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![Stock image for Finite Element Methods: Superconvergence, Post-Processing, and a posteriori Estimates [Lecture Notes in Pure and Applied Mathematics, Vol. 196] for sale by Tiber Books](https://pictures.abebooks.com/isbn/9780824701482-us-300.jpg)
Finite Element Methods: Superconvergence, Post-Processing, and a posteriori Estimates [Lecture Notes in Pure and Applied Mathematics, Vol. 196]
Book 61 of 142: Lecture Notes in Pure and Applied MathematicsLanguage: English
Published by Marcel Dekker, New York, 1998
ISBN 10: 0824701488 ISBN 13: 9780824701482
Paperback. Condition: Very Good. . . . . 8vo, paperback. Vg+ condition. Ex-lib copy w/ just 3 markings to opening pgs (only marks), cover corner shallowly bent, else contents bright, crisp & clean, virtually unopened. xii, 348 p. Papers from the conference held June 1-4, 1996, at the University of Jyväskylä, Finland.
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30 DNEI. Illiustrovanyi ezhemesiachnik.1930 No. 4
Published by Moscow: Goduk, 1930
Seller: Michael Fagan Fine Art & Rare Books, Newton, MA, U.S.A.
Seller rating 5 out of 5 stars
Magazine / Periodical First Edition
Soft cover. Condition: Near Fine. 1st Edition. Quarto, wrappers, 94(2)pp.Progressive illustrated journal with covers and page design by the Stenberg brothers in their time at the helm of the art dept. The journal ran from 1925 to 1941. During the 1920s it was graced with experimental design, and was an outlet for creative types who didn t goad the authorities into suppression. Copies from this time found at MOMA, UC Berkeley and Univ of Chicago libraries. This copy near fine.
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30 DNEI. Illiustrovanyi ezhemesiachnik.1928 No. 12.
Published by Moscow: Goduk, 1928
Seller: Michael Fagan Fine Art & Rare Books, Newton, MA, U.S.A.
Seller rating 5 out of 5 stars
Magazine / Periodical First Edition
Soft cover. Condition: Near Fine. 1st Edition. Quarto, wrappers, 101(4)pp. Contributors include Iuri Olesha, A. Bezymenskii, Lunacharskii, Koltsova, inter alia. Progressive illustrated journal with covers and page design by the Stenberg brothers in their time at the helm of the art dept. The journal ran from 1925 to 1941. During the 1920s it was graced with experimental design, and was an outlet for creative types who didn't goad the authorities into suppression. Copies from this time found at MOMA, UC Berkeley and Univ of Chicago libraries.
