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Published by Fontana 1962 (Colour illus.) : Format: paperback. Postage is reduced on multiple orders., 1962
Seller: Mr.G.D.Price, Mansfield, United Kingdom
VERY GOOD condition.
Published by Harry N. Abrams. New York., 1956
Seller: Sheapast Art and Books, Sherman Oaks, CA, U.S.A.
Book
Soft cover. Condition: Very Good. Paul Klee ( The Library of Great Painters . Portfolio Edition) text by Will Grohmann; Published by Harry Abrams, New York. 1956. Softcover, folio. 10 color plates. "The ten color plates in this portfolio are the product of the world's finest craftsmen. They have been printed with consummate care to preserve the greatest possible fidelity to the original paintings. Each is hand tipped and may be easily removed for framing." I have other books in this series available. "a little cover wear, inside a few minor marks and spots, clean and tight".
Published by Guggenheim Museum 1967, 1967
Seller: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
First Edition
First 4to, stiff wrappers. 126 pp, 178 illustrations (11 in color), chronology. Initially published in an edition of 5,000 copies. Exhibition February - April, 1967. Fine, but a tipped-in caption correction has caused a paper stain.
Published by Leonard Hutton Galleries 1978, 1978
Seller: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
First Edition
First 4to, stiff stapled pictorial wrappers. 29 pp, 24 illustrations (10 incolor, including covers), portrait, 9 text figures, exhibition list. Exhibition opened October 27, 1978. Very good except for cover rubbing and mildcorner bumps.
Soft cover. Condition: Very Good. No Jacket. Covers slightly faded, inside pages clean and bright. Text in German.
Published by Harry N. Abrams, Inc. Publishers, 1967
ISBN 10: 0810902281ISBN 13: 9780810902282
Seller: The Old Sage Bookshop, Prescott, AZ, U.S.A.
Book
Hardcover. Condition: Fine. No Jacket. Oversize blue and white "tweed" cloth hardcover with gilt lettering to spine and front; no jacket; 168 pages; 48 tipped-in color plates as well as b&w reproductions; no date--ca 1967. Fine condition: PO's name stamped inside front, otherwise like new. Will require extra for shipping. Size: Folio - over 12 - 15" tall. Book.
Published by Harry N. Abrams, Inc. Publishers, 1955
Seller: The Old Sage Bookshop, Prescott, AZ, U.S.A.
Hardcover. Condition: Very Good+. No Jacket. Oversize black cloth hardcover with white lettering and illustrations to binding; no jacket; gray endpapers; 448 pages; tipped-in color plates; b&w reproductions; no date--circa 1955. Very good plus condition: a couple of very slight flaws to binding; straight; hinges strong; owner's initials stamped inside; pages slightly toned, otherwise excellent. Will require extra for shipping. Size: Folio - over 12 - 15" tall. Book.
Published by Thames & Hudson, London & New York 1961, 1961
Seller: THE CROSS Art + Books, Sydney, NSW, Australia
30.0 x 21.0cms, 184pp, 71 b/w & 57 colour illusts, very good- hardback with fragile dustwrapper (ex-library with stamps and scars) This was the first English-language monograph on the German Expressionist's work. Grohmann was a close friend of Kirchner.
Published by New York, Harry N. Abrams, 1956
Seller: Antiquariat Smock, Freiburg, Germany
Book First Edition
Großformat, Heft. 24 S. (32,5x26 cm) 1st edition; (Mit 9 mont. Bildtafeln); Außen gealtert und angeschmutzt; innen ordentlich erhalten. Sprache: Englisch Gewicht in Gramm: 1100.
Published by New York, NY: Kleemann Galleries., 1957
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 12mo. [24 pp]. Stiff, stapled glossy white wraps with black and white illustrations and red lettering. Good with red stains across top of front wrap. 23 Black and white plates. Includes an essay by Will Grohmann. Name of previous owner autographed in pencil on bottom of title page. Catalogue created on occasion of exhibition at Kleemann Galleries in New York through January 1957. From the Collection of the Art Historian Peter Selz.
Published by London, printed by Tillotsons (Bolton) Ltd, England. 1966,, 1966
Seller: Stader Kunst-Buch-Kabinett ILAB, Stade, Germany
22,8 x 21 cm, 73 (1) Seiten, 19 farbige und 70 schwarz-weiss Abbildungen, illustrierte Original-Broschur (etwas lichtrandig, rechte Ecke leicht gestaucht), sonst innen ein gutes Exemplar. Grohmann-Bibliographie (1987) Seite 58. - Spalek 556. - Marlborough cat. No. 204. Sprache: englisch.
Published by Harry N. Abrams, Inc., New York, 1958
Seller: JB's Book Vault, Buffalo, WY, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Good dust. First Edition. Book is in VG condition with light rubbing to edges, bumping to spine ends, mild soiling to covers and spine else a bright and solid copy. Dust jacket is in G condition with light rubbing to edges, light bumping to spine ends, creasing to covers else still bright, intact and whole.; Folio - over 12" - 15" tall.
Published by Leonard Hutton Galleries, New York, 1963
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. [40] pages, illustrations; 28 cm. Exhibition held February 19th to March 30, 1963, Leonard Hutton Galleries, New York. For the benefit of the Manhattan Chapter of the American Association for the United Nations. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Introduction in English, French and German: Leonard Hutton Hutschnecker. Scarce. Size: 4to.
Published by Stichnote, Potsdam, 1948
Seller: Liwall Bücher und mehr, Halle, Germany
58 Bilder u. Zeichnungen z.T. auf Bildtafeln 23 S.+Tafeln O.Heft mit ill.SU + 8° *SMAD-Lizens*; (SU berieben; Frontispiz minimal berieben; Heft hinten vom Einband gelöst) Kunst der Gegenwart Sprache: de.
Published by New York, NY: Kleemann Galleries., 1957
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 12mo. [24 pp]. Stiff, stapled glossy white wraps with black and white illustrations and red lettering. Very good with marginal toning along spine and pen annotations. 23 Black and white plates. Includes an essay by Will Grohmann. Catalogue created on occasion of exhibition at Kleemann Galleries in New York through January 1957. From the Collection of the Art Historian Peter Selz.
Published by New York, NY: Marlborough-Gerson Gallery Inc., 1966
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. [23 pp]. Soft color illustrated wraps. Good with some edgewear and chipping along bottom of spine, marginal soiling along wraps. Some color plates. Includes an essay by Will Grohmann. Catalogue created on occasion of exhibition at the Marlborough-Gerson Gallery in New York from April through May, 1966. Includes small list of errata as insert. From the Collection of the Art Historian Peter Selz.
Published by London: Marlborough Fine Art Ltd., 1966
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. 74 pp. Soft Cover. Color and black and white illustrations throughout. Very Good. Minor shelf wear. Some toning to covers and interior sheet edges, some specks of foxing.Provenance: Collection of UC Berkeley Art Professor Peter Selz.
Published by Galleria Nazionale d'Arte Moderna, Valle Giulia, Editalia Roma, 1958., 1958
Seller: Joe Maynard, Newburgh, NY, U.S.A.
Book
Soft cover. Condition: Very Good. Slim octavo, text in Italian, illustrations and reproductions of previous illustrations, a variety of graphic styles and a variety of paper stock, one folding page, red pictorial wrappers printed in black (fading to wrappers, minor wear, else very good).
Published by Harry N. Abrams Inc. N.A
Seller: Sunny Day Bookstore, SINGAPORE, Singapore
Condition: Fine. Number of books: 1.
Published by Galerie Franz, Berlin, 1948
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
First Edition
Softcover. Condition: g. First edition. Sextodecimo. 16pp. original yellow wraps with black lettering on cover. Catalog for the exhibition of works by Karl Hartung, Jeanne Mammen, Hans Thiemann, Heinz Trökes, Hans Uhlmann, and Mac Zimmermann at the Galerie Franz in Berlin. Will Grohmann in his introduction belabors the fact that contemporary art doesn't seem to have a direction, respectively a defined style, but that everything is pawned off as a novelty that was already new at some time since the Romantic era until now. The artists exhibiting he signifies as the generation after Picasso and the fact that links them to form the "Zone 5" is their desire to experiment. Illustrated with b/w reproductions of works by the participating artists. Contains list of exhibited works at rear. Gallery info printed to back cover. Text in German. Wraps with some wear along edges, small closed tears and chips and slightly rubbed. Small paint stain in blue and red in margin of Jeanne Mammen's work. Wraps and interior in overall good condition.
Published by New York, Harcourt, 1955
Seller: NUDEL BOOKS, New York, NY, U.S.A.
Hardcover. Condition: Poor. BINDING COPY ONLY.lacks spine, bowed etc, bit banged internally clean, Binding COPY ONLY.postage considerably extra.H5/5.
Published by Berlin, Druck von H. S.Hermann GmbH, Berlin SW 19, 1930,, 1930
Seller: Stader Kunst-Buch-Kabinett ILAB, Stade, Germany
Berlin W 35, Schöneberger Ufer 38, 21 x 15 cm, 16 Seiten, Mit 5 schwarz-weiss Abbildungen (Kronenkranich, Zwischen zwei Welten, Roter Teufel, So ihr nicht werdet wie die Kinder, Orchideen und Papageientulpen). Der Katalog verzeichnet 20 Gemälde, 24 Aquarelle und 14 Lithographien von Emil Nolde. Hinweise auf Gustav Schiefler, Das Graphische Werk 1910 - 1925, Nolde von Max Sauerlandt im Kurt Wolff Verlag, Junge Kunst Band 53 und den Briefen aus den Jahren 1894 - 1926 aus dem Furche-Verlag. Bedruckte Original-Klammerheftung (lichtrandig und fleckig), sonst ordentlich erhaltenes Exemplar. Nicht in der Grohmann-Bibliographie Stuttgart 1987 augeführt. - Spalek 3911. Sprache: deutsch.
Published by Paris: Editions de la revue Verve, 1955
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. Original pictorial boards designed by the artist. .26.5 x 35.5 cm. (10½ x 14"). 160pp. 20 color plates and 128 gravures. Color lithographs title page printed by Mourlot. Slight cracks along spine edges.French edition. Very good.
Published by Cahiers d'Art, Paris, 1931
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
First Edition
Hardcover. Condition: f to vg. First edition. Folio (12 3/4 x 10"). [18]pp (Advertisement), 9-96pp (Text and plates). Contemporary blue morocco, with gold lettering and ruling to spine and front cover. Decorative endpapers. Title from the original front cover pasted onto fly leaf. Lavishly illustrated throughout with 97 in-text and full-page monochromes reproducing some of Henri Matisse's artwork, this double-issue of Christian Zervos' "Cahiers d'Art" is a splendid monograph on a major figure in modern art. Indeed, Matisse is commonly regarded, along with Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the 20th century, responsible for significant developments in painting and sculpture. This monograph contains the following texts on Henri Matisse written by some of the most prestigious contributors of the period: - Notes sur la formation et le développement d'Henri-Matisse, text in French by Christian Zervos - Matisse et le corps féminin, text in French by Paul Fierens - Poésie d'Henri-Matisse, text in French by Pierre Guéguen - Henri-Matisse, text in German by Curt Glaser - Henri-Matisse, text in German by Will Grohmann - Henri-Matisse, text in French by Georges Salles - Henri-Matisse, text in English by Georges Fry - Matisse in America, text in English by Henry Mac Bride - Henri-Matisse, text in French by Karel Asplund - Henri-Matisse, text in French by G. Scheiwiller - Connaissance de soi-même, text in French by Guillaume Apollinaire Binding heavily rubbed along edges, with some abrasion to leather. Closed tear along front joint. Front cover slightly starting. Text in French, German and English. Binding in overall fair, interior in very good condition.
Published by Editions de la Review Verve, 1955
Seller: The Cary Collection, Bristol, CT, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. No Jacket. 1st Edition. [157] pp. 14.25" x 10.5" Vol. VIII, No 31 et 32 Editions de la Review Verve This double-issue of the modernist Parisian art magazine "Verve" is lavishly illustrated with ten color lithographs, including the cover, eleven color heliogravures of Georges Braque's work, one of those a double page, and one hundred and thirty-two b/w heliogravures from the workbooks of George Braque. With an introduction by Will Grohmann and contributions by Rebecca West and Antoine Tudal. Also known as the "Intimate Notebooks" of Braque, for the longest time kept from the public, this collection from the workbooks was selected by Braque himself. The drawings, gouaches and watercolors provide a vivid insight into the emotions and ideas of the artist. Braque had been making daily entries in his workbooks since his youth. Text in French.
Published by Galerie im Erker, St. Gallen, 1967
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
First Edition
Softcover. Condition: Good to fine condition. First edition. Inscribed "Für Amalie Max Bill 13-5-67" underneath a b/w photograph of Max Bill on inside front cover. Octavo. 48 (4)pp. Original illustrated glossy wraps with black lettering on spine, protected by modern mylar. Exhibition catalog for the first major retrospective exhibition at the "Galerie im Erker" in St. Gallen from April 8 to May 27, 1967. The catalog opens with twenty-eight pages of an illustrated history of Max Bill's work and biographical data, starting with an b/w photograph of an electrical samovar made of brass in 1925 up to his participation in the exhibition "dix ans d'art vivant 1955-65" at the Fondation Maeght St. Paul in 1967. Illustrations are printed to glossy paper. Asides of the thumbnail b/w photographs of Max Bill's work at front the catalog contains twelve full page photographs of Bill's work, two of them in color, and contributions on Bill and his work by Will Grohmann, Max Bense on 'aspects of Hegel in an exhibition of Max Bill' and a contribution by Bill himself, a transcript of Bill's answer to the question 'how will art look like in the year 2000?' spoken for the radio and television department of the Swiss State Exhibition in Lausanne in 1964. The typography of the catalog was design by Max Bill. Text in German. Wraps with light foxing and lightly rubbed. Interior in fine condition.