Silverman Howard (28 results)

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: New. The editors selected 58 images from noted collections consisting of vintage photography, propaganda posters, newsreel stills and the like, matching each to a poet, short story or flash fiction writer, plus features by essayists. Each writer interpreted these 'silent witnesses' from the period in their own unique way. The book includes four parts: Part I covers the rise of Nazism and heightening antisemitism. Writers focus on key events such as the Beer Hall Putsch and the Berlin Olympics. Part II revolves around forced labor, ghettos, and extermination, dealing with such topics as death squads, the 'final solution' and collaborators. Part III is all about escape, rescue, and resistance, including the Danish rescue of its Jewish population and the Warsaw ghetto uprising. Part IV deals with the aftermath, the liberation of concentration camp prisoners, the refugee crisis and the Nuremberg trials. Together this diverse group, including writers of color, Christian, Jewish, Muslim, LGBTQ, prominent and emerging writers, have contributed a powerful body of work, that challenges international trends of xenophobia and anti-democratic movements by using power of art to portray truth.…

First (NAP) edition. Blue boards, quarter burgundy cloth, blue eps. Inscribed by "To Larry, Enjoy! Chip Silverman" in dark blue pen on half title. 8vo. pp. [2] blank, [xvi], 345, [5] blank. Near Fine/In like jacket/Unclipped price in clear archival cover. Slight crushed caps, faint wrinkles to rear flap. Foreword by Barry Levinson. Based on "dust & drugs" times of 50's-70's of 10 high school buddies and their outcomes. Includes Levinson (produced Tin Men, Rain Man, Good Morning Vietnam and Diner), Leon Uris, Ellen Cohen (Mama Cass), Ken Waissman and Maxine Cox (wrote Grease).…

Paperback. Condition: Brand New. 240 pages. 9.00x6.00x0.65 inches. In Stock.

Condition: New.

Condition: New.

Hardcover. Condition: Fine. A nice copy! First edition; first printing. Ships from NC. (J-6.).

Condition: New.

paperback. Condition: Fair.

Condition: New.

Paperback. Condition: New. The editors selected 58 images from noted collections consisting of vintage photography, propaganda posters, newsreel stills and the like, matching each to a poet, short story or flash fiction writer, plus features by essayists. Each writer interpreted these 'silent witnesses' from the period in their own unique way. The book includes four parts: Part I covers the rise of Nazism and heightening antisemitism. Writers focus on key events such as the Beer Hall Putsch and the Berlin Olympics. Part II revolves around forced labor, ghettos, and extermination, dealing with such topics as death squads, the 'final solution' and collaborators. Part III is all about escape, rescue, and resistance, including the Danish rescue of its Jewish population and the Warsaw ghetto uprising. Part IV deals with the aftermath, the liberation of concentration camp prisoners, the refugee crisis and the Nuremberg trials. Together this diverse group, including writers of color, Christian, Jewish, Muslim, LGBTQ, prominent and emerging writers, have contributed a powerful body of work, that challenges international trends of xenophobia and anti-democratic movements by using power of art to portray truth.…

Taschenbuch. Condition: Neu. Neuware - The editors selected 58 images from noted collections consisting of vintage photography, propaganda posters, newsreel stills, etc. matching each to a poet, short story writer, plus features by essayists. Each writer uniquely interpreted these ' silent witnesses' from the period creating new perspectives for our times. The book includes four parts: Part I covers the rise of Nazism and heightening antisemitism. Writers focus on key events such as the Beer Hall Putsch and the Berlin Olympics. Part II revolves around forced labor, ghettos, and extermination, dealing with such topics as death squads, the ' final solution,' and collaborators. Part III is all about escape, rescue, and resistance, including the Danish rescue of its Jewish population and the Warsaw ghetto uprising. Part IV deals with the aftermath, the liberation of concentration camp prisoners, the refugee crisis, and the Nuremberg trials. Together this diverse group, including writers of color, Christian, Jewish, Muslim, LGBTQ, prominent and emerging writers, have contributed a powerful body of work that challenges international trends of xenophobia and anti-democratic movements by using the power of art to portray truth.…

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

One First Draft script, one Table Draft script, one Final Draft script, one Revised Final Draft script, and one Treatment Script for Season 1 Episode 21 of the 1990-1991 television series. Originally aired May 2, 1991 on Fox. First Draft script here under working title "Eleven Angry Men, and Charlene." Final Draft script with label affixed to the front wrapper identifying screenwriter Stephen Sustarsic as "Executive Script Consultant." Treatment script with manuscript ink annotations throughout. Series following a trio of single sisters sharing a dumpy one-bedroom apartment in New York City. In this episode, one of the women has jury duty and uses the prospective jury pool as a dating pool. Set in New York City. First Draft: White titled self wrappers, lacking rear wrappers, noted as FIRST DRAFT on the front wrapper, production No. 7E20, dated February 22, 1991, with credits for screenwriters Stephen Sustarsic and David Silverman. Title page integral with front wrapper. 56 leaves, with last page of text numbered 56. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Table Draft: Cream titled wrappers, noted as TABLE DRAFT on the front wrapper, production No. 7E20, dated February 28, 1991. Title page present, dated February 28, 1991, noted as TABLE DRAFT, with credits for screenwriters David Silverman and Steve Sustarsic and director Howard Murray. 58 leaves, with last page of text numbered 53. Xerographic duplication, rectos only. Pages Fine, wrapper Fine, bound with two gold brads. Final Draft: Blue titled wrappers, noted as FINAL DRAFT on the front wrapper, production No. 7E20, dated March 4, 1991. Title page present, dated March 4, 1991, noted as FINAL DRAFT, with credits for screenwriters David Silverman and Steve Sustarsic and director Howard Murray. 52 leaves, with last page of text numbered 44. Xerographic duplication, rectos only. Pages Fine, wrapper Fine, bound with two gold brads. Revised Final Draft: Blue titled wrappers, noted as FINAL DRAFT on the front wrapper, production No. 7E20, dated March 4, 1991. Title page present, dated March 4, 1991, noted as FINAL DRAFT, with credits for screenwriters David Silverman and Steve Sustarsic and director Howard Murray. 55 leaves, with last page of text numbered 44. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 3/4/91 and 3/5/91. Pages Near Fine, wrapper near Fine, bound with two gold brads. Treatment script: 5 leaves. Xerographic duplication, rectos only. Very Good plus, bound with a paperclip at the top left corner.…

Hardcover. First Edition Thus. Octavos, Two Volumes. In Very Good condition. Housed in publisher's black and gold paper slip case. Bound in publisher's decorated black cloth boards with gilt lettering to spines. Minor general shelf wear. Top edges of textblocks gilt. Interior pages clean. Shelved case 13. 1416358. Shelved Dupont Bookstore.…

Five scripts for Season 1 Episode 13 of the 1990-1991 television series, including one First Draft, one Second Draft, one Table Draft, and two Final Drafts. Included with the scripts are several production materials, including two treatments for the episode, The short-lived sitcom followed a trio of single sisters sharing a dumpy one-bedroom apartment in New York City, and aired from September 13, 1990, to May 9, 1991, on Fox. In this episode, Darlene decides to help a homeless man improve his life. All scripts housed together in a generic black three-ring binder, with a manuscript label affixed to the spine. First Draft: Self wrappers. Title page present, noted as FIRST DRAFT, dated December 10, 1990, with credits for screenwriters Steve Sustarsic and David Silverman. 59 leaves, with last page of text numbered 58. Xerographic duplication, rectos only. Pages Near Fine. Second Draft: Self wrappers. Title page present, noted as SECOND DRAFT, dated December 21, 1990, with credits for Sustarsic and Silverman. 58 leaves, with last page of text numbered 57. Xerographic duplication, rectos only. Pages Near Fine. Table Draft: Lavender titled wrappers, dated January 3, 1991, noted as TABLE DRAFT. Title page present, noted as TABLE DRAFT, dated January 3, 1991, with credits for Sustarsic and Silverman. 61 leaves, with last page of text numbered 55. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine. Final Draft, no revisions: Yellow titled wrappers, dated January 7, 1991, noted as FINAL DRAFT. Title page present, noted as FINAL DRAFT, dated January 7, 1991, with credits for Sustarsic and Silverman. 55 leaves, with last page of text numbered 46. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Final Draft, with revisions: Self wrappers. Title page present, noted as FINAL DRAFT, dated January 7, 1991, with credits for Sustarsic and Silverman. 64 leaves, with last page of text numbered 46A. Xerographic duplication, rectos only, with rainbow revisions throughout, dated variously between 1/7/91 and 1/9/91. Pages Very Good, with dampstains affecting the top edges of the first and last five leaves of the script, bound with two gold brads.…