Simone Marco (581 results)

hardcover. Condition: New. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator).

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator). …

Condition: Good. A sound copy with only light wear. Overall a solid copy at a great price. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator).

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator).

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator).

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator).…

Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator).…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator).…

Paperback. Condition: Good.

Soft cover. Condition: Very Good. 1st Edition. Very clean and sound. 84 pgs. The Morgan Library and Museum. Exhibition Catalogue. 2018.

Condition: As New. Unread book in perfect condition.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Aurelio Mazzara; Gaetano Petrigno; Eduardo Mello; Cucca Vincenzo; Salvatore Di Marco; Simone Buonfantino; Darío Brizuela (illustrator). …

Condition: New.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. William Jackson, one of Gainsborough's closest friends and biographers, noted that if he had "to rest his [Gainsborough] reputation on one point, it should be on his Drawings". Gainsborough was indeed a draftsman of rare talent and creativity, and his experiments in drawing inspired an entire generation of British artists, from John Constable (1776-1837) to J. M. W. Turner (1775-1851). When not occupied with his lucrative portrait business, Gainsborough devoted much of his time to his true passion, the depiction of landscapes, and more than 600 of the artist's approximately 800 surviving drawings depict the British countryside. Like most artists from his generation, Gainsborough did not draw directly from nature but instead reinvented landscape "of his own brain," laying out on his work table stones, branches, leaves, and soil of various colors. His passion for drawing extended to technical experimentation. Gainsborough mixed different kind of media and invented recipes to make drawings in his own personal fashion: he would sometimes immerse his drawing paper in milk, or varnish it to give his landscapes a lucent tint. The exhibition is based on the group of Gainsborough drawings in the permanent collection of the Morgan Library and Museum, one of the richest holdings of Gainsborough drawing in the United States. Additional drawings from private and public collections, among them some borrowed for the exhibition, are included in the introductory essay of the catalogue.…

Condition: New.

Paperback. Condition: new. Paperback. William Jackson, one of Gainsborough's closest friends and biographers, noted that if he had "to rest his [Gainsborough] reputation on one point, it should be on his Drawings". Gainsborough was indeed a draftsman of rare talent and creativity, and his experiments in drawing inspired an entire generation of British artists, from John Constable (1776-1837) to J. M. W. Turner (1775-1851). When not occupied with his lucrative portrait business, Gainsborough devoted much of his time to his true passion, the depiction of landscapes, and more than 600 of the artist's approximately 800 surviving drawings depict the British countryside. Like most artists from his generation, Gainsborough did not draw directly from nature but instead reinvented landscape "of his own brain," laying out on his work table stones, branches, leaves, and soil of various colors. His passion for drawing extended to technical experimentation. Gainsborough mixed different kind of media and invented recipes to make drawings in his own personal fashion: he would sometimes immerse his drawing paper in milk, or varnish it to give his landscapes a lucent tint. The exhibition is based on the group of Gainsborough drawings in the permanent collection of the Morgan Library & Museum, one of the richest holdings of Gainsborough drawing in the United States. Additional drawings from private and public collections, among them some borrowed for the exhibition, are included in the introductory essay of the catalogue. Accompanying an exhibition at the Morgan Library & Museum, New York, Thomas Gainsborough: Experiments in Drawing off ers an overview of his work as a draftsman, with a particular look at his technical innovations and his mastery of material. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. William Jackson, one of Gainsborough's closest friends and biographers, noted that if he had "to rest his [Gainsborough] reputation on one point, it should be on his Drawings". Gainsborough was indeed a draftsman of rare talent and creativity, and his experiments in drawing inspired an entire generation of British artists, from John Constable (1776-1837) to J. M. W. Turner (1775-1851). When not occupied with his lucrative portrait business, Gainsborough devoted much of his time to his true passion, the depiction of landscapes, and more than 600 of the artist's approximately 800 surviving drawings depict the British countryside. Like most artists from his generation, Gainsborough did not draw directly from nature but instead reinvented landscape "of his own brain," laying out on his work table stones, branches, leaves, and soil of various colors. His passion for drawing extended to technical experimentation. Gainsborough mixed different kind of media and invented recipes to make drawings in his own personal fashion: he would sometimes immerse his drawing paper in milk, or varnish it to give his landscapes a lucent tint. The exhibition is based on the group of Gainsborough drawings in the permanent collection of the Morgan Library and Museum, one of the richest holdings of Gainsborough drawing in the United States. Additional drawings from private and public collections, among them some borrowed for the exhibition, are included in the introductory essay of the catalogue.…

Paperback. Condition: New.