Sueur Eustache (48 results)

No Binding. Condition: Fine. Postcard in fine condition. Unmailed. Cards are sent in stiff mailers. Postcard.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

~ Etching, early 19th century. Painter: Eustache LE SUEUR (1616-1655). Oil on table, 127 cm x 107 cm. Paris, Musée du Louvre & Drawn by: Denis Sébastien Leroy (17.-1832) & Etched by: Jacques-Joseph Coiny (1761-1809) & Finished by: Edme Bovinet (1767-1837?). Size approx. 125 mm x 107 mm. Overall 27cm x 16cm. In very good condition. Fine Art Print.

~ Etching, early 19th century. Painter: Eustache LE SUEUR (1617-1655). Oil on table, 1646 - 1647, 97 cm x 250 cm. Paris, Musée du Louvre & Drawn by: Denis Sébastien Leroy (17.-1832) & Etched by: Alexis Chataignier (1772-1817) & Finished by: Antoine-Claude-François Villerey (1754-1828). Size approx. 73 mm x 179 mm. Overall 17cm x 26cm. In very good condition. Fine Art Print.

~ Etching, early 19th century. Painter: Eustache LE SUEUR (1616-1655). Oil on canvas, 100 cm x 250 cm. Paris, Musée du Louvre & Drawn by: Denis Sébastien Leroy (17.-1832) & Etched by: Alexis Chataignier (1772-1817) & Finished by: Antoine-Claude-François Villerey (1754-1828). Size approx. 73 mm x 178 mm. Overall 17cm x 26cm. In very good condition. Fine Art Print.

"Muse No. II" (Urania) high-quality facsimile in giclée print with a narrow, white border on 250g Schwarzwaldmühle art print cardboard (30x21cm) based on an etching by Pierre Laurent published in Paris in 1803 based on a painting by Le Sueur.

Condition: Fair. First edition (hardback). 8vo (23cm x 14cm), 124pp. Black cloth spine, marbled paper-covered boards, red morocco title label to the spine. There is some chipping of the binding, and some scattered foxing of the contents; overall, this book is just about in good condition. Text in French.

Condition: New.

Hardcover. Condition: VG. Color illustrated dj with white text, red cloth boards with gilt text on cover and spine. 490 pages, 197 pages of unnumbered plates: 596 illustrations (24 in color). Reprint of the first edition of 1987, enriched with an addendum.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Softcover. Condition: VG. Color illustrated wraps with red and white text. 183 pp. Color and bw illustrations.Text in French. Sommaire : Serge Lemoine - Grenoble, la Grande-Chartreuse des Alpes et Le Sueur, peintre de Paris ; Laurent Salome - Le temps de Le Sueur ; Alain Merot - Le Sueur, du mythe aux realites ; Barbara brejon de Lavergnee - Simon Vouet et son atelier ; Alain Merot - Catalogue des peintures ; Alain Merot - Catalogue des dessins ; Oeuvres exposees ; Bibliographie ; Remerciements.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1952 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 36 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Taschenbuch. Condition: Neu. Galerie de Saint-Bruno | Eustache Le Sueur (u. a.) | Taschenbuch | Kartoniert / Broschiert | Französisch | 2021 | Hachette Livre - BNF | EAN 9782329555195 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paris, Arthéna, Association pour la diffusion de l'histoire de l'art, [1987]. 476 pp. 571 pp. B./w. frontispiece & 571 b./w. figs on plts. plates. Orig. softcover with flaps (pictorial wrappers). 4to. - Spine ends with light shelfwear.Text in French.

Hardcover. Condition: Ausreichend. Hoet, Gerard; Houbraken, Jacobus; Picart, Bernard; Le Sueur, Eustache; Chigium, Card.; Marot, Daniel; Pool, Matthys; van Leiden, Aantte u.a. (illustrator). Die 4 Bände auf Papier Roial gedruckt, alle Titelblätter in Rot-Schwarz-Druck mit Titelkupfer, rot gesprenkelte Rundum-Schnitte, grüne Lesebändchen aus Seide. Tome premier: 1728. [5] Bl., 558 S., [39] Bl., 36 ganzseitige, 2 doppelseitige Kupfertafeln, alle Kupferstiche und Kupferinitialen im Text vollständig. S. I-VIII: Preface und Division fehlen. Frontispiz ganzseiter Kupferstich von B. Picart., Einriss rechts mit kleiner Fehlstelle, an den Rändern etwas angeschmutzt, Titelbl. mit kleiner Läsur rechts, S. 218, 219 angeschmutzt mit Knickspuren, 2 Kupfertafeln nach S. 220, nach 228, S. 225-236 mit Knickspuren rechts unten, S. 415-418 Knickspuren rechts oben, S. 464 u. Kupfertafel danach mit kleinem Einriss am Rand oben, S. 465-468 fleckig, S. 528 als S. 524 falsch paginiert, letztes Bl. mit Knickspuren uns leicht angeschmutzt, Buchblock auf 7 Bünden fest gebunden, Papier überwiegend sauber. Einband fehlt ganz, fliegende, teils marmorierte Vorsätze vorn mit Einriss rechts, hinten fehlen sie. Tome second: 1728. [4] Bl., 579 S., [34] ganzseitige, [4] doppelseitige Kupfertafeln, alle Kupferstiche und Kupferinitialen im Text vollständig. Bl. [2] ganzseitige Kupfer-Kartusche mit anschließenden Widmungen und einer Epitre vom Verleger de Hondt an Prinz Wilhelm IV. von Oranien (nicht im Exemplar der BNF). S. 463 u. 464 nicht gezählt, danach wieder korrekt. Original-Maroquin-Einband, beide Deckel nur noch locker verbunden, Lederbezüge vollständig entfernt, Rücken mit reichen Goldprägungen, Rückentitel und Bandbezeichnung, unterhalb des letzten Bundes Leder entfernt, Kapitale beschädigt, marmorierter Spiegel und fliegende Vorsätze vorn entfernt, hinten vorhanden. Buchblock auf 7 Bünden fest gebunden, Papier durchgängig sauber Tome troisieme: 1735. [5] Bl., 590 S. (i.e. 594 S.), [3] doppelseitige, [13] ganzseitige Kupfertafeln, Tafel nach S. 46 herausgetrennt, S. 46-54 mit Einrissen ohne Textverlust, alle Kupferstiche und Kupferinitialen im Text vollständig. Papier durchgängig sauber, Falsche Paginierung nach S. 292. Original-Maroquin-Einband, Vorderdeckel lose, Lederbezug teilweise abgetrennt, Rücken mit reicher Goldprägung, Rückentitel und Bandbezeichnung, Kapitale gut, marmorierte Spiegel und fliegende Vorsätze, vorn eins mit Einriss mittig, Buchblock auf 7 Bünden fest gebunden. Tome quatrieme: 1736. [2] Bl., 632, 58, 50 S., [4] doppelseitige, [11] ganzseitige Kupfertafeln, alle Kupferstiche und Kupferinitialen im Text vollständig. Papier durchgängig sauber. Original-Maroquin-Einband, am hinteren Deckel Gelenk gebrochen, oben eingerissen, Lederbezug hinten ganz, vorn größtenteils, am Rücken teilweise abgetrennt, Rücken sonst reich goldgeprägt mit Rückentitel und Bandbezeichnung. Kapitale in Ordnung, Marmorierte Spiegel und Vorsätze, Buchblock auf 7 Bünden fest gebunden.

in-4, faux-titre, titre, 4 pages (notice sur Eustache le Sueur), 2 feuillet de table, 3-(1) pages (Notice sur Jean Jouvenet et table), 110 planches gravées, dessinées par Eustache Le Sueur, certaines sont coloriées et in-fine 8 planches gravées, dessinées par Jean Jouvenet ; Reliure: broché, petites coupures au dos.

Couverture rigide. Condition: bon. RO80053273: 1844. In-4. Cartonnage d'éditeurs. Etat d'usage, Couv. convenable, Dos satisfaisant, Rousseurs. 10 pages + 118 planches de gravures au traits et en Eaux-Fortes, en noir et blanc, hors-texte. Mors fendues en coiffes. . . . Classification Dewey : 741-Dessin.

gr.-8°. Mit 1 Titeportr. u. 25 Taf. in Stahlst. HLdr. d. Zt. Mit Rückengoldpräg, Ecken u. Kanten stark bestoßen. 1 Karte m. Scharte. Tlw. stockfleckig Eustache Le Sueur oder Lesueur (1616-1655), war ein französischer Maler. Von 1645 bis 1648 malte er die berühmten 22 Bilder aus dem Leben des heil. Bruno im Kleinen Kartäuserkloster zu Paris (jetzt im Louvre). Avec Abrege de la vie de Le Sueur, par d`Argenville, Abrege de la vie de saint Bruno . par Godescard. Gewicht in Gramm: 500.

Hardcover. Condition: Near Fine. 1717 Life of Saint Bruno Eustache le SUEUR Painting Art HUGE FOLIO Engravings Eustache le Sueur was a well-known 17th-century French artist known for his paintings of saints and church fathers. His most famous works was his series of paintings on the life of Saint Bruno aptly titled 'La Vie de St. Bruno'. After Sueur completed these paintings, they were sold to Louis XVI and were later placed in the Louvre where they still reside today. These enormous, elephant-folio sized engravings of 'St. Bruno' were engraved by Francois Chauveau who is known to be one of the most desirable engravers for collectors. Item number: #14806 Price: $950 Le SUEUR, Eustache La vie de St. Bruno fondateur de l'ordre des Chartreux peinte au Cloistre de la Chartreuse de Paris A Paris : Chez la Veuve de F. Chereau, (ca.1660-1717) Details: Collation: o 18 engravings Language: French Binding: Leather; tight & secure Size: ~18in X 12.75in (45.5cm x 32cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 14806 Photos available upon request.

Couverture rigide. Chez René Cousinet | à Paris s. d. [ca 1660] | 27.50 x 41 cm | relié | Edition originale, rare, illustrée d'un titre-frontispice et de 22 planches d'après les tableaux d'EustacheLe Sueur et gravées par François Chauveau. Légendes des gravures sur deux colonnes, un verset en latin, et sa traduction en regard. Brunet III, 1020. Reliure en demi chagrin chocolat glacé ca 1860 à coins signée L. Fixon en bas du dernier feuillet. Dos à nerfs janséniste. Titre gravé, ainsi que les initiales S. D. Accrocs avec manques sur le plat inférieur. Estafilade à un coin du plat inférieur et coin émoussé. Quelques frottements. Bel exemplaire, bien frais. Le Sueur peignit entre 1645et 1648 le cyle de la vie de Saint bruno, un ensemble de 22 toiles qui lui furent commandées pour orner le cloître de la chartreuse de Paris. Le Sueur y affirme son style propre hérité du classicisme de Poussin et de son maître Simon Vouet.Ces toiles furent plus tard achetéesparLouis XVI en 1776. Elles sont désormais au Louvre. François Chauveau est l'un des plus illustres graveurs français du XVIIe, et l'un des 4 graveurscités par Charles Perrault dans ses Hommes illustres, et l'un des principaux représentants de la technique de l'eau-forte. Dans son Voyage pittoresque de Paris, Dezallier D'Argenville décrit ainsi le cloître de la Chartreuse : "Le petit cloître mériteune attention particulière. Le Raphaël français Eustache Le Sueur y a représenté en vingt-deux tableaux peints sur bois les principales circonstances de la vie de S. Bruno [.] Ce cloître a été gravé par François Chauveau d'une manière qui rend assez bien le caractère de Le Sueur." | [ENGLISH DESCRIPTION FOLLOWS] The rare first edition, illustrated with a title-frontispiece and 22 plates after paintings by Eustache Le Sueur and engraved by François Chauveau. Captions of the engravings in two columns, one verse in Latin, with its translation alongside. Brunet III, 1020. Half chocolate-brown glazed shagreen binding circa 1860 with corners, signed L. Fixon at the bottom of the last leaf. Jansenist spine with raised bands. Engraved title, as well as the initials S. D. Tears with lacks to the lower board. Cut to one corner of the lower board and corner slightly bumped. Some rubbing. Fine copy, very fresh. Le Sueur painted between 1645 and 1648 the cycle of the life of Saint Bruno, a set of 22 canvases commissioned to adorn the cloister of the Charterhouse of Paris. Le Sueur asserted his own style inherited from Poussin's classicism and his master Simon Vouet. These canvases were later purchased by Louis XVI in 1776. They are now in the Louvre. François Chauveau is one of the most illustrious French engravers of the 17th century, and one of the 4 engravers cited by Charles Perrault in his Hommes illustres, and one of the principal representatives of the etching technique. In his Voyage pittoresque de Paris, Dezallier D'Argenville thus describes the cloister of the Charterhouse: "Le petit cloître mérite une attention particulière. Le Raphaël français Eustache Le Sueur y a représenté en vingt-deux tableaux peints sur bois les principales circonstances de la vie de S. Bruno [.] Ce cloître a été gravé par François Chauveau d'une manière qui rend assez bien le caractère de Le Sueur." ["The small cloister deserves particular attention. The French Raphael Eustache Le Sueur has represented there in twenty-two paintings on wood the principal circumstances of the life of St. Bruno [.] This cloister has been engraved by François Chauveau in a manner that renders quite well the character of Le Sueur."] * (4) 22pl.

Hardcover. Condition: Very Good. Le Sueur; Engraved By Francois Chavueau (illustrator). Book. Elephant Folio - over 15. Elephantine Folio, 18 x 12.5", 2ff, 22 engraved plates with letterpress, including engraved title and dedication. Early 19th century half calf with marbled paper over boards, minimal wear, spine tooled in gilt; soiling on title page, tiny tears to two edges of title, final plate lightly foxed in margins and light mark on engraving. Generally plates very clean. Very impressive plates telling story of St. Bruno. Engravings of paintings commissioned by King. St. Bruno was patron saint and founder of the Carthusians, an order of monks established in 1084, near Grenoble. Le Sueur (1616-1655) painted these large panels for the religious order, and they are the artist's most important work. Paintings afterward sold to Louis XVI and are now in the Louvre. THese Chauveau (1613-1676) engravings were much sought after by collectors.

0. Sprache: Deutschu.