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Slifkin Robert (162 results)
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Bruce Nauman: Going Solo (Companion Editions)
Language: English
Published by Companion Editions, Douglas F. Cooley Memorial Art Gallery, Reed College, 2012
ISBN 10: 0982424086 ISBN 13: 9780982424087
paperback. Condition: Good.
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Bruce Nauman Going Solo
Language: English
Published by Companion Editions, Douglas F. Cooley Memorial Art Gallery, Reed College, 2012
ISBN 10: 0982424086 ISBN 13: 9780982424087
Softcover, 44 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Berenice Abbott's Greenwich Village
Language: English
Published by Marlborough Gallery January 2023, 2023
ISBN 10: 089797381X ISBN 13: 9780897973816
Hardcover. Condition: Used - Very Good. Very nice clean, tight copy free of any marks.
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Calder Composing Motion
Seller: Strand Book Store, ABAA, New York, NY, U.S.A.
Seller rating 4 out of 5 stars
Oversized Hardcover. Condition: Good.
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Calder, Composing Motion
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: As New. Palm Beach: Acquavella Gallery, 2024. Hardcover, bound in pictorial boards. 88 pages: illustrations. Text by Robert Slifkin. Condition: Like New, with no marks or defects.
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Photography at MoMA: 1960 to Now
Language: English
Published by The Museum of Modern Art, New Yo, 2015
ISBN 10: 0870709690 ISBN 13: 9780870709692
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.
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Calder: Composing Motion
Language: English
Published by Acquavella Galleries, Palm Beach, Fl, 2024
ISBN 10: 0999845764 ISBN 13: 9780999845769
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: New. In shrinkwrap. Quarto. Hardcover. White illustrated boards. No jacket, as issued. 88 pages : illustrations ; 26 cm. Catalog of an exhibition held at Acquavella, Palm Beach, from February 17-March 30, 2024.
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Wyatt Kahn: Object Paintings
Language: English
Published by Contemporary Art Museum St. Louis, 2017
ISBN 10: 0988997045 ISBN 13: 9780988997042
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
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Photography at MoMA: 1960 to Now
Language: English
Published by The Museum of Modern Art, New Yo, 2015
ISBN 10: 0870709690 ISBN 13: 9780870709692
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Acceptable. Jumbo-sized. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library.
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The New Monuments and the End of Man: U.S. Sculpture between War and Peace, 1945-1975
Language: English
Published by Princeton University Press, 2019
ISBN 10: 0691192529 ISBN 13: 9780691192529
Hardcover. Condition: New.
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Bruce Nauman: Going Solo (Companion Editions)
Language: English
Published by Companion Editions, Douglas F. Cooley Memorial Art Gallery, Reed College, 2012
ISBN 10: 0982424086 ISBN 13: 9780982424087
Paperback. Condition: Clean & Unmarked. A very clean and straight copy. Clean text and an uncreased spine. 39 pp.
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Calder Composing Motion
Published by Acquavella, New York and Palm Beach, FL, 2024
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Association Member: ABAA ILAB MWABA
Seller rating 5 out of 5 stars
First Edition
First edition and first printing. Hardcover. 88 pages. Exhibition catalog for a show that ran February 17 through March 30, 2024. Features a foreword by Eleanor Acquavella and an essay by Robert Slifkin. Includes numerous color illustrations. A fine copy in illustrated boards. No dust jacket as issued.
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Condition: As New. Unread copy in mint condition.
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The New Monuments and the End of Man U.S. Sculpture Between War and Peace, 1945-1975
Published by Princeton University Press, Princeton, NJ, 2019
First Edition
Condition: Fine. Jacket Design by Jeff Wincapaw (illustrator). Near Fine jacket, very slight edgewear Hardcover octavo, black cloth stamped in bronze to spine, 247 pp.
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New Monuments and the End of Man : U.S. Sculpture Between War and Peace, 1945-1975
Language: English
Published by Princeton University Press, 2019
ISBN 10: 0691192529 ISBN 13: 9780691192529
Condition: New.
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The New Monuments and the End of Man
Language: English
Published by Princeton University Press, US, 2019
ISBN 10: 0691192529 ISBN 13: 9780691192529
Hardback. Condition: New. How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculptureIn the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation.Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary.Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.
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New Monuments and the End of Man : U.S. Sculpture Between War and Peace, 1945-1975
Language: English
Published by Princeton University Press, 2019
ISBN 10: 0691192529 ISBN 13: 9780691192529
Condition: As New. Unread book in perfect condition.
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Softcover with dustjacket, 70 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Yayoi Kusama: I Spend Each Day Embracing Flowers
Seller: Strand Book Store, ABAA, New York, NY, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: Good.
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Condition: New.
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Condition: As New. Unread book in perfect condition.
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Quitting Your Day Job: Chauncey Hare's Photographic Work
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
US$ 33.07
US$ 20.10 shipping
Ships from United Kingdom to U.S.A.Quantity: 3 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 2 working days.
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Present Prospects of Social Art History
Language: English
Published by Bloomsbury Visual Arts, 2022
ISBN 10: 150137608X ISBN 13: 9781501376085
Condition: New.
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The Present Prospects of Social Art History
Language: English
Published by Bloomsbury Publishing PLC, GB, 2022
ISBN 10: 150137608X ISBN 13: 9781501376085
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
US$ 53.03
Free Shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketPaperback. Condition: New. The Present Prospects of Social Art History represents a major reconsideration of how art historians analyze works of art and the role that historical factors, both those at the moment when the work was created and when the historian addresses the objects at hand, play in informing their interpretations. Featuring the work of some of the discipline's leading scholars, the volume contains a collection of essays that consider the advantages, limitations, and specific challenges of seeing works of art primarily through a historical perspective. The assembled texts, along with an introduction by the co-editors, demonstrate an array of possible methodological approaches that acknowledge the crucial role of history in the creation, reception, and exhibition of works of art.
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Quitting Your Day Job: Chauncey Hare's Photographic Work
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: New. Quitting Your Day Job: Chauncey Hare's Photographic Work is the first critical biography of the American photographer Chauncey Hare (1934-2019). Although Hare received a significant, if fleeting, degree of professional success, including a solo exhibition at the Museum of Modern Art in 1977, an Aperture monograph, and three Guggenheim fellowships, his work has not received the critical attention it deserves and his extraordinary life story remains obscure. This lack of recognition has much to do with Hare's fanatical aversion to the commercial realms of the art world even at the height of his professional success. Perhaps his most overt declaration of aesthetic disavowal was his ultimate decision to renounce his identity as an artist in 1985 and pursue a career as a clinical therapist specializing in "work abuse" (which is also the title of a book he co-authored on the subject in 1997). Hare would subsequently donate his entire archive to the Bancroft Library at the University of California-notably not the Berkeley Museum of Art-with the provision that the original prints cannot be exhibited and that any reproduction of his work must include a caption that states that the photograph was created "to protest and warn against the growing domination of working people by multinational corporations and their elite owners and managers."Quitting Your Day Job considers the vexed relation between art and politics that defined Hare's career, drawing upon largely unexamined archival materials, new interviews and analyzing Hare's brilliant and moving photographs alongside the prolix and oftentimes bathetic prefaces he wrote for the three collections of his photographs. The book presents a wide-ranging critical account of Hare's life and art, suggesting the ways in which his work continues to resonate with contemporary concerns about the reach of corporations into everyday life, documentary photography's longstanding complicity with the politics of liberal guilt, and art's vexed relation to elite channels of power.
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Hardback. Condition: New. The newest book from the widely revered Japanese artist Yayoi Kusama features her latest monumental and vibrant work and is the first to explore the experience of seeing it from the lens of the visitor"My entire life has been painted here. Every day, any day. I will never cease dedicating my whole life to my love for the universe." -Yayoi KusamaOne of the most influential artists of the twentieth and twenty-first centuries, Yayoi Kusama occupies a unique position within recent art history. Since the 1950s, she has created a profoundly personal oeuvre that resonates with a global audience. Distinctly recognizable, her works frequently deploy repetitive elements-such as dots-to evoke both microscopic and macroscopic universes.Celebrating the visitor experience, this publication offers an immersive tour of Kusama's 2023 exhibition at David Zwirner, New York. Illustrating thirty-five paintings, a gigantic sculptural installation of pumpkins, a trio of towering, colorful flower sculptures, and a fan-favorite Infinity Mirror Room, I Spend Each Day Embracing Flowers is a vivid document with varying perspectives that echo Kusama's own.New scholarship by Robert Slifkin looks at how Kusama innovates and complicates art historical traditions of image production and how her art seeks to connect humans with the greater cosmos. An essay by Lynn Zelevansky reflects on her own long-standing engagement with Kusama's work and the ways in which it, across the decades, can be seen as a record of love in all its complexity: full of humanity, generosity, affection, sadness, and pain.
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Present Prospects of Social Art History
Language: English
Published by Bloomsbury Visual Arts, 2022
ISBN 10: 150137608X ISBN 13: 9781501376085
Condition: As New. Unread book in perfect condition.
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The New Monuments and the End of Man: U.S. Sculpture between War and Peace, 1945â"1975
Language: English
Published by Princeton University Press, 2019
ISBN 10: 0691192529 ISBN 13: 9780691192529
Seller: Strand Book Store, ABAA, New York, NY, U.S.A.
Seller rating 4 out of 5 stars
Oversized Hardcover. Condition: New.
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Yayoi Kusama: I Spend Each Day Embracing Flowers
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
Hardback. Condition: New. The newest book from the widely revered Japanese artist Yayoi Kusama features her latest monumental and vibrant work and is the first to explore the experience of seeing it from the lens of the visitor"My entire life has been painted here. Every day, any day. I will never cease dedicating my whole life to my love for the universe." -Yayoi KusamaOne of the most influential artists of the twentieth and twenty-first centuries, Yayoi Kusama occupies a unique position within recent art history. Since the 1950s, she has created a profoundly personal oeuvre that resonates with a global audience. Distinctly recognizable, her works frequently deploy repetitive elements-such as dots-to evoke both microscopic and macroscopic universes.Celebrating the visitor experience, this publication offers an immersive tour of Kusama's 2023 exhibition at David Zwirner, New York. Illustrating thirty-five paintings, a gigantic sculptural installation of pumpkins, a trio of towering, colorful flower sculptures, and a fan-favorite Infinity Mirror Room, I Spend Each Day Embracing Flowers is a vivid document with varying perspectives that echo Kusama's own.New scholarship by Robert Slifkin looks at how Kusama innovates and complicates art historical traditions of image production and how her art seeks to connect humans with the greater cosmos. An essay by Lynn Zelevansky reflects on her own long-standing engagement with Kusama's work and the ways in which it, across the decades, can be seen as a record of love in all its complexity: full of humanity, generosity, affection, sadness, and pain.
