Published by One-Off Press, 2005
ISBN 10: 0974734071 ISBN 13: 9780974734071
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.35.
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Published by Young Peoples Pr Inc, 1995
ISBN 10: 1885658214 ISBN 13: 9781885658210
Seller: Booksavers of MD, Hagerstown, MD, U.S.A.
Hardcover. Condition: Good. Connelly, Gwen; Eldridge, Marion; Paschkis, Julie (illustrator). 1995. LIBRARY BINDING. A good 30 page children's hardcover ex-library book with usual library markings, clean text pages, and moderate cover wear. Library binding. No dust jacket. Booksavers receives donated books and recycles them in a variety of ways. Proceeds benefit the work of Mennonite Central Committee (MCC) in the U.S. and around the world.
Published by Young Peoples Pr Inc, 1995
ISBN 10: 1885658141 ISBN 13: 9781885658142
Seller: Hawking Books, Edgewood, TX, U.S.A.
Condition: Like New. Keeter, Susan; Doty, Eldon; Connelly, Gwen (illustrator). Like New. Clean, Tight and Neat. Five star seller - Buy with confidence!.
Published by Sydney: Angus and Robertson, 1964
Seller: Benedict Wilson Books, Folkestone, KENT, United Kingdom
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Included. 1st Edition. FIRST EDITION, first printing. Octavo (20 x 14cm), pp.x; 94. Publisher's green cloth titles in gilt to spine. Dust-jacket with printed price of 15s. to front flap. A little dustiness to edges, dust-jacket lightly handled, toned to spine. Near fine.
Published by Faber & Faber, London, 1959
Seller: Ethan Daniel Books, Toronto, ON, Canada
Hardcover. Condition: Very Good. First edition. Numerous black-and-white illustrations. Age toning and moderate edge wear to dust jacket with small 1cm tear at head of spine. Previous owner's name plate inside front cover. Tanning to endpapers. No further marks to inside pages. Not ex-library. Binding is sound. 136 pages. s161.
Published by Silent Books, Cambridge, 1989
Seller: Concept Books, Veldhoven, Netherlands
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 2nd Edition. Bound in black boards with gitlt spine lettering. Illustrated dustjacket. Photographic reproduction of the 1959 edition illustrated with reproductions of wood engravings by Gwen Raverat. 160 pp. 28 x 22,5 cm.
Published by Cambridge, Silent Books., 1989
Seller: West Coast Rare Books, Westport, MAYO, Ireland
27 x 21 cm. 160 pages. Illustrated throughout. Original black cloth with gilt title on spine. Hard cover. Inside original decorated dust jacket, now inside protective jacket. Decorated end papers. Near fine in near fine dust jacket. A bright clean copy. Sprache: english.
Published by Faber and Faber, London., 1959
Seller: Peter Ellis, Bookseller, ABA, ILAB, London, United Kingdom
First Edition
First edition. Quarto. 136 pages. A large selection of Gwen Raverat's work, including many little-known designs. Eight-page Introduction by Reynolds Stone.Fore-edge faintly spotted. Free endpapers a little tanned. Near fine in very good indeed, price-clipped dustwrapper.
Published by London: Faber and Faber, [1959]., 1959
Seller: Michael R. Thompson Books, A.B.A.A., Los Angeles, CA, U.S.A.
First Edition
Condition: UNSPECIFIED. Quarto. Following Stone's introduction are numerous prints from the original wood blocks, plus a "List of Titles and Bibliography." Cloth. Endpapers, edges foxed. Very good in near fine dust jacket. First edition.
Published by Silent Books, Cambridge, England, 1989
ISBN 10: 1851830081 ISBN 13: 9781851830084
Oversize Hardback. Condition: Near Fine. Dust Jacket Condition: Near Fine. A clean, unmarked copy with a tight binding. 160 pages. Small chip on top edge of black cloth boards; barely noticeable. Clean and tight with sharp corners. Slight edge wear and fading to dust jacket. A photographic reproduction of the first edition, printed by offset lithography. Selected with an introduction by Reynolds Stone; postscript and additional selection by Simon Brett. . "Gwen Raverat (1855-1957) was one of the most distinguished printmakers of the century, an artist in whose hands the medium of wood engraving became uniquely transparent to personal vision. Her world, richly populated with the symbols of her own experience set in one of the most classic traditions of Western art, is universally accessible and capable of inspiring passionate affection in those who are drawn to it, responding to her own intense reaction to the subjects she chose." [Publisher's blurb] 3.