Published by Lars Muller Publishers, 2021
ISBN 10: 3037786485 ISBN 13: 9783037786482
Seller: AwesomeBooks, Wallingford, United Kingdom
Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Published by Spector Books, 2019
ISBN 10: 3959052928 ISBN 13: 9783959052924
Seller: RECYCLIVRE, Paris, France
Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
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Published by Lars Müller Publishers, 2005
ISBN 10: 3037780479 ISBN 13: 9783037780473
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: As New. Unread copy in mint condition.
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Published by Lars Muller
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
hardcover. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Lars Müller Publishers, Baden/Switzerland, 2000
ISBN 10: 3907078284 ISBN 13: 9783907078280
Seller: The land of Nod - art & books, Oostende, Belgium
Hard Cover. Text: German / English. Unp.; ill.; 17 x 24,5 cm.
Published by Gabriele Capelli Editore, 2008
ISBN 10: 8887469547 ISBN 13: 9788887469547
Seller: libreriauniversitaria.it, Occhiobello, RO, Italy
Condition: NEW.
Lars Müller Publishing, Baden 2005. Publishers decorated boards. Not paginated. Illustrated. Some small marks on the rear board. Nice copy in fine condition.
1 Bl., 143 S. mit Farbfotos. Schönes Künstlerbuch zum Thema `Lichterketten`. Gesamtauflage 700 Exemplare (sehr gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 750 Qu.8°. 14,5 x 23,5 cm. Orig.-Karton.
Published by Reclam, Philipp, 2000
ISBN 10: 3379016659 ISBN 13: 9783379016650
Seller: Gerald Wollermann, Bad Vilbel, Germany
Taschenbuch. Condition: Gut. 3.,. 200 Seiten Anderes Cover. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 200.
Published by Zürich, JRP Ringier., 2014
ISBN 10: 3037643552 ISBN 13: 9783037643556
Seller: Antiquariat Luechinger, St. Gallen, Switzerland
24x35, 248s illustriert, Gebunden, Guter Zustand. Sprache: deutsch.
Published by [Baden], Kodoji Press, 2009., 2009
ISBN 10: 3037470127 ISBN 13: 9783037470121
Seller: Biblion Antiquariat, Zürich, ZH, Switzerland
1. ed. 8°. 349 S., überw. Ill. OKart. mit Transparentumschlag. Sprache: englisch.
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Published by Galerie Luciano Fasciati, Chur, Swiss, 2013
Seller: VintagePhotoBooks, Amsterdam, Netherlands
First Edition Signed
Soft cover. Condition: As New. 1st Edition. SIGNED, design by Karin Holzfeind, 30 x 21 cm, 54 gr, 15 pages. Signed by Author(s).
Published by Lars Müller, Baden, 2000
Seller: Antiquariat Narrenschiff, Trin, Switzerland
Untergebiet: Raetica Abbildungen: Zahlr. Farbfotos Zustand: Widmung des Künstlers aus hinterem Deckblatt Seiten: 223 S. Format: 8°. Einband: Pbd. Gebiet: Fotografie.
Published by Spector Books Jun 2019, 2019
ISBN 10: 3959052928 ISBN 13: 9783959052924
Seller: AHA-BUCH GmbH, Einbeck, Germany
Photograph
Buch. Condition: Neu. Neuware - Jules Spinatsch begann vor 15 Jahren seine Arbeit mit automatischen Kameras, wie sie im Bereich der Überwachungöffentlicher Räume genutzt werden. Damals entstand ein aus 2.176 Einzelbildern bestehendes180°-Panorama des Weltwirtschaftsforums in Davos. Die Werkgruppe, die den Titel Semiautomatic Photographyträgt, setzte er u.a. mit Aufnahmen eines Fußballstadions, des Wiener Opernballs, eines Gefängnissesund der SAP-Zentrale fort. Das Buch Semiautomatic Photography zeigt nun erstmals den komplettenZyklus. In ihm stellt Spinatsch ausgewählte Einzelbilder, die sonst ein winziges Element in den Bildpanoramensind, in den Vordergrund. Ähnlich wie bei William S. Burroughs Cut-ups führt dieses »Herausschneiden« der Einzelfotos zu einer subversiven Bildstrategie, zur Reflexion der Funktion des Visuellen in einerGesellschaft der Kontrolle. Das Buch erscheint anlässlich der Ausstellung Semiautomatic Photography imCentre de la Photographie Genève, 12. Dezember 2018 bis 2. Februar 2019.
Published by Kodoji Press, 2007
Seller: Southampton Books, Sag Harbor, NY, U.S.A.
First Edition
Hardcover. Condition: Like New. First Edition. First Edition, First Printing (1 of 700 copies). Published by Kodoji, 2007. Octavo. Black wraps over stiff board stamped in white. Signed by author on colophon page. Book is like new with no writing. Sharp corners and spine straight. ISBN: 9783037470046. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
Softcover, unpaginated; as new condition, clean and crisp; no internal marks. An edition of 700.
Published by Kodoji Press, Baden, 2007
ISBN 10: 3037470046 ISBN 13: 9783037470046
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition Signed
First edition. Oblong softcover. Published in an edition of 700 copies. A collection of color images by Spinatsch taken throughout the world and capturing lights. A fine copy. Signed by Spinatsch on the verso of the front cover. A nicely printed book.
Published by Baden (Müller), 2005., 2005
Seller: Antiquariat Bebuquin (Alexander Zimmeck), Pegau OT Werben, Germany
Gr. 4°. 161 S. mit zahlr. Bildtafeln. OPb. neuwertig. EA. Sprache: englisch.
Published by Baden, Switzerland: Lars Muller Publishers, 2005, 2005
ISBN 10: 3037780479 ISBN 13: 9783037780473
Seller: ModernRare, CHICAGO, IL, U.S.A.
First Edition Signed
Hardcover. Condition: As New. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 2005. Retrospective collection of color photographs. One of the greatest photography books of our time. The first and only edition. Published in a small and limited print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Jules Spinatsch and Winfried Heininger: Oversize-volume format. Black leatherette boards with titles on cover and spine and photographic reproduction pasted on the back, as issued. Photographs and text by Jules Spinatsch. Essays by Martin Jaeggi and Jamie Shea. Printed on glossy stock paper in Switzerland to the highest standards. The book ironically mimics the look and feel of an Annual Corporate Report. Without DJ, as issued. Presents Jules Spinatsch's "Temporary Discomfort". In five interrelated chapters. An anti-heroic visual approach is shown as the only possible antidote to the toxic effects of the imagery of power. "Spinatsch examines the waiting for the big event as meticulously planned down to the last detail. Whatever will happen is already inscribed in its security architecture. He creates landscapes that could serve as the antithesis to the Romantic tradition. He shows landscapes and cityscapes as they appear under the cold, strategic gaze of security planners, a terrain where every movement must be controlled and contained. Spinatsch mimics the gaze of power, power as a gaze that sees the world only as a security hazard to be contained. At the heart of the security architecture that Spinatsch shows us, we find a hermetically sealed vacuum in which politicians and managers meet to organize world trade in the name of liberal democracy while they smile at TV cameras, remote and untouchable. Spinatsch does not want to be a hero. He is a spy behind enemy lines. Only such a clever anti-strategist can show the cold and imperious glance of power so clearly and hauntingly" (Martin Jaeggi). In the Age of CNN and Fox News, power means having absolute control over the image that people see of power. By taking photographs of the preparations, security measures, and other precautions needed to achieve this goal (while no one else, including all other photographers, was looking or paying attention), Spinatsch exposes the heroic iconography of power as a pompous lie. An absolute "must-have" title for Jules Spinatsch collectors. This copy is very prominently and beautifully signed in black ink-pen by Jules Spinatsch. It is signed directly on the page itself, not on a tipped-in page. This title is a great photography book. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. Jules Spinatsch's "Temporary Discomfort" was selected as one of the greatest photography books in "The Photobook". One of the most brilliant photographers of our time. A fine copy. ISBN 3037780479. Signed by Author.
Published by Lars Müller Publishers, Zürich Mai 2005, 2005
ISBN 10: 3037780479 ISBN 13: 9783037780473
Seller: AHA-BUCH GmbH, Einbeck, Germany
Photograph
Buch. Condition: Neu. Neuware - 'Temporary Discomfort' enstand von Januar 2001 bis Juni 2003 in Davos und New York während des World Economic Forum WEF, und während der G8 Gipfel in Genua und Evian/Genf.Doch anstelle von Strassenschlachten und Gruppenbildern mit staatsmännischem Händedrücken, zeigt Jules Spinatsch das Warten auf das grosse Ereignis. Es ensteht eine bewusst spekulative Rekonstruktion der Situation.
Published by Kodoji Verlag, 2007
ISBN 10: 3037470046 ISBN 13: 9783037470046
Seller: INFINIBU KG, Neuss, Germany
Zustand: Einband mit geringfügigen Gebrauchsspuren, Verlagsfrisch, NEUWERTIGER Zustand! 100 Seiten Englisch 436g 12° (10-15 cm), Softcover, Kartoniert.
Published by Lars Müller Publishers, Baden, Switzerland, 2000
ISBN 10: 3907078284 ISBN 13: 9783907078280
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
First Edition Signed
Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Fine. From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.
Published by Lars Müller Publishers, Baden, Switzerland, 2005
ISBN 10: 3037780479 ISBN 13: 9783037780473
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
First Edition Signed
Hardcover. Condition: Near Fine. 1st Edition. First edition, first printing. Signed in black marker on the last page by Spinatsch. Hardcover. Black leatherette-covered boards, with title stamped in white on front cover and spine and a four-color plate tipped in debossed rear cover, no dust jacket as issued. Photographs and notes (in English and German) by Jules Spinatsch. Texts (in English and German) by Jamie Shea and Martin Jaeggi. Includes a list of exhibitions of Temporary Discomfort, and a list of selected publication and awards. Also includes descriptions of the works and an installation (Live - Panorama Installation Pulver Gut, 2003). 192 pp. total (80 pages comprise the primary section of the book with color plates, including four 2-page gatefolds, and 32 additional pages of texts bound in the rear of the book), with numerous four-color plates and additional black and white reproductions (in the texts section of the book), printed by Ast & Jakob, Vetsch AG, CH-Köniz. The texts section is printed on heavy newsprint stock paper, in contrast to the glossy color plate section of the book. 13-1/8 x 9-5/8 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (very small bump to boards at one corner, not affecting any pages, else As New, opened only for signature). Jules Spinatsch's recent installation in "New Photography 2006" at The Museum of Modern Art, New York, included a wall of photographs, with multiple video monitors (with looped video made at 2001-2003 WEF and G8 global economic summits) separating the viewers from the photographs, successfully capturing the essence of "surveillance" concurrently from the outsider and insider perspectives. a brilliant effect in addressing issues of political and economic power! From the publisher: "Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It combines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones." Signed by Author.
Published by Lars Müller Publishers, Baden, Switzerland, 2000
ISBN 10: 3907078284 ISBN 13: 9783907078280
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
First Edition Signed
Hardcover. Condition: Near Fine. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Near Fine (small bump to the crown of the spine, not affecting any pages, else Fine). From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.
Published by Baden, Switzerland: Lars Müller Publishers, 2005
Seller: Archive B, Macclesfield, CH, United Kingdom
First Edition Signed
Hardcover. Condition: New. 1st Edition. Slight bump to right front board corner. Signed by Spinatsch, in black pen, to the penultimate leaf. Black faux leather covered boards with the title in white to the upper side and spine and a colour plate tipped in to the lower side. No dust jacket, as issued. Photographs and texts (in English and German) by Jules Spinatsch, Martin Jaeggi and Jamie Shea. Concept by Winfried Heininger. Design by Winfried Heininger and Kodoji. Also contains biographical information on Spinatsch, specifications of the works and an explanation of one of his installations. Small folio (33cm x 24cm), pp.196 including 2 gatefolds, 97 colour and 20 black and white photographs. Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II (London and New York: Phaidon, 2006) pp.324-325, in Michel and Michèle Auer, 802 photo books from the M.+M. Auer collection (Hermance, Switzerland: Éditions M+M, 2007) p.771, in Peter Pfunder et al., ed., Swiss Photobooks from 1927 to the Present: A Different History of Photography (Zurich: Lars Muller Publishers, 2011) pp.52-529 and in Moritz Neumüller and Ángel Luis González, Martin Parr, Best Books of the Decade: A Personal Selection (Dublin: PhotoIreland, 2011). From the publisher: "Jules Spinatsch was at the World Economic and also attended the G8 summits at Davos and Evian. But rather than street fighting and handshakes, Jules Spinatsch shows winter nights in Davos, complete with floodlighted barbed wire, containers being used as barricades in Genoa, lonely TV reporters outside broadcast vehicles and sleepy guards in New York. Temporary Discomfort shows people waiting for the big event, which is revealed as meticulously planned down to the last detail.". Signed by Author(s).
Published by Zürich, Codax Publisher, 2014
Seller: antiquariat peter petrej - Bibliopolium AG, Zürich, ZH, Switzerland
4°, 250 S., unzähl. teilw. farb. Abb., Kart., Tadell. Text Dt./Engl. Text Walter Keller. - Since the 18th century, the Swiss Alps have been considered the epitome of sublime nature. But today the survival of the winter sports industry is in question, as the promises of eternal snow through technology have turned out to be an empty promise.In "Snow Management - Complex," Jules Spinatsch presents his photographic series documenting ski slopes being prepared at night. Under the glare of cold floodlights, machines noisily turn nature into a tourist experience, with snow cannons at full blast and bulldozers flattening the slopes. The photographs evoke the cold emptiness of stills from a science-fiction film about a barren planet being made habitable. This oeuvre makes manifest the technology, staging, and mediatization that have become the basis of contemporary life.The seven chapters in this publication, developed after Spinatsch won the international BMW Prize at Paris Photo for the best first photographic series, also includes the artist's collection of historical postcards of the Alps, and a series of medical still lifes. With contributions by Tobia Bezzola and Walter Keller.Spinatsch's work has been shown at The Museum of Modern Art, New York; Tate Modern, London; SFMoMA, San Francisco; Casino Luxembourg; Kunsthaus Zürich; Kunsthaus Zug; Haus der Kunst, Munich; and Fotomuseum Winterthur, among others. 900 gr. Schlagworte: Photographie.
Published by Lars Müller Publishers, Zürich Mär 2021, 2021
ISBN 10: 3037786485 ISBN 13: 9783037786482
Seller: AHA-BUCH GmbH, Einbeck, Germany
Photograph
Buch. Condition: Neu. Neuware - Since the last financial crisis, a new practice has emerged in Davos: During to the World Economic Forum WEF, the main street is being temporarily rebuilt almost throughout. Freestanding pavilions are being constructed for events organized by companies, corporations and organizations, wall-filling banners are changing the Street scene, and business premises are being converted into communication spaces for the realization of the respective agenda - at horrendous rents.In his new work, Jules Spinatsch applies strategies of photo essays, concept photography and investigative journalism. Davos Is a Verb shows the aesthetics and behavior of the financial, technology and new media industries as well as politics: in shops, bars, clubs, hotels and even in museums and churches, where roundtable discussions, press conferences, but also parties and esoteric sessions take place. In this way, a parallel world beyond the official WEF zones becomes visible, where WEF participants, lobbyists, locals and tourists meet. Spinatsch also looks at vacant business premises, which are often only rented out during these few days. He sheds light on a practice that changes Davos not only in January, but permanently - whether out of greed, need, or a supposed lack of alternatives. Simultaneously insider and outsider, and with ironic distance, Spinatsch introduces us to this practice of disruptive pop-ups and puts it up for discussion.
Published by Lars Müller, Baden, 2005
ISBN 10: 3037780479 ISBN 13: 9783037780473
Seller: VintagePhotoBooks, Amsterdam, Netherlands
First Edition Signed
Hardcover. Condition: As New. 1st Edition. SIGNED, design by Winfred Heininger, 33,4 x 24,4 cm, 1102 gr, Litt. - Michele and Michel Auer, 802 photo books from the M. + M. Auer Collection, Edition M. + M. , Hermance 2007, page 771, - Martin Parr and Gerry Badger, The Photobook: A History, volume II, Phaidon Press, Londen 2006, page 325, - Martin Parr, Martin Parr's Best Books of the Decade, Photoireland, Dublin 2011, page 24-25, - Peter Pfrunder, Martin Gasser and Sabine Münzenmaier, Swiss Photobooks from 1927 to the present, lars Müller, Baden 2012, page 520-529. Signed by Author(s).
Published by LARS MÜLLER, BADEN, 2001
ISBN 10: 3907078470 ISBN 13: 9783907078471
Seller: buch&kunst, Menziken, AG, Switzerland
First Edition
Hardcover. Condition: Sehr gut. 1. Auflage. 24,5 x 17 cm, Hardcover, Buchrücken aus recycling-Lastwagenplane, unpaginiert, zahlreiche Fotografien von Jules Spinatsch. Ausgezeichnetes Exemplar zu den Kulttaschen von Freitag!.
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Published by Baden. Kodoji. 2007., 2007
Seller: Buch + Foto Marie-Luise Platow, Hilden, Germany
Softcover mit Klappeinband. 88 Farbtafeln. Querformat 23,5 x 14,5 cm. Sehr guter Zustand. Die Fotoaufnahmen des Schweizer Fotografen von Lichterketten internationaler Gebäude wirken wie filigrane Skizzen auf schwarzem Hintergrund. 1. Auflage (insgesamt 700 Ex.). Von Jules Spinatsch im Klappeinband mit weißem Stift dezent signiert.