Struth Thomas, First Edition (162 results)

Magazine. Condition: Very Good Plus. First Edition. [ART]. Ed. Richard Artschwager. Contributors: Arthur Danto, Joyce Carol Oates, Nancy Spector, Ann Temkinn, Richard Flood, Thomas Struth, et al. "Parkett Art Magazine 23, March 1990, Collaboration with Richard Artschwager." Zurich, Frankfurt, New York: Parkett Verlag. Printed in Switzerland, March 1990. First edition. English and German languages. Softcover magazine with pictorial card wrappers and spine. Art criticism texts with black-and-white and full-color images and inserts. 10 x 8 1/4 inches. 26 oz. 154 pp. plus ads. Shelf-wear and minor creasing and indents to wrappers. Fore-edge worn. Text clean. Not the special edition. Very Good Plus. ISBN: 3907509730. ISSN: 0256-0917. "An Artschwager chair is a chair distilled to its platonic essence, all trace of ornamentation edited and pruned away, abridged to the intellectual state of chairhood, part of a kit through which we teach the meanings of 'chair' and 'table.' - Arthur C. Danto.".

First Edition. First edition. Oblong softcover. 55 pages. Exhibition catalog for a show that ran June 16 through steverose1814, 2009. Text in English and German. Features a contribution by Konstantinos Papageorgiou. Includes numerous color and black and white images, a checklist, and a list of previous exhibitions. A fine copy in wrappers.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. 2001 oversize hardcover 1st thus. Tiny fray and rub on dj, book itself is fine. Oversize book extra shipping charges will apply for international and priority orders as this will not fit into a flat rate envelope. Due to numerous problems, I no longer ship to Brazil. Language: eng.

Dust Jacket Condition: dj. First Edition. First edition. Softcover. 116 pages. Features text by Estreslla de Diego in English Includes 51 color plates by Struth taken over the course of two years at the Prado. A fine copy in French style wrappers in a very near fine dust jacket.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 183 pages. Text in English. Features an essay by Dieter Schwarz. Includes 108 color illustrations and a list of previous exhibitions. A clean near fine in a near fine dust jacket.

Hardcover. Condition: Fine. Dust Jacket Condition: near fine. 1st. Bound in the publisher's original paper over boards.Dust jacket lightly rubbed at edges and extremities. Profusely illustrated throughout.

First Edition. First edition. Large oblong softcover. Brief text in German by Julian Heynen. Includes 7 color images. An about very good copy in stapled wrappers with the pages somewhat rumpled due to the size of the book.

Soft cover. Condition: New. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Thomas Struth. Text (in German and English) by Konstantinos Papageorgiou. 56 pp., with 28 four-color and black-and-white plates. 9-1/4 x 9-3/4 inches. Published on the occasion of an exhibition at the Museum of Cycladic Arts Athens. New in publisher's shrink wrap. From the publisher: "This volume, accompanying a Thomas Struth retrospective exhibition at the Museum of Cycladic Art Athens, features classics such as his most beautiful Museum Photographs, architecture studies, and nature pieces from his dream-like Paradise series. It combines in a smart Struth manual, 'the essential Struth' so to speak.".

Soft cover. Condition: Very Good. 1st Edition. Published for the Thomas Struth exhibition, February 23 - April 26, 1992, Museum Haus Lange, Krefelder Kunstmuseen, Krefelt, Germany. Creasing to two page corners otherwise tightly bound with fine contents. Very slight shelf wear and one small spot at the bottom edge of the cover. German text. Insured international shipping and domestic Priority Mail may require added postage charges.

hardcover. Condition: Good. First Edition. First Edition. Good blue and black cloth boards with blue lettering along spine, water mark to bottom 1/3 of front board. Binding and hinges tight and square; Contents clean and unmarked. No dust jacket. 280 pp. Damp staining to bottom of edge of paste downs, pages look clean, but have slight wrinkle.

Dust Jacket Condition: dj. First Edition. First edition. Large oblong softcover. Exhibition catalog. Text in German. Includes 15 color photographs of Ruckriem's sculptures by Thomas Struth. A fine copy in wrappers in a fine dust jacket. A fresh copy.

First Edition. First edition. Softcover. Long running art magazine. This issue features John M. Armleder, Jeff Koons, Jean-Luc Mylayne, Thomas Struth, Sue Williams, and with an insert by Toba Khedoori and Tacita Dean. A very fine copy in wrappers and still in the publisher's shrinkwrap.

hardcover. Condition: Used-Very Good. First Edition. 4to. Cloth, d.j. Light shelf-wear. Bright, clean copy.

Soft cover. Condition: Very Good. 1st Edition. Oversized illustrated softcover with french flaps as issued. A clean unmarked copy with some soiling and a bit of fading to cover, internally clean. Uncommon.

Struth, Thomas (illustrator). First edition. 4to., 184 pp., chiefly illustrated from color photographs. Text in English. A fine copy in dust jacket. "This new monograph presents another facet of Struth's oeuvre, assembling a series of flower photographs produced for a unique project. In 1991, Struth was commissioned to decorate a new hospital in Winterthur, Switzerland. He decided to produce two flower photographs and a landscape for each of the 37 sickrooms. Beautifully reproduced here, these pictures brilliantly and colorfully sunthesize a tradition of landscape photography that includes Edward Weston, Walker Evans and August Sander with the tradition of 19th century flower and landscape painting. Thomas Struth studied painting under Gerhard Richter and photography under Bernd and Hilla Becher at the Kunstakademie in Düsseldorf." [the publisher] Includes small scale panels of 2 - 4 color plates showing the photographs used in each room, selected bibliography and exhibition list.

First Edition. First edition. Softcover. Art magazine. The highlight of this terrific issue is the David Byrne inset. Includes contributions or works by Richard Artschwager, Arthur C. Danto, Joyce Carol Oates, and Thomas Struth. Also features an interview of Sigmar Polke. A clean very near fine copy in wrappers.

hardcover. Condition: Very Good. First Edition. !!NO INTERNATIONAL OR PRIORITY SHIPPING ON THIS ITEM!!10x12 Grey cloth book is in fine unused condition. Unclipped jacket fresh with no chipping. Ever so slight rubbing along the top edge of jacket but no chipping. The jacket on this copy is much better than usually found. -Quality Counts! All books shipped in Cardboard and all books with dust jackets have mylar jacket protectors., very good plus unclipped jacket.

First Edition. First edition. Softcover. 76 pages. Exhibition catalog for a show in Chicago that ran March 25 through April 29, 1990. Features an essay by Benjamin H.D. Buchloh. Struth shows his ability to continue the Dusseldorf school of photography with this collection of black and white images of various buildings and cityscapes devoid of people. A fine copy in photo-illustrated French style wrappers. A very fresh copy of one of the earliest shows of Struth's photographs in the United States.

Oversize Paper. First Edition. Attractive oversize full color 8pg. brochure like catalog for an exhibition of Struth's photographs that was held at The Met. Illustrated with many color and black and white examples of his work. Bound to become rare. Fine. Book.

First Edition. First edition. Softcover. [20 pages.] Features a brief text by Owen Griffith in English. Includes 5 black and white photographs by Thomas Struth of 7 artworks of Michel Sauer. A close to near fine copy in stapled wrappers with a couple of spots to the front cover. Signed and inscribed by Sauer to gallerist Margarete Roeder on the front free endpaper in the year of publication. Uncommon thus.

First Edition. Softcover. First Edition. Fine and unread in perfect-bound wrappers with French flaps.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. hard cover in dust jacket. pamphlet with english text of an essay is laid-in. no flaws or wear. clean. no markings, bumps, tears. tight binding.; japanese text with some english.; 159pp., illustrated throughout with color and b/w photographs. Size: 8vo - over 7¾" - 9¾" tall.

Soft cover. Condition: New. Dust Jacket Condition: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers (with partial printed paper dust jacket attached). Photographs by Thomas Struth. Text by Julian Heynen (in German). 20 pp. with 7 four-color plates. 12-3/4 x 16-1/4 inches. New in publisher's shrink-wrap. Published on the occasion of the 2001 exhibition Thomas Struth, at Galerie Max Hetzler, Berlin.

Soft cover. Condition: Very Good. 1st Edition. Very Good paperback. First Edition, First Printing. Light shelf wear to the exterior. The text and plates are clean and bright. Text in German with English.

hardcover. Condition: New. First Edition. Publisher: Hatje Cantz Publishers, 2003. FINE Hardcover in pictorial boards, as issued. First Edition. Printing unstated. New. Pristine.

First Edition. First edition. Hardcover. 48 pages. Exhibition catalog for a show that ran May 5 through June 19, 2010. Features an essay by Benjamin H.D. Buchloh. Includes 17 color plates. A clean very near fine copy in illustrated boards. No dust jacket as issued.

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. B : 144 Seiten - Die erste große Retrospektive seiner Arbeiten, veranstaltet vom Centre national de la photographie, Paris, dem Stedelijk Museum Amsterdam und dem Carr d'art in Nîmes, (1989/1990) wanderte Zeit durch Europa und gibt unter dem schönen doppeldeutigen Titel "Still" Einblick in die Entwicklung und die thematische Vielfalt von Struths Werk. Die Auswahl umfasst Beispiele aus allen Interessengebieten, denen sich Struth mit hoher Konzentration und meist in Serien arbeitend in den letzten 15 Jahren zugewandt hat: angefangen mit den Straßen- und Städtebildern, die bei aller scheinbaren Banalität viel über den Zustand und die jüngere Geschichte der westlichen Länder aussagen; es folgten die intensive Beschäftigung mit Menschen vor der Kamera, die Serie der großformatigen "Museum Photographs" und in jüngster Zeit Blumen- und Landschaftsphotographien.

Condition: Sehr gut. First Edition. 144 Seiten, überw. Abb. Good copy, cover slightly discolored. - Thomas Struth is considered one of the major figures of German photography. He com- bines a rigorous style with a neutral, objective vision of reality and an impressively precise technique. Exploring his themes in successive series, he spent several years focusing on the urban architecture of Europe and the United States. Ironing out the exceptional, his gaze concentrated on rows of banal buildings, on vistas of streets without qualities, on the details of anonymous facades. And yet, behind these seemingly blank descriptions of com- mon cityscapes, there lies a profound and serious meditation on recent Western history, and in particular on the traumas caused by the last world war and the architectural "responses" that these elicited. -- In the mid- -- s, Struth widened his field of investigation, beginning work on several series of portraits of individuals or groups, particularly families. Here, human emotion is distinctly present but never indulged. It emerges in the psychological density of a gaze, in the singularity of a posture, or, even more conspicuously, in the knotty relationships of the family portraits. -- In recent years, Struth has embarked on new themes such as landscape and flowers. These form a gently lyrical counterpoint to the earlier series. He has also developed a fascinating exploration of the places where works of art are shown-both traditional settings such as churches and palaces, and the specialist institutions that are museums as well as into the modern rituals that shape the public's behavior toward these places and the works they con- tain. Alternatively sympathetic and ironic, Struth conducts an extremely subtle analysis of the position of the work of art in our society, of our relation to history and heritage and, lastly, of the mysterious and enduring power of art over human beings (a phenomenon which, paradoxically, photography, of all art forms, seems the best equipped to reveal). -- This book marks the first major European exhibition dedicated to Thomas Struth. We hope that this event will increase familiarity with his body of work and thus help provide a FOREWORD -- C -- X -- Y -- Alt -- clearer definition of what we consider an exemplary artistic enterprise in relation to the field of contemporary photography. It is a pleasure to thank all the lenders for their pre- cious support and, of course, the artist himself, whose unfailing helpfulness and care did so much to ensure the success of this project. -- THOMAS STRUTH Acknowledgments -- GUY TOSATTO The Time of Photography -- HRIPSIMÉ VISSER Cultural Images -- List of Plates -- Plates -- , RÉGIS DURAND A Common Measure -- , JAMES LINGWOOD Composure [or On Being Still] -- Biography -- Exhibitions -- Bibliography -- Lenders. ISBN 9781580930949 Sprache: Englisch Gewicht in Gramm: 1148 Orig.Lw.; Orig.-Schutzumschlag.

Dust Jacket Condition: dj. First Edition. Softcover. First Edition. Collects 20 color and 37 black-and-white photographs. Published in conjunction with an exhibition which opened on January 19, 1994, at the Institute of Contemporary Art in Boston, later traveling to the Institute of Contemporary Art in London and the Art Gallery of Ontario, Toronto. About Fine in a Near Fine, lightly faded dust jacket.

29.5x23.5cm. First US edition. Monograph on the work of contemporary German photographer Thomas Struth, first published on occasion of exhibition at venues in Nîmes, Amsterdam and Paris. 144pp with essays, colour & monochrome plates, biographical details, exhibition history, and bibliography. Hardback / hard cover: green cloth titled in blue at backstrip and in blue & black at front cover. Slightly cocked. Single small but quite sharp indentation on rear cover and at corresponding position on dust jacket rear panel. VERY GOOD+ copy in VERY GOOD unclipped dust jacket with indentation as mentioned, as well as a number of minor indentations & scratchmarks also on rear panel. (Heavy item, overseas shipping at cost.).