., 1 Bl.; 3 Bl. u. 1214 Abb. auf Tafeln. OLn. mit farbig illustr. OU. Sehr gutes Exemplar. Sprache: deutsch.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. Hans Burgkmair the Elder, Hans Schäufelein, and Leonhard Beck (illustrator). Hard cover, 8vo in stone colored cloth, titles in brown to boards and spine, wrapped in an illustrated pictorial card wrapper, 397pp. Text in English and facsimile German calligraphy. CONDITION: Fine, in a Fine wrapper. **"The amazing tales of the knight Theuerdank and his companion Ehrenhold constitute the last great epic verse of the late Middle Ages. The courageous knight's journey to woo his future wife, Mary of Burgundy, and his triumph in battles and other perilous acts of bravery are the focus of this highly embellished "real-life" story of Emperor Maximilian I (1459-1519). A king of Germany before becoming Holy Roman Emperor in 1508, Maximilian was a great patron of the arts, but also the first modern-age ruler to recognize its potential for propaganda. He commissioned a trilogy of luxurious illustrated books to immortalize his existence, among them Theuerdank--the only volume to be published during his lifetime, composed by Melchior Pfinzing, based on Maximilian's rather fanciful draft. The 118 ornate, gold-adorned woodcuts--one for each chapter--were made by Hans Burgkmair the Elder, Hans Schäufelein, and Leonhard Beck, while the typeface (known as the Theuerdank typeface and marked by striking "elephant trunks") was especially designed for the book by the printing workshop of Hans Schönsperger the Elder. This edition, inspired by an extremely rare hand-colored original from the Bayerische Staatsbibliothek, Munich, comes with an essay by Stephan Füssel (covering Maximilian's life and work, as well as his role in the art of printing and use of printed materials) and selections from Melchior Pfinzing's clavis, or "key," which was included in the original to kindly point out to Maximilian's contemporaries exactly what part of the tales were more fiction than fact. The collection also showcases the famed "elephant trunks" typeface in double-spread fascimiles--true to the original down to every stain and smudge. A chapter-by-chapter retelling of the tales in modern vernacular sheds light on the narrative strategy and real events behind the allegories." (blurb) (AMJ). Book.

Condition: - keine Angabe -. 1. Aufl.;. 4° Band 1: 186 Seiten. Band 2: 1214 Schwarzweiß-Abbildungen auf Bildtafeln; Orig.-Leinen mit OU; 4530g; [Deutsch]; Schutzumschläge minimal gerändert 1. Auflage; _ xXx_. BUCH.

194 (1) S. [Bd.1], unpag. Bilddkumentation m. 1214 Abb. [Bd.2]. Gr.-4°, Orig.-Leinenbde. m. -Schutzumschlag Herausgegeben von den Stadtgeschichtlichen Museen Nürnberg, der Albrecht-Dürer-Haus-Stiftung und dem Verein Rieser Kulturtage. -Guter Zustand. 2000 gr.

8,6 x 5,8 cm. (Bis zur Einfassungslinie beschnitten und mont. a. Karton. Kräftiger klarer Abzug ). Hans (Leonhard) Schäufelin (auch Schäufelein, Hans Schäuffelein, Scheifelen, Scheuflin) (* um 1480/1485 wahrscheinlich in Nürnberg; + um 1538 oder 1540 in Nördlingen), deutscher Maler, Grafiker, insbesondere Holzschneider und Buchillustrator der Dürerzeit. Bartsch 15. Hollstein 993. Oldenburg 289. Schreyl 502.

Condition: molto buono. Silografia originale (mm 295x198) con testo latino al verso. Tratta dalla serie ''Speculum Passionis Domini Nostri Jesu Christi'', pubblicata a Norinberga nel 1507, formata da 34 tavole. L'opera risente dell'influenza del grande maestro di Schaufelein, Albrecht Durer.Ponzio Pilato nell'atto di lavarsi le mani di fronte a Gesù ed alla folla. Esemplare con restauro a piccolo foro;  ottimamente inchiostrato. Bartsch vol VII n. 34. Book.

Condition: Sehr gut. 4°. 35,5 x 26 cm. 194 Seiten; [ca. 600] Seiten. Original-Leinenbände mit Original-Schutzumschlägen. 1. Auflage. Mit 1214 Abbildungen nach Holzschnitten von Schäufelein. Herausgegeben von den Stadtgeschichtlichen Museen Nürnberg der Albrecht-Dürer-Haus-Stiftung e.V. Nördlingen. Schutzumschläge minimal staubschmutzig. Sehr gutes Exemplar.

Condition: Gut. 35 cm 2 Originalleinenbände jeweils mit Schutzumschlag. Gut erhalten. Sprache: Deutsch Gewicht in Gramm: 4560.

Original-Halbleinenband. Condition: Sehr gut. 4 Original-Halbleinenband de (Denkmäler deutscher Kunst); 170 pp. + Tafelanhang.

Cloth-covered boards (hardcover), pictorial dustjackets, 35 x 25,5 cms., 194, (4) pp. text, text-illustrations + (482) pp. with 1214 illustrations. Dustjacket showing very slight traces of use, otherwise as new. ISBN 3921503833.

2 Bde., 4°, 194 Texts., 1214 Abb. auf Tafeln, OrigLeinen mit OUmschlag, U. schwach berieben m. schwachen Randläsuren, Bd.II: Schnitt unten schwach angestaubt, sonst guter Zustand. Sprache: Deutsch.

Condition: guter Zustand. Schäufelein, Hans. Evangelium. Die Hochzeit zu Cana in Galilea.1511/1512. Holzschnitt. Von Hans Schäufelein. 13,8 x 18,3 cm (Darstellung / Einfassungslinie), 18,5 x 24,5 cm (Blatt).Aus: Hans Sachs, Hans Sachs im Gewande seiner Zeit (Gotha: Rudolf Zacharias Becker 1821). Abzug von 1821 vom originalen Druckstock. Urspünglich Einblattdruck mit einem Text von Hans Sachs, hier nur der Holzschnitt. Guter Zustand.Hans Schäufelein (1480/1485 wohl Nürnberg - 1538/1540 Nördlingen). Auch Hans Leonhard Schäufelin, Schäuffelein oder Scheuflin. Deutscher Maler, Zeichner und Holzschnitt-Künstler. Namhafter Vertreter der deutschen Renaissance. Gehörte mit Hans Baldung Grien und Hans von Kulmbach zu den wichtigsten Schülern von Albrecht Dürer. 1503-07 Tätigkeit in dessen Werkstatt (Ober St. Veiter Retabel für das Sebastiansspital; Vollendung des Passionsaltars für Kurfürst Friedrich III. von Sachsen). 1505 lieferte er über 300 Holzschnitte für Der beschlossen gart des rosenkrantz mariae von Ulrich Pinder, 1519 29 Holzschnitte für dessen Speculum passionis domini nostri Iesu Christi. 1507/08 bei Hans Holbein d.Ä. in Augsburg tätig. Zwischen 1508-10 in Südtirol tätig, 1510-15 wieder in Augsburg. 1515 Berufung zu seiner Lebensstellung als Stadtmaler von Nördlingen. 1510-16 entstanden seine Holzschnitte zum Theuerdank und zum Weißkunig für Kaiser Maximilian I., die seine Bekanntheit maßgeblich steigerten. 13,8 x 18,3 cm (Darstellung / Einfassungslinie), 18,5 x 24,5 cm (Blatt). Unten innerhalb der Darstellung monogrammiert.

Condition: Good. Woodcut 6 3/16" x 4" Very Good. German text on verso.From the Collection of Hon. Gerald Henry Brabazon Ponsonby (1829 - 1908), Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough.

24,5 x 17,2 cm (Bildgröße). 29,7 x 19,1 (Blattgröße). Sauberer, aber etwas unruhiger Druck, teils mit kleinen Ausbrüchen (an der Randlinie der Muschelnische und der untersten Linie des Sockels). Im oberen Drittel des Blattes vereinzelte Stockfleckchen im weißen Rand, am rechten seitlichen Oberrand ein klein wenig mehr, Winziger Randausriss (2 mm - sauber mit Japan hinterlegt) am rechten Rand. Rückseitig in den Ecken Spuren von alter Montage (aufgeklebte weiße Papierstreifen) und ältere handschriftliche Bezeichnung (Bleistift). Insgesamt aber sehr gut erhaltenes Blatt. Sehr seltener Einblatt-Holzschnitt! Nagler Band 17, Nr. 96. Nagler, Monogrammisten, Band 3 - Nr.1444. Bartsch 41. Hollstein 17. Sprache: de.

A collection of twenty-six panels from the famous and monumental series of woodcuts commissioned by Holy Roman Emperor Maximilian I and commonly known as THE TRIUMPHAL PROCESSION or THE TRIUMPH OF MAXIMILIAN I. This massive undertaking to celebrate in woodcut the achievements of the young emperor resulted in a continuous woodcut image that measures approximately 177 feet when all 139 images are placed in sequence. From 1512 and until Maximilian's death in 1519, numerous skilled artists of the day created woodblock images for the TRIUMPH, including Hans Burgkmair, Albrecht Dürer, Albrecht Altdorfer, Hans Springinklee, Leonard Beck, Hans Schäufelein, and Wolf Huber. The text to accompany the book was personally dictated by Maximilian to his secretary, Marx Treitzsaurwein. It is from this text that we know the subjects and settings for each of the individual woodcuts. Hans Burgkmair was the chief artist responsible for the TRIUMPH. Burgkmair was the leading painter and draughtsman in the wealthy city of Augsburg, and of all of Maximilian's artists, Burgkmair was the most important in adapting his talents to the service of the Emperor. He is best remembered for his graphic work including Biblical illustrations, book illustrations, coats of arms, and ornaments. Burgkmair drew sixty-six of the 137 woodcuts for the TRIUMPH, accounting for nineteen of the twenty-six woodcuts here. Six of the remaining seven woodcuts in this collection were accomplished by Albrecht Altdorfer (numbers 73, 74, 75, 76, 78, and 85), attributed to him by critic Joseph Meder in 1932 on stylistic grounds. Number 126 is attributed to Hans Schäufelein. Because the portions of some of the woodcuts with banner plaques are supposed to have inscriptions but are printed in solid black (as in numbers 73-76, and others below), these examples were printed from the original woodblocks in either the 1520s or circa 1777. The cutting of the inscriptions on these woodblocks was completed after the second edition in 1777 but before the edition of 1796. So these woodcuts are most likely from the 1777 second edition based on paper stock, overall appearance, and the differences in the numbers printed on some examples as they relate to the first edition strikes. The woodcuts present here are especially interesting for their depiction of peoples, animals, and costumes from exotic lands. The two-panel scene composed of numbers 21 and 22 shows a giant camel pulling two men playing organs. The giant African or Asian elephant in the penultimate number is exquisitely handled, and punctuates the two panels present here that depict the exotic peoples of Calicut, a port city on the Malabar coast of southern India. Portuguese ships had first reached Calicut in 1506 and the colony of Goad established in 1511, so their appearance represents peoples as exotic as New World natives would have been. These people are largely represented as little more than savages, wearing loin cloths, animal skins, grass skirts, or no clothing, carrying primitive weaponry, and juxtaposed with their animals in a more intimate manner than the more "civilized" people represented in the other woodcuts, carrying monkeys and birds and walking amongst their cows and sheep. Several examples present here can be conjoined to make two-, three-, or four-panel displays. Numbers 41 and 42 connect jousters to the chief jousting official who bears their banner, the beginning panels of the jousting section of the display. Numbers 44 and 45 connect Italian jousters with their standard bearer. Numbers 47-49 also connect jousters in a three-panel display showing high-saddled jousters, those in leg armor, and still more Italian jousters with rounded handguards. The most continuous display achievable with this selection is a four-panel representation of horsemen from the Austrian hereditary territories from Duino to various foreign inheritances. The twenty-six woodcuts included here are as follows (all numbers referencing the Dover publication, followed by the number printed on the image, if one can be ascertained): 1) Number 11. Wilhelm von Greyssen, the chief boar hunter, on horseback with five wild boars trailing him. 2) Number 13. Herr Diepolt von Slandersberg, the chief bear hunter, on horseback with five bears trailing him. 3) Number 15. Vice-marshal Eberpach bearing a plaque for the cupbearer, cook, barber, tailor, and cobbler. 4) Number 21. A large camel driven by a small boy carrying the leader's verse. 5) Number 22. Master Paul Hofhaimer and another musician on a low plow car bearing an organ. This woodcut connects with number 21 above via a harness on the camel. 6) Number 37. Five men of the Gefecht with bucklers with unsheathed long swords. 7) Number 40. Five men of the Gefecht with ordinary swords in the scabbards, all wearing wreaths. 8) Number 41. Herr Anthony von Yfan, chief tourneyer, on horseback bearing a banner which was to have been inscribed with verse regarding knightly tournaments. 9) Number 42. Following Yfan, five tourneyers abreast in good order on foot in full armor. Follows the woodcut featuring Yfan just above. 10) Number 44. Printed number 43 in upper right corner. Herr Wolfgang von Polhaim on horseback bearing a banner for Rennen, a type of jousting with pointed lances and lighter armor. 11) Number 45. Italian jousters, five abreast in good order, on horseback. 12) Number 47. Hohenzeuggestech, high-saddled jousters, five abreast on horseback. 13) Number 48. Five jousters in leg armor, on horseback, the horses covered in leather, the jousters grasping their lances beneath the round guards, heads wreathed. 14) Number 49. Italian jousters, five on horseback, with murneten, round jousts with circular guards. 15) Number 51. Printed number 50 in upper right corner. Geschifftrennen, five men on horseback with shields that jump into the air in pieces. 16) Number 55. Printed number 49 in upper right corner. Schwiefrennen, showing five men on horseback, indicating an obli.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1865. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 68, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 68 68.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1550. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 77, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 77 77.

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from 1536 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 116.