Soderlund Gustave (70 results)

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condition: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. 3rd Edition. Appleton-Century-Crofts, Inc., New York. 1946. Hardcover. 3rd Edition. Book is tight, square, and unmarked but for former owner name on the FFFP. Book Condition: Very Good; light wear to tips, head, and tail from shelving; small dent on rear board. No DJ. Green cloth boards and spine with bright gilt lettering on the spine and front board. 244 pp 4to. It has become increasingly apparent in the last few years that th study of counterpoint should begin with the technique of the later sixteenth century, as exemplified in the style of Palestrina. Since the secular compositions of this composer involve a great deal of melodic and harmonic freedom, for the sake of greater pedagogic discipline, limited the choice of compositions in the compilation to the liturgical church music of Palestrina but have attempted to make the selection comprehensive enough for serious study. A clean very presentable copy.

Hard cover. Condition: Very Good. First edition. Very good. No dust jacket as issued. Very Good+/No Dj, hardback, First Edition, ex-college library with usual library features. B&R-58.

Hardcover. Condition: Good. Hardcover, 10 1/4 by 7 1/4 inches, 133 pages. Binding has some wear to corners and spine ends. Hinges tight and pages clean.

Hard Cover. Condition: Fair. No Jacket. Cover is slightly worn with edgewear at head and foot of spine and some cornerbumping, spine is discolored. Minor pencil underlining throughout text. Previous owner's name inked on front endpage. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Good. No Jacket. Quarto. Full cloth binding. Former owner's name on flyleaf. Faint stamped former prices on a couple of pages. Covers clean. Two lower corners bumped and one skinned to the boards. Some pencil marks on interior. 244 pages. Binding tight, square.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn, some pencil marginalia.; 7 x 10 ".

Hardcover. Condition: Very Good+. No Jacket. Light wear to couple corners of green cloth. Previous owner name.

Condition: Good. Good condition. No Dust Jacket 3rd edition. (Gregorian Chant, Music) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Unknown. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn.; 7 x 10 ".

Hardcover. Condition: Very Good. No Jacket. 3rd. green c w/clack titles; owner's names, notes, some foxing on end papers; 244 clean, unmarked pages; lite wear at extremities.

Hardcover. Condition: Very Good. No Jacket. 1st. First American Edition; green c w/gilt titles; owner's stamps; 133 clean, unmarked pages; tiny soft bump to lower front corner (see image).

Hard Cover. Condition: Good. No Jacket. Musical notation (illustrator). Third Edition. [x], 244pp [ink ownership; pencil notes] Size: 4to - over 9¾" - 12" tall.

Condition: Fair. Acceptable condition. No Dust Jacket 3rd edition. A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Condition: Very Good. Small 4to. (x) 133 pp. Eastman School of Music Series, green cloth. Spine ends lightly bumped, small corner missing & shadow blank endpaper, very good, no dust jacket.

Cloth. Condition: Good. No Jacket. x, 133 pp. Spine faded; pencil notations on endpapers and on roughly 1/4 of the pages of text. Very light scuffing to corners and to head and foot of spine.

Hard Cover. Condition: Fair. No Jacket. Third Edition. Green cloth boards are tanning, rubbed to board on edges, spinecover taped in place (very old tape.) Text pages have a tiny amount of pencil markings. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Good. Good hardcover copy, from a personal collection. Binding is tight, sturdy, and square; boards also very good. Markings. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Condition: Good. Good condition. No Dust Jacket. Writing inside. (16th Century, Music, Analysis, Contrapuntal Style, Counterpoint).

Hardcover. Condition: Very Good. name stamp on front endpaper and title page, lacking dust jacket. From the foreword: Direct Approach to Counterpoint in Sixteenth-Century Style by Gustave Fredric Soderlund is an important, authoritative, and illuminating addition to the list of textbooks on contrapuntal style. In accord with the best traditions of pedagogy the technical problems of sixteenth-century contrapuntal style are approached through a careful and exhaustive analysis of the music of the period, with special emphasis upon the works of Palestrina. By adopting this highly desirable approach the author avoids the sterility of academic strict counterpoint and initiates the student directly into the living art of the greatest of all contrapuntal periods. The material presented in this text represents not only Mr. Soderlund's thorough and painstaking scholarship over many years of investigation but also embodies the practical results of his long career as a distinguished teacher of counterpoint. Thoroughly tested in the classrooms of the Eastman School of Music for the past twelve years, this text has proved to be highly valuable both to the composer and to the general student seeking an intimate knowledge of the fundamentals of sixteenth-century vocal polyphony. 133pp 1.09lb 10.2x7.3x0.7in.

Hardcover. Condition: Good. No Jacket. 3rd Edition. Quarto in green cloth binding. Condition: binding rubbed & worn; inked & penciled notes on front & rear endpapers; else good. 244 pages.

Hardcover. Condition: Good. Third Edition. Not marked, owner's name; 4to - over 9¾" - 12" tall.