Sorrell Stephen (606 results)

Softcover. Condition: Bon. Traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations. Erashov, Alexander (illustrator).…

Hardback. Condition: Very Good. Ukraine?s overlooked modernist buildings are under threat from development, decommunization and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject. What does Ukrainian Modernist architecture look like and why isn?t it better-known in the west? Photographer and architectural tour guide Dmytro Soloviov is fighting to preserve the disappearing modernist heritage of his native Ukraine. These innovative buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognised. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. From masterpieces such as the Kyiv Crematorium and Salut Hotel, to previously undocumented examples like the Uzhhorod Airport Terminal and the Novoarkhanhelsk Police Station, Soloviov has traversed Ukraine photographing the exteriors and interiors of these important buildings and their monumental art (mosaics, stained glass and sculptures). While the nation?s attention is consumed by more existential matters, he has documented the unique identity of one of the least catalogued periods of Soviet architecture, his images forming a singular record of an unexpected and rapidly disappearing legacy. An introduction by renowned architecture critic Owen Hatherley, complete with historical images, cements these buildings in a cultural and political context. With over 120 examples across 240 pages, this publication is the most comprehensive available on the subject.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condition: Very Good. Ukraine?s overlooked modernist buildings are under threat from development, decommunization and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject. What does Ukrainian Modernist architecture look like and why isn?t it better-known in the west? Photographer and architectural tour guide Dmytro Soloviov is fighting to preserve the disappearing modernist heritage of his native Ukraine. These innovative buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognised. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. From masterpieces such as the Kyiv Crematorium and Salut Hotel, to previously undocumented examples like the Uzhhorod Airport Terminal and the Novoarkhanhelsk Police Station, Soloviov has traversed Ukraine photographing the exteriors and interiors of these important buildings and their monumental art (mosaics, stained glass and sculptures). While the nation?s attention is consumed by more existential matters, he has documented the unique identity of one of the least catalogued periods of Soviet architecture, his images forming a singular record of an unexpected and rapidly disappearing legacy. An introduction by renowned architecture critic Owen Hatherley, complete with historical images, cements these buildings in a cultural and political context. With over 120 examples across 240 pages, this publication is the most comprehensive available on the subject.…

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

paperback. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. hardcover.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New. Suitable for those who are interested in graphics and design, this title presents media ranging from digital illustration, photography, found imagery and painting. Num Pages: 112 pages, 125 illustrations, 110 in colour. BIC Classification: ACB. Category: (U) Tertiary Education (US: College). Dimension: 176 x 224 x 12. Weight in Grams: 334. . 2006. paperback. Not a first edition copy. . . . Books ship from the US and Ireland. …

Condition: New. Suitable for those who are interested in graphics and design, this title presents media ranging from digital illustration, photography, found imagery and painting. Num Pages: 112 pages, 125 illustrations, 110 in colour. BIC Classification: ACB. Category: (U) Tertiary Education (US: College). Dimension: 176 x 224 x 12. Weight in Grams: 334. . 2006. paperback. Not a first edition copy. . . . …

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hard Cover/Pictorial. Condition: Very Good+. Dust Jacket Condition: No Jacket as Issued. British First. Minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; well illustrated with over one hundred and fifty pages of images captured from the Internet - reproductions of paintings, drawings, woodcuts, cartoons, etc. Book. …

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Paperback. Condition: New. F First Edition.

Paperback. Condition: New. First Edition. Pap. In shrinkwrap.

Hardcover. Condition: Very Good. No Jacket. Mild edge-wear.

Hardback. Condition: Very Good. Small garages and service stations are a vital ? but fast disappearing ? part of Britain?s automotive landscape. Often independently owned and sited in idiosyncratic buildings, they are rightfully celebrated and sensitively documented in this essential book.You might use a local garage to change a tyre or replace your exhaust, but when was the last time you pulled over and took a good look at the building itself? In the spirit of Ed Ruscha?s Twentysix Gasoline Stations (1963), photographer Philip Butler has done just that. Over six years, he?s travelled the length and breadth of Britain photographing these diverse, eccentric and idiosyncratic buildings. As motoring became popular in the early 1900s, the need for mechanical expertise to service, repair, refuel, and sell vehicles soared ? and the ?garage? was born. From the Mock-Tudor fad of the 1920s via the Streamline Moderne of the 1930s, to the simple Modernist rationalism of postwar Britain, each era has produced a distinct automotive architecture. With the introduction of the Ministry of Transport (MOT) vehicle test in the 1960s, demand accelerated still further. A diverse array of structures was utilised ? churches, cinemas, railway arches, fire stations, shops, factories ? all proved versatile enough to find second lives as garages. As the era of the combustion engine draws to a close, Butler?s enchanting photographs of 226 Garages and Service Stations document the charm and personality of these survivors of the petrol age.…

Condition: Very Good. Used - Very Good.

Condition: Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

hardcover. Condition: Very Good.