Siri (Over 10,000 results)

Paperback. Condition: Good. FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'An astonishing family drama . . . almost certainly the best American novel you will read this year'Sunday Telegraph'Almost impossible to put down'Independent'Masterful'The Times'Wonderful'ObserverWhile clearing out their late father's papers, Erik and Inga Davidsen unearth a cryptic letter from his adolescence. Desperate to discover the man they never fully understood, they set about reading his memoir. As the siblings are drawn into his past, their lives are upended by two strangers. Erik becomes captivated by Miranda, a young mother who moves into his garden flat. And Inga, still grieving her husband's recent death, is threatened by a journalist in possession of a devastating secret. 'One of the most profound and absorbing books I've read in a long time'Washington Post.…

Paperback. Condition: Good. Siri Weber-Feeney (illustrator).

Paperback. Condition: Fair. FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'An astonishing family drama . . . almost certainly the best American novel you will read this year'Sunday Telegraph'Almost impossible to put down'Independent'Masterful'The Times'Wonderful'ObserverWhile clearing out their late father's papers, Erik and Inga Davidsen unearth a cryptic letter from his adolescence. Desperate to discover the man they never fully understood, they set about reading his memoir. As the siblings are drawn into his past, their lives are upended by two strangers. Erik becomes captivated by Miranda, a young mother who moves into his garden flat. And Inga, still grieving her husband's recent death, is threatened by a journalist in possession of a devastating secret. 'One of the most profound and absorbing books I've read in a long time'Washington Post.…

Paperback. Condition: Good. "A spectacularly good read.feminism in the tradition of Simone de Beauvoir's The Second Sex or Virginia Woolf's A Room of One's Own: richly complex, densely psychological, dazzlingly nuanced." --Slate From the internationally bestselling author of The Summer Without Men comes "an electrifying work" (The Washington Post) about the lengths one woman will go for artistic recognition amid the deceptive powers of prejudice, money, fame, and desire. After years of having her work ignored or dismissed by critics, artist Harriet Burden decides to conduct an experiment: she presents her own art behind three male masks, concealing her female identity. Yet when the shows succeed and Burden steps forward for her triumphant reveal, she is betrayed by the third man, Rune, who claims the work as his own. After critics side with him, Burden and Rune suddenly find themselves in a charged and dangerous game--one that ends in his bizarre death. An intricately conceived, diabolical puzzle presented as a collection of texts, including Harriet's journals assembled after her death, this "glorious mashup of storytelling and scholarship" (San Francisco Chronicle) unfolds from multiple perspectives as Harriet's critics, fans, family, and others offer their own conflicting opinions of where the truth lies.…

hardcover. Condition: Fair.

Hardback. Condition: Good. Named one of the New York Times Book Review's 100 Notable Books of the Year ** Publishers Weekly's Best Fiction Books of 2014 ** NPR Best Books of 2014 ** Kirkus Reviews Best Literary Fiction Books of 2014 ** Washington Post Top 50 Fiction Books of 2014 ** Boston Globe's Best Fiction of 2014 ** The Telegraph's Best Fiction to Read 2014 ** St. Louis Post Dispatch's Best Books of 2014 ** The Independent Fiction Books of the Year 2014 ** One of Buzzfeed's Best Books Written by Women in 2014 ** San Francisco Chronicle's Best of 2014 ** A Nancy Pearl Pick ** PopMatters.com's Best of 2014 Fiction Winner of the 2014 LA Times Book Prize for Fiction Finalist for the 2014 Kirkus Prize Hailed by The Washington Post as Siri Hustvedt's best novel yet, an electrifying work, The Blazing World is a masterful novel about perception, prejudice, desire, and one woman's struggle to be seen. In a new novel called searingly fresh. A Nabokovian cat's cradle on the cover of The New York Times Book Review, the internationally bestselling author tells the provocative story of artist Harriet Burden, who, after years of having her work ignored, ignites an explosive scandal in New York's art world when she recruits three young men to present her creations as their own. Yet when the shows succeed and Burden steps forward for her triumphant reveal, she is betrayed by the third man, Rune. Many critics side with him, and Burden and Rune find themselves in a charged and dangerous game, one that ends in his bizarre death. An intricately conceived, diabolical puzzle presented as a collection of texts, including Harriet's journals, assembled after her death, this glorious mashup of storytelling and scholarship (San Francisco Chronicle) unfolds from multiple perspectives as Harriet's critics, fans, family, and others offer their own conflicting opinions of where the truth lies. Writing in Slate, Katie Roiphe declared it a spectacularly good read.feminism in the tradition of Simone de Beauvoir's The Second Sex or Virginia Woolf's A Room of One's Own: richly complex, densely psychological, dazzlingly nuanced. Astonishing, harrowing, and utterly, completely engrossing (NPR), Hustvedt's new novel is Blazing indeed: .with agonizing compassion for all of wounded humanity(Kirkus Reviews, starred review). It is a masterpiece that will be remembered for years to come.…

Condition: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: like_new.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardback. Condition: Good. Feminist philosophy meets family memoir in this "profound" (Publishers Weekly, starred review) new essay collection from Siri Hustvedt, an exploration of the shifting borders that define human experience, including boundaries we usually take for granted--between ourselves and others, nature and nurture, viewer and artwork--which turn out to be far less stable than we imagine. Described as "a 21st-century Virginia Woolf" in the Literary Review (UK), Man Booker longlisted Hustvedt displays her expansive intellect and interdisciplinary knowledge in this collection that moves effortlessly between stories of her mother, grandmother, and daughter to artistic mothers, Jane Austen, Emily Brontë, and Lousie Bourgeois, to the broader meanings of maternal in a culture shaped by misogyny and fantasies of paternal authority. Mothers, Fathers, and Others is a polymath's journey into urgent questions about familial love and hate, human prejudice and cruelty, and the transformative power of art. This moving, fierce, and often funny book is finally about the fact that being alive means being in states of constant, dynamic exchange with what is around us, and that the impulse to draw hard and fast conceptual borders where none exist carries serious theoretical and political dangers.…

Paperback. Condition: Good. Reprint. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations.

Condition: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Paperback. Condition: Very Good. Siri Mitchell reveals the world of the Puritans in this powerful story of love beyond measure set in a community where grace is unknown.

Paperback. Condition: Good. Siri Mitchell reveals the world of the Puritans in this powerful story of love beyond measure set in a community where grace is unknown.

Paperback. Condition: As New.

Paperback. Condition: As New.

Paperback. Condition: Very Good.

Paperback. Condition: Good. "No image is wasted, no sentence superfluous in creating a novel that teems with ideas, emotions. . . . Hustvedt's novel is a quietly astounding work of fiction that defies categorization." --Los Angeles Times Siri Hustvedt's What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. He buys the work; tracks down the artist, Bill Wechsler; and the two men embark on a life-long friendship. Leo's story, which spans twenty-five years, follows the growing involvement between his family and Bill's--an intricate constellation of attachments that includes the two men, their wives, Erica and Violet, and their sons, Matthew and Mark. The families live in the same New York apartment building, rent a house together in the summers and keep up a lively exchange of ideas about life and art, but the bonds between them are tested, first by sudden tragedy, and then by a monstrous duplicity that slowly comes to the surface. A beautifully written novel that combines the intimacy of a family saga with the suspense of a thriller, What I Loved is a deeply moving story about art, love, loss, and betrayal.…

Paperback. Condition: Fair. "No image is wasted, no sentence superfluous in creating a novel that teems with ideas, emotions. . . . Hustvedt's novel is a quietly astounding work of fiction that defies categorization." --Los Angeles Times Siri Hustvedt's What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. He buys the work; tracks down the artist, Bill Wechsler; and the two men embark on a life-long friendship. Leo's story, which spans twenty-five years, follows the growing involvement between his family and Bill's--an intricate constellation of attachments that includes the two men, their wives, Erica and Violet, and their sons, Matthew and Mark. The families live in the same New York apartment building, rent a house together in the summers and keep up a lively exchange of ideas about life and art, but the bonds between them are tested, first by sudden tragedy, and then by a monstrous duplicity that slowly comes to the surface. A beautifully written novel that combines the intimacy of a family saga with the suspense of a thriller, What I Loved is a deeply moving story about art, love, loss, and betrayal.…

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

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Paperback. Condition: Fair. "And who among us would deny Jane Austen her happy endings or insist that Cary Grant and Irene Dunne should get back together at the end of The Awful Truth? There are tragedies and there are comedies, aren't there? And they are often more the same than different, rather like men and women, if you ask me. A comedy depends on stopping the story at exactly the right moment." Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia's husband, a renowned neuroscientist, asks her for a "pause." This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia's release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people's home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly, however, she is drawn into the lives of those around her--her mother and her close friends,"the Five Swans," and her young neighbor with two small children and a loud angry husband--and the adolescent girls in her poetry workshop whose scheming and petty cruelty carry a threat all their own. From the internationally bestselling author of What I Loved comes Siri Hustvedt's provocative, witty, and revelatory novel about women and girls, love and marriage, and the age-old question of sameness and difference between the sexes.…

Paperback. Condition: Very Good. "And who among us would deny Jane Austen her happy endings or insist that Cary Grant and Irene Dunne should get back together at the end of The Awful Truth? There are tragedies and there are comedies, aren't there? And they are often more the same than different, rather like men and women, if you ask me. A comedy depends on stopping the story at exactly the right moment." Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia's husband, a renowned neuroscientist, asks her for a "pause." This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia's release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people's home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly, however, she is drawn into the lives of those around her--her mother and her close friends,"the Five Swans," and her young neighbor with two small children and a loud angry husband--and the adolescent girls in her poetry workshop whose scheming and petty cruelty carry a threat all their own. From the internationally bestselling author of What I Loved comes Siri Hustvedt's provocative, witty, and revelatory novel about women and girls, love and marriage, and the age-old question of sameness and difference between the sexes. …

Paperback. Condition: Good. "And who among us would deny Jane Austen her happy endings or insist that Cary Grant and Irene Dunne should get back together at the end of The Awful Truth? There are tragedies and there are comedies, aren't there? And they are often more the same than different, rather like men and women, if you ask me. A comedy depends on stopping the story at exactly the right moment." Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia's husband, a renowned neuroscientist, asks her for a "pause." This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia's release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people's home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly, however, she is drawn into the lives of those around her--her mother and her close friends,"the Five Swans," and her young neighbor with two small children and a loud angry husband--and the adolescent girls in her poetry workshop whose scheming and petty cruelty carry a threat all their own. From the internationally bestselling author of What I Loved comes Siri Hustvedt's provocative, witty, and revelatory novel about women and girls, love and marriage, and the age-old question of sameness and difference between the sexes.…

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.