Published by Cambridge University Press, 1993
ISBN 10: 0521409241 ISBN 13: 9780521409247
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Princeton University Press, 1997
ISBN 10: 0691057990 ISBN 13: 9780691057996
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Cambridge University Press, 1993
ISBN 10: 0521400694 ISBN 13: 9780521400695
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.55.
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Publication Date: 1990
Seller: Booksavers of Virginia, Harrisonburg, VA, U.S.A.
journal. Condition: Good. Binding tight, pages unmarked. Cover has light shelf wear with roughened edges. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.
Octavo, xiv+474 pages, original wrappers, a very good copy.
Published by The American Musicological Society, Inc., Philadelphia, PA, 1990
Seller: gearbooks, The Bronx, NY, U.S.A.
Magazine / Periodical First Edition
Soft Cover. Condition: Very Good. Copyright 1990 by the American Musicolog. 205 + pp. Vol. XLIII, Summer 1990, No. 2 issue only! ISSN: 0003 0139. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Relevant addendum placed by previous owner or publisher included.
Published by Cambridge University Press, Sussex, 1993
ISBN 10: 0521400694 ISBN 13: 9780521400695
Seller: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, United Kingdom
First Edition
Hardcover. Condition: Very Good. No Jacket. McLachlan, Edward (illustrator). 1st Edition. xii., 110, [6] pp. Nice clean review copy but with fading to the spine.
Published by Princeton University Press, 1997
ISBN 10: 0691057982 ISBN 13: 9780691057989
Seller: Bittersweet Books, North Stonington, CT, U.S.A.
Hardcover. Condition: As New. No Jacket. As new, unread. Dust staining to top page edges. 474 pages. Publisher's library binding was produced without a dust jacket. Not ex-lib. Ist ed., 1st print.
XIII, 474 S., Obr. Mit Notenbsp.
Published by Harvard University Press, 1993
ISBN 10: 067438315X ISBN 13: 9780674383159
Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.35.
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Published by Harvard University Press, 1993
ISBN 10: 067438315X ISBN 13: 9780674383159
First Edition
Hardcover. Condition: As New. First Edition. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Minor shelf wear to dj, in mylar. xii, 311 pages : illustrations ; 25 cm. In this first full-scale examination of the theme-and-variations form in the Classical era, Elaine Sisman demonstrates persuasively that it was Haydn's prophetic innovations - placing the variation in every position of a multi-movement cycle, broadening its array of theme types, and transforming its larger shape - that truly created the Classical variation. She elucidates the concept and technique of variation, traces Haydn's development and use of the form in symphonies, chamber music, and keyboard works, and then shows how Mozart and Beethoven in their individual ways built on his contributions. Throughout, Sisman's analysis reflects both musical thinking of the Classical period and today's critical interests. She discusses ornamentation and musical figures, explores the pervasive eighteenth-century notion of music as rhetoric, and relates the style of the variation to that of the other dominant form in this period: sonata form. Her book offers a revaluation of the nature of the variation form and a new approach to the music of Haydn. Haydn and the Classical Variation is addressed to students and scholars of music, but the author's unaffected style makes it accessible to nonprofessional music lovers as well.