Language: English
Published by University of Oklahoma Press, 2000
ISBN 10: 0806132590 ISBN 13: 9780806132594
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Language: English
Published by University of Oklahoma Press, 2000
ISBN 10: 0806132590 ISBN 13: 9780806132594
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2000. paperback. . . . . . Books ship from the US and Ireland.
Language: English
Published by University of Oklahoma Press, 2000
ISBN 10: 0806132590 ISBN 13: 9780806132594
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2000. paperback. . . . . .
Language: English
Published by Univ of oklahoma Press, 2000
ISBN 10: 0806132590 ISBN 13: 9780806132594
Seller: Hollywood Canteen Inc., Toronto, ON, Canada
Soft Cover. Condition: Very Good. 2026film.
Seller: Textbooks_Source, Columbia, MO, U.S.A.
paperback. Condition: Good. Illustrated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Seller: CorgiPack, Fulton, NY, U.S.A.
Paperback. Condition: Fine. Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. 304 pages. Documentary-style films--History and criticism.
Language: English
Published by University Of Oklahoma Press, Norman, Oklahoma, 2000
ISBN 10: 0806132035 ISBN 13: 9780806132037
Seller: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Soft cover. Condition: As New. First Softcover Edition. Softcover book is a clean tight unmarked copy.
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Add to basketCondition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
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Add to basketCondition: Acceptable. Used - Acceptable. Ex-library with wear - may contain significant amounts of highlighting and underlining in pen or pencil. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Published by University of Oklahoma Press; (2000), 2000
Seller: Tulsa Books, Tulsa, OK, U.S.A.
First Edition
Hard Cover. Dust Jacket Included. First Edition. Fine in a fine dust jacket. A look at the way Hollywood was portrayed in popular literature in the 20th century. Endnotes, bibliography and an index; 319 pages.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardbound with dust jacket. Pages unmarked, limited modest shelfwear.
Seller: Monroe Stahr Books, Sherman Oaks, CA, U.S.A.
Soft cover. Condition: Near Fine. No Jacket. Comb Bound, Type Set Pages - LIKE NEW.
Language: English
Published by Univ of oklahoma Press, 2000
ISBN 10: 0806132035 ISBN 13: 9780806132037
Seller: Hollywood Canteen Inc., Toronto, ON, Canada
Hardcover. Condition: As New. 2025 dec2026 one inBasement near script books.
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Condition: As New. Unread book in perfect condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by McFarland and Co Inc, US, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here.
Language: English
Published by McFarland and Company, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by McFarland & Co Inc, Jefferson, NC, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here. These 18 essays examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in diverse films and shows. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Add to basketCondition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Language: English
Published by McFarland & Company 9/1/2005, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
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Paperback or Softback. Condition: New. Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. Book.
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Language: English
Published by McFarland & Co Inc Pub, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
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Add to basketPaperback. Condition: Brand New. 294 pages. 9.50x6.75x0.75 inches. In Stock.
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Paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Language: English
Published by McFarland & Co Inc, Jefferson, NC, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here. These 18 essays examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in diverse films and shows. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by McFarland and Co Inc, US, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: Rarewaves.com UK, London, United Kingdom
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Add to basketPaperback. Condition: New. Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here.