Sol Lewitt, Signed (46 results)

Dust Jacket Condition: dj. First Edition. First edition. Hardcover. First printing. 416 pages. Massive retrospective catalog for a show that started at San Francisco Museum of Modern Art and ran February 19 through May 30, 2000 and then went on to Chicago and New York for additional dates. Features an introduction by editor Gary Garrels along with essays by Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber, and Adam D. Weinberg. Includes close to 400 color and black and white images, an extensive bibliography, a list of previous exhibitions, and a checklist. A clean and tight very near fine copy in black cloth boards and in a very near fine dust jacket. Signed by Lewitt on the half title page. This is a heavy and oversized book and will require extra shipping. Signed.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Exhibition catalog. Color and black and white illustrations throughout. First edition. SIGNED by Sol LeWitt on the half-title page. Light foxing and a small stray ink mark on top edge, else near fine in a near fine (some light foxing on verso) dust jacket.; 416 pages.

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. Profusely Illustrated (illustrator). 1st Edition. 1st Printing. Signed. 116 pages. Published in 1980. Collection of photographs, presented as an Artist Book. One of the most original and influential photobooks of the 20th century. The first and only edition. Published in a small and limited print run as a softcover original only. The First Edition is now rare. An austerely elegant production by Sol LeWitt: Oversize-volume format. White softcovers, as issued. Photographs by Sol LeWitt. There is very minimal text. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents Sol LeWitt's "Autobiography 1980". His pictorial autobiography, circa 1980, rigorously and originally restricted to his physical, material space, whose specific objects nevertheless refer to both his inner life (private thoughts, feelings, sensations) and mental life (as a Conceptual artist of the first rank). "Shows LeWitt's work space, tools, cabinets for storage, furniture, books, appliances, clocks, records and tapes, pieces of art and family photographs. Each of the nine photographs on every page is arranged in a grid format. Every reference is the same size with no object in his space more important than another" (Publisher's blurb). "The artist catalogues every corner, crevice, and item in his loft: The bare facts of his everyday existence. We investigate each image, but the significance of this Autobiography derives from the connection between images on a page, on a spread, and from page to page. Presents the life of the artist as the life of a particular person, in a particular culture, at a particular time and place. An unparalleled work. Singular in its demonstration that LeWitt's abstract geometric forms are inextricable from the experience of his life and culture" (Adam Weinberg). An absolute "must-have" title for Sol LeWitt collectors. This copy is very prominently, neatly, and beautifully signed, placed, and dated in black ink-pen on the front free endpaper by Sol LeWitt. It is signed directly on the page itself, not on a tipped-in page. There is no recipient named. This title is a pioneering and great photobook. This is one of very few such signed, placed, and dated copies of the First Edition/First Printing still available online and despite its imperfection (toning and wear on DJ spine) is still in fine condition overall: Every single internal page is clean, crisp, and bright. It is NOT price-clipped. It has NO bumps or markings. Please note: Copies available online have very serious flaws. This is surely an accessible and lovely alternative. A rare signed copy thus. 116 plates encompassing 1116 images. One of the most brilliant artists of the 20th century. A fine collectible copy. ISBN 0960557806. Signed by Author.

Oblong quarto, 88 pages, illustrated throughout. Illustrated wrappers. Tiny bump to top of spine, otherwise near fine. - First edition. Signed by Sol Lewitt on title page. Catalogue of an exhibition held in Addison Gallery of American Art from January 15 - april 15 (public viewing of the drawings in progress) and from april 16 june 13, 1993 (Public viewing of the completed exhibition).

30x21 cm, nn S., OPbd. m. Bauchbinde, sehr gut erhalten EA, von Sol Lewitt signiert Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

First Edition. First edition thus: number 1087 of 1500 copies SIGNED BY THE ILLUSTRATOR, Sol Lewitt. FICCIONES, which was first published in its entirety in English by Grove Press in 1962, is the short story collection considered by many to be the best introduction to Borges' work -- and the first to bring him worldwide attention. Square 8vo full black cowhide; publisher's black paper-covered slipcase. Near fine with leather a little scuffed; in very good slipcase with few small areas of touch up and repair. Signed.

Soft cover. Condition: Very Good. 1st Edition. Stiff color wrappers. INSCRIBED by Sol Lewitt on half title. Black & white and color illustrations and plates throughout. Essays by Alexander van Grevenstein and Jan Debbaut. Text in English and Dutch. Minor edgewear, clean and tight copy. 207 pp. Oblong, 29x23,5 cm. Very good copy. Signed by Author(s).

Hardcover with slipcase. Condition: Fine. Sol Lewitt (illustrator). Limited Edition. Square 4to. Unpaginated. Introduction by Helen Vendler. Illustrated with 48 drawings by Sol Lewitt. Bound in gray cloth lettered in black and illustrated with LeWitt's black squiggles. In the darker gray cloth slipcase lettered in black. Of an edition limited to 400 copies, this is hand-numbered copy 178. Signed by both Heaney and LeWitt on at the colophon. A refined publication from the Arion Press, a leading practitioner of fine press publishing, and the natural heir to San Francisco's exemplary fine printing tradition.

Hardcover. Condition: New. LeWitt, Sol (illustrator). Limited Edition. Square, 10 7/8" by 10", 128 unnumbered pages. The type is 24-point Deepdene, handset, with smaller sizes in Monotype composition by Mackenzie & Harris for subsidiary matter. The drawings were scanned to make negatives for photopolymer plates. The paper is Pescia, a mould-made sheet from the Magnani mill in Italy. The binding, done in-house, is hand-sewn, in full gray cloth printed by letterpress with a design that is an enlarged reference to elements in the artist's drawings, and titled on the front, back, and spine. The volume is enclosed in a darker gray cloth slipcase that features the same front and spine titling as on the book. The volume is signed by both the poet and the artist. This was the first of two volumes of Heaney's poetry published by Arion Press (the second being "Stone From Delphi", 2012). Seamus Heaney (1939-2013) was lecturing at the University of California, Berkeley in 1999. Through Helen Vendler we invited him to come to San Francisco to visit Arion Press and have lunch with us on South Park. On February 9, he arrived bearing a present, a copy of the manuscript of a translation he had just made of a Pushkin poem about the legendary poet Arion, who, in Ovid's "Metamorphoses", is saved from the sea by a dolphin. We printed the poem as a keepsake for Arion subscribers in 2002. Hoyem proposed to Heaney that Arion Press publish a deluxe limited edition of his forthcoming translation of "Beowulf" with facing Old English. His publishers, Faber & Faber and Farrar, Straus & Giroux, had intended to use only the translation. Heaney took the idea back to his publishers and they agreed to add the Old English text, which obviated the rationale for the limited edition. Vendler prevailed upon Heaney to allow us to instead produce a limited edition of his most important series of poems, "Squarings". Hoyem approached Sol LeWitt (1928-2007) to do four prints for the four sections of twelve poems each. Instead, the artist offered to do forty-eight drawings, one for each of the poems, as squares with underlying patterns and overlying scribbles. Please note that this copy is marked as "Display I", but is still in as-new condition. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Sol LeWitt (illustrator). Square octavo (8-1/4" x 8-1/2") bound in full black cowhide leather stamped in blind. A beautiful, sumptuous rendition of Borges's first book printed at the Anthoensen Press. Sol LeWitt designed the book in addition to contributing 22 silkscreen prints, printed by Jo Watanabe, each of which was tipped in by hand. Copy #505 of 1500 numbered copies SIGNED by the artist on the colophon page. Monthly Letter laid in. Owner blindstamp on front blank; some light scuffs to leather on front cover. Close to Fine in a Fine slipcase.

Hardcover. Condition: Good. Limited Edition. Ficciones. Jorge Luis Borges. Silk Screens by Sol Lewitt. Published by The Limited Editions Club. 1984. 1500 Copies of Ficciones Have Been Printed by The Anthoensen Press. This is No. 1199 Signed by Sol LeWitt. The Book Was Designed by Sol Lewitt and Set in Cloister Bold by Mackenzie-Harris Corp. The Drawings Were Silk-Screened by Jo Watanabe. The Book was Bound by A. Horowitz & Sons. 306 p. Original slip-case, full leather binding measuring 8.25 x 8.25", oblong 8vo. In good condition. Slip-case lightly soiled with rubbing at edges and corners, but otherwise intact. Black leather boards rubbed at edges as well as head and tail of spine. Some pencil marginalia on front fly-leaf. Text-block clean. Sol LeWitt s signature & numbering found preceding rear fly-leaf, in pencil. Binding tight and intact. Please see photos and ask questions, if any, before purchasing. Jorge Francisco Isidoro Luis Borges Acevedo (1899 1986) was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature. His best-known works, Ficciones and El Aleph, published in the 1940s, are collections of short stories exploring motifs such as dreams, labyrinths, chance, infinity, archives, mirrors, fictional writers and mythology. Borges's works have contributed to philosophical literature and the fantasy genre, and have had a major influence on the magic realist movement in 20th century Latin American literature. Solomon "Sol" LeWitt (1928 2007) was an American artist linked to various movements, including conceptual art and minimalism. LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred to "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965. The first biography of the artist, Sol LeWitt: A Life of Ideas, by Lary Bloom, was published by Wesleyan University Press in the spring of 2019. Twenty two silk screens by Sol LeWitt. Edition limited to 1500 numbered copies. Each book signed by Sol LeWitt. Sol LeWitt created twenty two drawings which he calls a counterpoint to the text. He also designed the actual volume itself, from choosing the typeface to determining the size of the pages. Months were spent casting and composing the type. All the italics had to be set separately and cut in by hand. Each of the twenty two silkscreen prints were tipped in by hand. RAREA1984PXYA - 06/18 FORN-TUB-0069-BB-2503-HKREV589. Signed by Illustrator(s).

pp. (24). Illustrated with 12 line illustrations, with descriptions printed on each facing page.Artist?s book presenting an early serial piece by LeWitt, a floor-bound work 49 Three-Part Variations on Three Different Kinds of Cubes (1967-68), generated according to the artist?s preordained algorithm. Published in an edtion of 1000 numbered copies. This is one of the first 500 copies signed in pen by Sol LeWitt on the colophon. [Ref. Germano Celant - Book as Artwork 1960 / 1972, pp. 74; Giorgio Maffei, Emanuele De Donno - Sol LeWitt Artist's Books, pp. 31]. Original wrappers. With some handling creases and minor sun staining, especially to right-hand edge of covers. A few numbers in the text circled in pen.

First Edition. First edition and first printing. Hardcover. The sixty-seventh publication of the Arion Press. From an edition of 400 copies that were designed by Andrew Hoyem with the assistance of several others and printed on mould-made paper done in a Magnani mill in Italy. Features an introduction by Helen Vendler. A collection of 48 poems by Seamus Heaney accompanied by 48 drawings by Sol Lewitt. A fine copy in cloth boards and in a fine cloth covered slipcase. No dust jacket as issued. Signed by both Heaney and Lewitt on the colophon page. One of the more attractive books in Heaney's extensive body of work. Brandes & Durkan A51c. This is a heavy and oversized book and will require extra shipping. Signed.

Hardcover. Condition: Fine. First edition. Forty-eight drawings by Sol LeWitt. Introduction by Helen Vendler. Squarish large octavo. 126pp. Gray cloth. Fine in fine publisher's cloth slipcase box. One of 400 numbered copies Signed by Heaney and Lewitt. *Squarings* was originally published as a collection of twelve poems, with four illustrations by Felim Egan, published in Dublin in 1991; this collection consists of forty-eight poems by Seamus Heaney, with forty-eight illustrations by Sol LeWitt.

Paperback. Condition: Very Good. 1st Edition. Pages unnumbered, illustrated in color and B&W. Text in Dutch and English by Rudi Fuchs introduction and Frans W. Kaiser. - Drawings 1958 - 1992 - Sol Lewitt SIGNED - Two pages have a repaired tear; images 247 - 248 and 249 - 250 - Inserted a letter from Susanna Singer (editor of the book) addressed to Hans Janssen Curator of the Haags Gemeentemuseum, the Hague. Sol Lewitt Signed this book especially for Hans Janssen. 30-10-1992 - Minor traces of aging on the cover. Size: 240 x 300 Mm. Signed by Author(s). Book.

Hardcover. Condition: Near Fine. First Ediiton. Near Fine square hardcover in black cowhide leather designed and with twenty-two silkscreens by Sol Lewitt. Covers show a few signs of handling. Colophon states (in embossed round seal text) that "This is one of 50 presentation copies out of series". It is unnumbered, therefore, and not one of the 1500 numbered copies. Scarce thus. SIGNED "Lewitt" in pencil on colophon page. Printed at the Anthoensen Press. Text in English. The slipcase is extant and sturdy and functional but not pretty, as it has 5 or 6 areas where the paper laminate has peeled away from the box, and edges are worn. Further images upon request.

Condition: New. As issued. [8] pp.; 32 x 28 x 3 cm.; loose leaves; monochrome; edition size 125 (plus 20 AP, 1 ICE); signed and numbered; letterpress "DO-IT-YOURSELF" is a kit containing paper, pencil, stencil, overhead transparency, diagrams and complete instructions for one work each by JESSICA DIAMOND, SOL LEWITT, and LAWRENCE WEINER. In a good-humored way, "DO-IT-YOURSELF" captures the essence of conceptual art. Each artist has contributed a concept, the execution of which is left to the collector. By selecting artists of three successive generations, the project emphasizes the adaptability and strength of the movement. The elements of "DO-IT-YOURSELF" are housed in a black cloth-covered box measuring 32 x 28 x 3 cm. In this version of the edition each work is signed by the corresponding artist. Reference : "Some Things Brought to Hand : The Multiples of Lawrence Weiner" by Lawrence Weiner. New York, NY : Marian Goodman Gallery, 1996.

Square 4to (8 x 8 inches; 203 x 203 mm). [48] pages. Full-page color offset prints. Original cloth; dust jacket. FIRST EDITION, inscribed by Lewitt on the front free endpaper in pencil to "Ann." Uncommon in the cloth-bound issue, and especially so when signed. Lewitt conceptually explores: "Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue." The book is divided into three sections, each of which differ by background color. Barbara M. Reise wrote that "LeWitt's colours, like his lines and squares, are like 'facts': they are inert, pre-established, accepted and un-emotional man-made constructs which can 'come to life' within a present context but do not necessarily do so. Red, yellow, blue, and black (and the white of wall or paper) are standard "absolute primaries basic to all pigment colour that is according to the colour system accepted by an art academic from early 19th-century theorists like Chevreul. Unlike the Newtonian rainbow-spectrum based on light-waves, this theoretical structure is more conceptually mathematical and tautological than referential to some exterior and inhuman Nature. LeWitt's use of these colours is as flatly complete, physical, and self-reflective as the theory itself. Unlike Seurat, whose use of the same colour theories was subordinated and interrelated to other interests in proportion theories and (seen) scene subject-matter, LeWitt uses colour as both the subject and the object of his art" (in: 'Sol Lewitt Critical Texts,' ed. Adachiara Zevi, Rome, 1994, p. 188). A near-fine copy in a like jacket, pale stain to cloth on upper panel, the jacket with minute wear.

Hardcover. Condition: As New. Sol Lewitt (illustrator). First Edition. Originally published in the poet's earlier trade collection Seeing Things [Farrar, Straus and Giroux, 1991], Squarings is a long sequential poem in 48 parts. Issued as the 67th publication of the Arion Press, as a fine press livre d'artiste, limited to 426 copies (400 for sale), of which this is #78, printed letterpress on special paper untrimmed at fore- and bottom edges, bound in light grey cloth stamped in black, without jacket (as issued), in publisher's medium grey cloth slipcase, SIGNED by Heaney and Lewitt on the Colophon leaf. A Very Fine copy, as new, in a Very Fine slipcase. Unpaginated, with a larger than usual typeface. Aside from the choice of Vendler's essay, the book is among the most coveted of the Arion Press productions, and copies seldom reach the used market. Q08977.

Cloth. Condition: Collectible; Fine. Dust Jacket Condition: Fine. 1st. A beautiful copy of the 2000 1st edition, SIGNED BY SOL LEWITT(!!) on the half-title. Immaculate and Fine in a bright, Fine dustjacket. Quarto, 416 pgs. The catalogue based on the February-May 2000 exhibition at the San Francisco Museum of Modern Art. Signed by Illustrator. Signed.

Un volume en feuilles sous chemise et étui, 48 p. Edition de tête limitée à 120 exemplaires sur vélin d'Arches numérotés et signés par les artistes, celui-ci marqué Hors-commerce. Lithographies originales de Karel Appel, Champion-Métadier, José-Maria Sicilia, Sol LeWitt, Sixtus. Textes de Eugène Savitzkaya, Jean Genet, Louis Calaferte, Marcelin Pleynet. Exemplaire en excellente condition.

New York, Paul David Press , Rizzoli, [1978]. Unpaginated [52 pp]. 414 col. ills (photographs) by Sol LeWitt. Softcover. - Light shelfwear & some light soiling (backcover with some staines).Copy from the library of the Dutch artist Alex Vermeulen (signed & dated in red veltpen on the half-title: Alex . Maart ''80).

n/a. Condition: very good. Sol LeWitt (illustrator). 1.st edition. Poster from Exhibition during Frankfurt Book Fair Sol LeWitt. Signed exhibition poster Ausstellung 25, Bücher Books 1966-1990. Frankfurt Am Main, Portikus, 1990. Large offset poster, printed b/w, 33" x 23.75" (84x59.5cm). Signed by hand 'Sol Lewitt 1990' in ink in lower left corner. Exquisitely designed by the artist for the exhibition held from 4 October to 4 November 1990. Light spotting on top left edge, else a very good copy. Provenance collection Guy Schraenen. from the Portikus website: With its opening exhibition in October, 1987, showing "Publiziertes und Unpubliziertes" ("Published and Unpublished Works") by Dieter Roth, Portikus began its exhibition series presenting parallel to the Frankfurt book fair an artist, who is especially committed to the book as an autonomous medium of artistic work. After Ilya Kabakov - 10 Albums - in 1988 and Lawrence Wiener last year, Portikus now presents the book projects of Sol Lewitt. Sol Lewitt belongs, as does Lawrence Wiener, to the most important representatives of American conceptual art, a term Lewitt introduced into the debate in his Paragraphs and Sentences on Conceptual Art. His pictorial concept is based on the formal language developed concurrently by minimal art. In various media, Lewitt elaborated its reduced vocabulary based on elementary geometric and stereometric forms to serial structures. The presentation of the concept is in the foreground, while its physical realisation is secondary. "The idea itself, even if not turned into a visible form, is also a work of art just like any completed product. All stages in between - initial scribbles, sketches, drawings, unsuccessful works, models, studies, thoughts, conversations - are of interest. Those showing the artist's process of thought are often more interesting than the final result." (Paragraphs, 1966) This means that the formal and material aesthetics of the work steps back in favour of the concept, without, however, being excluded. This becomes especially evident in the coloured wall drawings; their visible sensuousness only seemingly contradicts the stringent conceptuality. The individual work is not directed towards rational relationships in regard to its visible qualities or its conceptual structure; rather, Lewitt is concerned with thematising such a relationship as simply antithetic. The logical, systematic variation of formal shapes is subordinated to the idea of a potential multitude of systems of order. Next to giving these ideas shape in sculptures and wall drawings, Lewitt, since the mid-sixties, has been using the book as a medium for presenting his concepts. For Lewitt, as for other artists at that time, the book was an adequate medium for realising one's ideas and expanding the traditional forms of presentation in exhibitions. A necessity also to be seen in the context of developing new artistic practices and dimensions aimed at breaking free of the museum and appropriating outside space for art. In the books Sol Lewitt realised as autonomous works, three formal lines of development can be differentiated: the early books mainly contain recordings of conceptual ideas in the form of simple sketches and descriptions; then, books were made in which colour or drawing systems were elaborated using various graphical means of expression; finally, books containing photographs were added, in which temporal and atmospheric aspects convey the concept. On the occasion of the exhibition, a catalogue designed by Sol Lewitt is published containing a list of all his book-projects. Only those are taken into account, however, which Lewitt regards as autonomous works; therefore the catalogues he designed, as well as small editions containing etchings and screen prints are excluded.

senza rilegatura. Condition: ottimo. prima edizione. LEWITT Sol (Hartford 1928 - New York 2007) no place, no publisher, 1974, 11x15 cm., illustrated postcard with a black-and-white photographic image of Paris addressed to Judith Stein. On the back, a short handwritten note by Sol LeWitt, signed and dated by the artist. Posted copy. Dedica dell'autore.

senza rilegatura. Condition: ottimo. prima edizione. LEWITT Sol (Hartford 1928 - New York 2007) Turin, Museo Egizio, undated [1974], 11x15 cm, illustrated postcard with a color photographic image, purchased at the Egyptian Museum in Turin by Sol LeWitt and sent to Judith Stein's New York address. Handwritten text by the artist. Posted copy. Left corner folded. Dedica dell'autore.

Photographic color illus. [52] pp. Square 4to, printed softcover, title on spine. [New York]: Paul David Press & Rizzoli, 1977. Signed example of this Sol LeWitt artist's book. A very good copy; spine and lower cover a little stained. Signed on the half-title. ? G. Maffei & E. de Donno, Sol LeWitt: Artist's Books (2009), pp. 76-83. Sol LeWitt: Libros, El Concepto Como Arte (2014), Libros de Artista no. 47 (pictured p. 124).

Photographic color illus. [100] pp. 12mo, printed softcover, title on spine. New York: Rizzoli & Multiples, Inc., 1980. Signed copy of this Sol LeWitt photographic artist's book. In excellent condition, signed on the title page. ? G. Maffei & E. de Donno, Sol LeWitt: Artist's Books (2009), pp. 98-101. Sol LeWitt: Libros, El Concepto Como Arte (2014), Libros de Artista no. 55 (pictured p. 138).

This rare colour etching is a refined and historically important work from 1991 by Sol LeWitt, one of the central figures of Conceptual and Minimal art. Executed on Somerset paper with watermark, the composition belongs to LeWitt's celebrated Black & Gray series, in which subtle tonal variation, structure, and repetition replace expressive gesture. The image presents a vertically oriented black field built from layered, irregular brush-like forms, creating a dense yet controlled surface. *** The etching is hand-signed and numbered by the artist in pencil lower left. It is an exceptionally small edition of only ten, making it particularly rare and desirable. *** The etching was published by Crown Point Press in Oakland, California, one of the most important print publishers of the late twentieth century, and bears the publisher's blind stamp. The work is fully documented in the catalogue raisonné as number 1991.09.  *** The work is professionally framed in our own frame-shop, floating on linen, in a measure made thick passe-partout, in hand-crafted, exclusive oak wooden frame with Plexiglass® Optical HC which is UV-resistant,scratch-proof, and significantly lighter than standard glass. Size framed approx.100x70 cm. *** Sol LeWitt (1928-2007) was a pioneer of Conceptual art, redefining the role of the artist by prioritizing ideas and systems over manual execution. His influence on contemporary art is profound, with major works held in museum collections worldwide, including MoMA, Tate Modern, and the Centre Pompidou. Prints such as this etching offer an essential insight into LeWitt's graphic language and his enduring impact on modern and contemporary art. | Authenticity and provenance guaranteed. | Delivered with a certificate of authenticity. | Worldwide shipping, tax-friendly to the USA and EU countries. | Custom handmade framing available on request.

Kein Einband. Condition: Sehr gut. This rare and iconic silkscreen by Sol LeWitt comes from his renowned series " Five Geometric Figures in Five Colors " . The work features one of LeWitts signature geometric compositions, minimal yet conceptually rich. *** Hand-signed in pencil in the lower right corner *** Plate #19 - Square in grey *** Print stands out due to its unique nature each screen print in the series was individually created with variations in form and color. As such, this particular print is not numbered, in accordance with the description from the Sol LeWitt Prints Catalogue Raisonné *** ref. 1986.06 *** There were 32 "sets" made that each had 25 prints.Within each one of those sets of 25, all five colors were used and all five shapes were used, per the title of the piece. All 32 "sets" were the same, as each set of 25 had all five shapes in all five colours (25 combinations). However, those "sets" of 25 were not meant to be kept together, but were broken up by the artist and publisher to be almost all unique groups of five, making 160 sets of five, in total. 150 sets were multi colored. These sets are all unique in their combination (with some sets of 5 having more than one shape in the same color). None of these were numbered as they are all unique. *** Publisher : Bébert, Rotterdam *** This piece is beautifully framed and preserved, making it a highly collectible artwork from one of the most influential artists of the 20th century. *** The work is professionally framed to museum standards, floating, within a acid-free passe-partout, in a bespoke black wooden frame, hand-made in the Netherlands, with with UltraVue® ArtGlass, offering maximum clarity, UV protection, and minimal reflection. Size framed : approx. 54 × 54 cm *** Sol LeWitt (1928 2007) was a pioneer of Conceptual and Minimal Art, known for reducing art to systems of shapes, lines, and logic. His works are held in the permanent collections of major museums including MoMA New York, Tate London, and Centre Pompidou Paris *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Vibrant screenprint by Sol LeWitt that exemplifies the artist's minimalist yet conceptual approach to geometry and visual rhythm. *** Hand-signed by Sol LeWitt in pencil on the lower right *** Numbered from a limited edition of 30. *** From portfolio "The Four Sides of the Tower for the Community Activities Center, Davenport, Iowa," a 1983 project that engaged LeWitt's fascination with modularity and repetition. This is Plate #01 in blue *** Sheet Size :approx. 65 × 65 cm *** Silkscreen on Arches 88 *** The composition features sixteen geometric shapes, each meticulously rendered with linear patterns. The interior of each form is filled with horizontal lines, while the surrounding area is filled with vertical lines, generating a striking visual tension and optical balance. *** Printer: Jo Wantanabe, New York *** Publisher: Rhona Hoffman Gallery, Chicago *** Catalogue Raisonné #:1983.07 *** Sol LeWitt (19282007) was a pivotal figure in the development of both Minimal and Conceptual art. His early career began with architectural studies, which influenced his systematic and idea-driven approach to visual art. He became widely known in the 1960s for his wall drawings, sculptures (which he preferred to call "structures"), and prints that prioritized the idea over execution. LeWitt's works are housed in major international institutions including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. His legacy continues to influence generations of artists exploring conceptual systems and geometric abstraction. *** FRAMING : This beautiful artwork is currently unframed. We are happy to frame it for you - just ask about the many custom framing options available! ***. ***WORLDWIDE DELIVERYis also offered, providing a seamless acquisition process for international buyers ***** For further details regardingpricing, authentication, handmade framing, and global delivery options,pleaseCONTACT US*** CONDITION : in very good condition ***. Signatur des Verfassers.