Semsel George (29 results)

Hardcover. Condition: Good. No Jacket. First Printing. Ex-library copy. Dealer stamp on front endpaper. film.

Hardcover. Condition: Used-Good. Cloth, no dj. A little shelf-wear. Some underlining.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0275926443.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Bowed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0275926443.

Hardcover. Condition: Very Good. No dust jacket. Grey-tan cloth with blue print; 222 pages. Book is in exellent condition, showing only faint rubbing to surfaces, a couple of faint smudges to bottom of text block, light bumping to corners and at ends of spine; otherwise in fine shape with a sharp interior--tight binding and clean, unmarked pages. A good copy!

Condition: Fine. Unused, minor shelf wear to outer pages, book content is in like new condition.

Condition: Fine. Unused, some outer pages have minor shelf wear, book content is in like new condition.

Hardcover. Condition: Good. Ex-library book, usual markings. Hardback. Clean copy, sound binding. Quick dispatch from UK seller.

Condition: Very Good. Unused, minor shelf wear to outer pages, book content is in like new condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Condition: New. A collection of translations of Chinese film theory, providing readers with an introduction to issues current in China's film circles. The book looks at the debate over the relationship of film to culture, concluding that for the time being debate has virtually ended due to the political situation. Num Pages: 248 pages, black & white illustrations. BIC Classification: 1FPC; APFA; JFC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 532. . 1990. Hardback. . . . .

Hardback. Condition: New. First Edition. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.

Condition: As New. Unread book in perfect condition.

Condition: New. A collection of translations of Chinese film theory, providing readers with an introduction to issues current in China's film circles. The book looks at the debate over the relationship of film to culture, concluding that for the time being debate has virtually ended due to the political situation. Num Pages: 248 pages, black & white illustrations. BIC Classification: 1FPC; APFA; JFC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 532. . 1990. Hardback. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 248 pages. 9.75x6.50x1.00 inches. In Stock.

Hardback. Condition: New. First Edition. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.

Hardcover. Condition: Very Good. Very good copy. No dustjacket (probably published withou a jacket. Eighteen essays by Chinese authors translated from Chinese into English, presenting a variety of views on Chinese film. xxii, 222pp. Book.

Hardcover. Condition: Fine. Very fine copy. Eighteen essays by Chinese authors translated from Chinese into English, presenting a variety of views on Chinese film. xxii, 222pp. Book.

Condition: Near Fine. [New York]: The Living Theatre, [1962]. Flyer (28x21.5cm); single sheet, single-sided. Pink paper printed with black block text. Near Fine. A scarce piece of Living Theatre ephemera. Advertises a reading of the work of Wagner by an impressive line-up of New York poets, including early appearances by Frank Lima, Gerard Malanga, and Joseph Ceravolo. The event was moderated by filmmaker Willard Maas. As of March 2026, we locate only one separately cataloged copy at Brown University.

Paperback. Condition: new. Paperback. This is the story of Ai Mei, a Chinese girl adopted by American parents. Ai Mei's journey, a magical adventure into time and culture as well as into space, takes her from Rockport, Massachusetts, in the U.S. to contemporary Beijing, and then into the very heart of China. At the Labrang Monastery on the Tibetan plateau in Gansu Province, she runs away from Angie, her American mother, in a desperate search for her birth mother and, hopefully, the answers to questions she has about her origins. With her American mother in frantic pursuit, Amy has a number of unexpected adventures and meets all kinds of people as she finds her way first to Guilin, and then to Hunan Province. In the remote depths of Jianyoung County, Amy finds what she has been seeking. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: new. Hardcover. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies. thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies. thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture.

Buch. Condition: Neu. Chinese Film Theory | A Guide to the New Era | George S. Semsel (u. a.) | Buch | Gebunden | Englisch | 1990 | Praeger | EAN 9780275931032 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.