Simon Helga (112 results)

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. minor staining to page edge - slight wear to cover - otherwise binding strong contents clean - enjoy.

Broschiert. Buch hat leichte Gebrauchs spuren ( Lese spuren ) Kanten leicht bestoßen 15 Deutsch 250g.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Minor shelf wear to binding. Light wear & soiling on edges of text block. Text and images unmarked. Dj shelf worn with scuffs, scratches & small tears in a mylar cover. **Please note: book is oversized and heavy, and will require substantial additional shipping fees to international or expedited addresses.**.

Hardcover. Condition: NF. Hardback in Near Fine condition with Near Fine dust jacket . 9.5 X 0.75 X 11.25 inches. 220 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Softbound. Condition: VG+, as new. Color illustrated stiff wraps. ix, 207 pp., profusely illustrated with 179 color and countless bw plates. Published to accompany an exhibition held at the National Gallery in Washington, DC. The Forest of Fontainebleau, located about 50 miles southeast of Paris, held a singular place in 19th-century art. Variously called "savage," "wild," "romantic," and "beautiful" by visitors, Fontainebleau's topography was viewed in many ways that reflected the sensibilities of the time. This is the first English-language publication to examine the significance of the region to the plein-air tradition in France. The book highlights four pivotal figures in the evolution of landscape painting: Jean-Baptiste-Camille Corot, The;odore Rousseau, Jean-François Millet, and Claude Monet. It integrates into this history the photographers who worked at Fontainebleau, including Eugène Cuvelier and Gustave Le Gray, and explores the role the forest played in the development of early photography. It also considers the reception of paintings of Fontainebleau at the Salons and the influence of Fontainebleau on the advent of Impressionism. Contents as follows: Lenders to the Exhibition -- Map of Fontainebleau -- Landscapes, Legends, Souvenirs, Fantasies: The Forest of Fontainebleau in the Nineteenth Century / Kimberly Jones -- Plates -- Discovery -- Topography -- Trees -- Rocks -- Village Life -- Nature and Observation -- Mystery of the Forest: Paintings of Fontainebleau at the Salon / Simon Kelly -- Infinite Museum: Photography in the Forest of Fontainebleau / Sarah Kennel -- Impressionists at Fontainebleau / Helga Aurisch.

Hardbound. Grey cloth boards with gray lettering on spine, color illustrated dust jacket, ix, 207 pp., profusely illustrated with 179 color and countless bw plates. Published to accompany an exhibition held at the National Gallery in Washington, DC. The Forest of Fontainebleau, located about 50 miles southeast of Paris, held a singular place in 19th-century art. Variously called "savage," "wild," "romantic," and "beautiful" by visitors, Fontainebleau's topography was viewed in many ways that reflected the sensibilities of the time. This is the first English-language publication to examine the significance of the region to the plein-air tradition in France. The book highlights four pivotal figures in the evolution of landscape painting: Jean-Baptiste-Camille Corot, The;odore Rousseau, Jean-François Millet, and Claude Monet. It integrates into this history the photographers who worked at Fontainebleau, including Eugène Cuvelier and Gustave Le Gray, and explores the role the forest played in the development of early photography. It also considers the reception of paintings of Fontainebleau at the Salons and the influence of Fontainebleau on the advent of Impressionism. Contents as follows: Lenders to the Exhibition -- Map of Fontainebleau -- Landscapes, Legends, Souvenirs, Fantasies: The Forest of Fontainebleau in the Nineteenth Century / Kimberly Jones -- Plates -- Discovery -- Topography -- Trees -- Rocks -- Village Life -- Nature and Observation -- Mystery of the Forest: Paintings of Fontainebleau at the Salon / Simon Kelly -- Infinite Museum: Photography in the Forest of Fontainebleau / Sarah Kennel -- Impressionists at Fontainebleau / Helga Aurisch. VG/VG exlibrary wwith label at base of dustjacket spine and smaller label on upper right corner of rear dustjacket panel; ownersahsip stamps on top of text block and endpapers. Appears unused.

Soft cover. Condition: Very Good. 1st Edition. VG large illustrated wraps softcover. French fold 4to. 207p. Index. Illustrated. 1st US edition. Art.

Condition: Aceptable. Helga Gebert (illustrator). : Una mañana soleada, una gata muy especial llega a Beaulieu-la-Rivière equipada con su sombrero, su pequeño bolso y una mente llena de ideas. Decide alquilar una casa espaciosa, lo que da inicio a una serie de aventuras encantadoras y situaciones curiosas con los habitantes del lugar.Este libro infantil, escrito por Simon y Desi Ruge, es un clásico de la literatura juvenil francesa que combina humor y fantasía. A través de sus páginas, los lectores descubrirán cómo la llegada de esta gata transforma la vida cotidiana del pueblo, convirtiéndose en una lectura ideal para niños de entre 6 y 9 años. EAN: 9782070335794 Tipo: Libros Categoría: Infantil y Juvenil|Literatura y Ficción Título: La Chatte au chapeau Autor: Simon Ruge| Desi Ruge Editorial: Editions Gallimard Idioma: fr Páginas: 192 Formato: tapa blanda.

Broschiert. Condition: Gut. 1. Auflage;. 102 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 155.

Stiff Wrappers. Condition: Fine Condition. 210 pages 179 illustrations in color. Stiff Illustrated wraps. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC March 2-June 8, 2008. Chronology. Bibliography. Notes. Book.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 220 pages.

paperback. Condition: near fine. First. 179 color illustrations. ix + 206 pages. 4to, pictorial wrappers. Washington: National Gallery of Art, (2008). First edition. A near fine copy.

Condition: acceptable. Helga Gebert (illustrator). Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Condition: As New. Unread book in perfect condition.

Taschenbuch; Condition: Gut. 212 Seiten Das gebrauchte Taschenbuch ist gut erhalten. Namensvermerk des Vorbesitzers im Vorsatz. Sprache: Deutsch Gewicht in Gramm: 200.

Soft cover. Condition: Near Fine. 1st Edition. Over-sized soft cover book (207 pages) with 179 color illustrations. International shipping will require additional charge. Bookseller since 1995 (ULBDRM#3-R) rareviewbooks.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: good. Helga Gebert (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condition: Fine. Used - like new Ships from the USA. In this provocative and broad-ranging work, the authors argue that the ways in which knowledge - scientific, social and cultural - is produced are undergoing fundamental changes at the end of the twentieth century. They claim that these changes mark a distinct shift into a new mode of knowledge production which is replacing or reforming established institutions, disciplines, practices and policies. Identifying features of the new mode of knowledge production - reflexivity, transdisciplinarity, heterogeneity - the authors show how these features connect with the changing role of knowledge in social relations. While the knowledge produced by research and development in science and technology is accorded central concern, the.

Hardbound. Condition: VG/VG as new. Grey cloth boards with gray lettering on spine, color illustrated dust jacket, ix, 207 pp., profusely illustrated with 179 color and countless bw plates. Published to accompany an exhibition held at the National Gallery in Washington, DC. The Forest of Fontainebleau, located about 50 miles southeast of Paris, held a singular place in 19th-century art. Variously called "savage," "wild," "romantic," and "beautiful" by visitors, Fontainebleau's topography was viewed in many ways that reflected the sensibilities of the time. This is the first English-language publication to examine the significance of the region to the plein-air tradition in France. The book highlights four pivotal figures in the evolution of landscape painting: Jean-Baptiste-Camille Corot, The;odore Rousseau, Jean-François Millet, and Claude Monet. It integrates into this history the photographers who worked at Fontainebleau, including Eugène Cuvelier and Gustave Le Gray, and explores the role the forest played in the development of early photography. It also considers the reception of paintings of Fontainebleau at the Salons and the influence of Fontainebleau on the advent of Impressionism. Contents as follows: Lenders to the Exhibition -- Map of Fontainebleau -- Landscapes, Legends, Souvenirs, Fantasies: The Forest of Fontainebleau in the Nineteenth Century / Kimberly Jones -- Plates -- Discovery -- Topography -- Trees -- Rocks -- Village Life -- Nature and Observation -- Mystery of the Forest: Paintings of Fontainebleau at the Salon / Simon Kelly -- Infinite Museum: Photography in the Forest of Fontainebleau / Sarah Kennel -- Impressionists at Fontainebleau / Helga Aurisch.

Condition: Gebraucht - Sehr gut. Vianova Verlag - 1. Auflage 2013 - h4.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.