Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Softcover exhibition catalog, 48 pages, in English and Danish; good condition: moderate edgewear to covers; no internal marks.
Language: English
Published by Editions du Centre Pompidou, 1998
ISBN 10: 2858509603 ISBN 13: 9782858509607
Seller: Librairie Thé à la page, Montélimar, France
Couverture souple. Condition: Bon. Editions du Centre Pompidou collection , 1998. 1 volume broché(s) format In-4 bon 158 pages - .
Published by Musée des Beaux-Arts de Nantes, 1994
ISBN 10: 2906211214 ISBN 13: 9782906211216
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 16 pages, in French; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Published by Musee des Beaux Arts de Nantes, 1996
ISBN 10: 290621129X ISBN 13: 9782906211292
Seller: ANARTIST, New York, NY, U.S.A.
Softcover with dustjacket, staple-bound, 16 pages; in French; very good condition, clean and crisp; no internal marks.
Seller: Don Kelly Books, London, United Kingdom
First Edition
US$ 20.55
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. 119pp. Colour plates. English/French text.
Soft cover. Condition: Near Fine. No Jacket. 1st Edition. 4to volume in stiff paper boards. 119 pages with no markings.
Seller: Books From California, Simi Valley, CA, U.S.A.
Paperback. Condition: Very Good. Like normal shelf wear.
Soft cover. Condition: Very good. No jacket. Bottom corners of cover are bumped. Inside is clean and unmarked.
Language: English
Published by Museum of Cycladic Art, 2017
ISBN 10: 6185060221 ISBN 13: 9786185060220
Seller: Michael Knight, Bookseller, Forest Grove, OR, U.S.A.
hardcover. Condition: Very Good. Text in English and in Greek. Hardcover issued without dust-jacket. Clean and solid. Ships from a smoke-free home.
Soft cover. Condition: Good. 1st Edition. Numerous color plates. With an essay by Jonas Storsve. Text in English and Danish. Published on the occasion of the exhibition at Louisiana, Humlebaek, Denmark, June 3 - July 11, 1993. ; Tight solid binding. A touch of edge wear to covers, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 48 pages.
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued; 180 pages; in English and French; good condition; heavy bump to upper right front and rear corners; a couple page tips light bumped; no internal marks. Foreign shipping may be extra.
Language: French
Published by CENTRE GEORGES POMPIDOU, Paris, France, 2003
ISBN 10: 2844262198 ISBN 13: 9782844262196
Seller: Acadia Art & Rare Books. Est. 1931, Toronto, ON, Canada
First Edition
Paperback. Condition: Near Fine. 1st Edition. Color illustrated. Sm 8vo.
Published by Denmark 1993, 1993
Seller: ART CONSULTING:SCANDINAVIA, Books on Art, Calabasas, CA, U.S.A.
Sterbak uses simple means and materials to create her sculptures, objects, and installations which deal with issues such as subject and power, freedom and coercion, vanity and mortality. She is the artist who created ôGeneric Man,ö the photograph of the back of a manÆs head, whose hair is cut to resemble a bar code, and of ôJacket,ö at first glance a proper, severe, brown tweed jacket, with the two sleeves disconcertingly joined to make one sleeve., Danish/English, Year1993, Illust. B/W3, Illust. Color16, ISBN 8790029003, Code 1988. Softbound, Not in perfect condition., Location of Exhibition: Louisiana. Denmark1993, Bio. Cat. of exh. Bibl. Pages 48, Size 9 1/2öx8 1/2ö.
Language: English
Published by Centre Georges Pompidou Service Commercial, 2001
ISBN 10: 2844260969 ISBN 13: 9782844260963
Seller: Pulpfiction Books, Vancouver, BC, Canada
Soft cover. Condition: Near Fine. Near Fine- trade paperback, clean and unmarked. Dual French/English text; many color illustrations.
Language: English
Published by Paris : Editions du Centre Pompidou/Cabinet d'art graphique, 2001
ISBN 10: 2844260969 ISBN 13: 9782844260963
Seller: Klondyke, Almere, Netherlands
Condition: Good. Paperback, numerous illustrations in colour, 4to.
Hardcover. Condition: new. Hardcover. The work of one of the main protagonists of international contemporary artPublished in collaboration with the artist, the monograph brings together more than one hundred works, shaping a visual narrative of the rich artistic production of Giuseppe Penone (1947) that extends from the 1960s to the present day. The red thread is the theme of the imprint, a privileged subject in the artist's research, which can be found throughout the entire span of his production: from the work Alpi Marittime of 1968, the first experimentation of direct contact between body and forest, to the series Impronte di luce (2022-2023). Published on the occasion of the exhibition at the Ferrero Foundation, the monograph delves into the theme of the imprint, ranging from drawing to photography, from modelling to carving in an accurate compendium of the vast selection of genres and techniques tackled by the artist. The motif of the imprint becomes in Giuseppe Penone's vision synonymous with contact between different surfaces and finds its own ideal manifestation in nature, understood as a global ecosystem of which every element is an integral part, from the human being to the leaves, from the trees to the earth. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: French
Published by Centre Georges Pompidou Service Commercial, 2000
ISBN 10: 2844260594 ISBN 13: 9782844260598
Seller: Widney Manor Books, Solihull, MIDLA, United Kingdom
US$ 16.44
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. Book is in very good condition. 96pp with b/w and colour illustrations.
Language: French
Published by Centre Georges Pompidou, Cabinet D'Art Graphique, Paris, 2009
ISBN 10: 284426428X ISBN 13: 9782844264282
Seller: Colin Martin Books, Near Hull, EY, United Kingdom
US$ 16.44
Quantity: 1 available
Add to basketPaperback. Condition: New. Small Qto., 108 pages, illustrated in colour. The text is in English.
Language: English
Published by Paris : Editions du Centre Pompidou/Cabinet d'art graphique, 2001
ISBN 10: 2844260969 ISBN 13: 9782844260963
Seller: Klondyke, Almere, Netherlands
Condition: Good. Paperback, numerous illustrations in colour, 4to.
Condition: NEW.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 32.53
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. 112 pages. French language. 10.39x7.64x0.47 inches. In Stock.
Condition: Neuf.
Published by Centre Pompidou, 2005
Seller: ARTBOOKS, Schoorl, Netherlands
First Edition
Soft cover. Condition: Fine. 1st Edition. Title - Amelie von Wulffen / Author - Jonas Storsve / Publisher - Centre Pompidou / Year - 2005 / Language - English - French / Binding - Paperback / Size - 22 x 17 cm / Pages - 80 / ISBN - 2844262651.
US$ 13.70
Quantity: 1 available
Add to basketCondition: Used: Good.
Cartonato. Condition: new. Alba, Fondazione Ferrero, 1 ottobre 2024 - 28 febbraio 2025.A cura di Guzzetti F. e Penone R.Milano, 2024; cartonato, pp. 192, 20 ill. b/n, 100 ill. col., cm 24x30.(Cataloghi arte contemporanea). Curata da Francesco Guzzetti, Ruggero Penone, Jonas Storsve e realizzata in collaborazione con l'artista, la monografia riunisce oltre cento opere, dando forma a un racconto visivo della ricca produzione artistica di Giuseppe Penone (1947) che si estende dagli anni Sessanta sino a oggi. Filo rosso è il tema dell'impronta, soggetto privilegiato nella ricerca dell'artista, che si ritrova in tutto l'arco temporale della sua produzione: dall'opera Alpi Marittime del 1968, prima sperimentazione del contatto diretto tra corpo e bosco, fino alla serie Impronte di luce (2022-2023). Pubblicata in occasione dell'esposizione alla Fondazione Ferrero, la monografia approfondisce questo tema spaziando dalla pittura e dal disegno alla fotografia, dalla modellazione all'intaglio in un compendio accurato della vasta selezione di generi e tecniche affrontati dall'artista. Il motivo dell'impronta diviene nella visione di Giuseppe Penone sinonimo di contatto tra superfici differenti e trova una propria manifestazione ideale nella natura, intesa come ecosistema globale di cui ogni elemento è parte integrante, dall'essere umano alle foglie, dagli alberi alla terra. Giuseppe Penone è il più giovane degli artisti italiani, o residenti in Italia, ricondotti all'"Arte Povera" dal curatore e critico d'arte Germano Celant. Nella sua arte, il processo di attuazione è parte integrante dell'opera e sono le azioni compiute dall'artista in rapporto dialettico con quelle naturali che danno forma alla materia. L'albero, "idea prima e più semplice di vitalità, di cultura, di scultura", è un elemento centrale nel suo lavoro. Focalizzato sul tema dell'impronta, questo originale racconto visivo dedicato alla ricerca artistica di Giuseppe Penone è corredato dei testi di Jean-Christophe Bailly, Olivier Cinqualbre, Francesco Guzzetti, Carlo Ossola, Jonas Storsve e presenta il catalogo delle opere in mostra suddivise in otto sezioni tematiche (La memoria del contatto; Oggettività dell'impronta; Il colore del gesto; Sensibilità della pelle; Gesti su carta; Negativo e positivo; Impronte di luce; Gesti vegetali). Libro.