Language: English
Published by Black Dog Publishing, 2002
ISBN 10: 1901033236 ISBN 13: 9781901033236
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 416 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Language: English
Published by Black Dog Publishing, 2002
ISBN 10: 1901033236 ISBN 13: 9781901033236
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.
Language: English
Published by Black Dog Publishing, 2002
ISBN 10: 1901033236 ISBN 13: 9781901033236
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller: ANARTIST, New York, NY, U.S.A.
Softcover with dustjacket, 368 pages, good condition, front cover and first few pages have 3-inch crease / crumple to lower left corner; no internal marks. Foreign shipping may be extra.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Bbooks Verlag, Berlin, 2006
ISBN 10: 3933557690 ISBN 13: 9783933557698
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New.
Paperback. Condition: New.
Seller: GLOBAL BOOKS AND SUPPLIES LLC, Jamaica, NY, U.S.A.
Soft cover. Condition: Good.
Paperback. Condition: New.
US$ 22.35
Quantity: 15 available
Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Condition: New. pp. 368 Illus.
Language: English
Published by MIT Press October 2019, 2019
ISBN 10: 0262537907 ISBN 13: 9780262537902
Seller: Inquiring Minds, Saugerties, NY, U.S.A.
Trade Paperback. Condition: Used - Very Good.
US$ 31.88
Quantity: Over 20 available
Add to basketPaperback. Condition: New.
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
paperback. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 17.02
Quantity: 2 available
Add to basketPaperback. Condition: Brand New. 368 pages. 6.69x5.79x1.18 inches. In Stock.
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Condition: New.
Condition: As New. Unread book in perfect condition.
Language: English
Published by MIT Press October 2019, 2019
ISBN 10: 0262537907 ISBN 13: 9780262537902
Seller: Inquiring Minds, Saugerties, NY, U.S.A.
Trade Paperback. Condition: Used - Like New.
Condition: New.
Language: English
Published by MIT Press Ltd, Cambridge, Mass., 2019
ISBN 10: 0262537907 ISBN 13: 9780262537902
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. What it means to be global-or to be local-in the context of artistic, curatorial, and theoretical knowledge and practice.In this volume, an international, interdisciplinary group of writers discuss what it means to be global-or to be local-in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contributors to Curating After the Global explore, among other things, specific curatorial projects that may offer roadmaps for the globalized present; new institutional approaches; and ways of thinking, vocabularies, and strategies for moving forward.Contributors includeLotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon Sheikh, Maria Berriosand Jakob Jakobsen, Qalandar Bux Memon, Ntone Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza Maria Hernandez Velazquez, Prem Krishnamurthy and Emily Smith, NkuleMabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin Ross, Grace Samboh, SumeshSharma, Joshua Simon, Hajnalka Somogyi, Lucy Steeds, Fran oise Verg sCopublished with theCenter for Curatorial Studies Bard College/Luma Foundation What it means to be globalor to be localin the context of artistic, curatorial, and theoretical knowledge and practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New.
Condition: New. pp. 368.
Condition: New. pp. 368.
Paperback. Condition: New. What it means to be global-or to be local-in the context of artistic, curatorial, and theoretical knowledge and practice.In this volume, an international, interdisciplinary group of writers discuss what it means to be global-or to be local-in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contributors to Curating After the Global explore, among other things, specific curatorial projects that may offer roadmaps for the globalized present; new institutional approaches; and ways of thinking, vocabularies, and strategies for moving forward.Contributors include Lotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon Sheikh, María Berríos and Jakob Jakobsen, Qalandar Bux Memon, Ntone Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza María Hernández Velázquez, Prem Krishnamurthy and Emily Smith, Nkule Mabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin Ross, Grace Samboh, Sumesh Sharma, Joshua Simon, Hajnalka Somogyi, Lucy Steeds, Françoise VergèsCopublished with the Center for Curatorial Studies Bard College/Luma Foundation.
US$ 22.33
Quantity: Over 20 available
Add to basketCondition: New.
US$ 23.65
Quantity: Over 20 available
Add to basketCondition: As New. Unread book in perfect condition.