The Notes (Over 1,800 results)

Paperback. Condition: Very Good.

Paperback. Condition: Good.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Very Good.

Paperback. Condition: Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. All pages and cover are intact with minor wear to the pages, binding, and possible minor marks within. 100% Satisfaction Guarantee!! **Ships SWIFTLY!**.

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Soft cover. Condition: Very Good. No Jacket. box 21 5¼"x8"; 260 pages; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Charles Baugniet (Cover Art: The Letter) (illustrator). …

Paperback. Condition: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear with rubbing/light soiling.; 100% Satisfaction Guaranteed! Ships same or next business day.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. SparkNotes is a book designed to help you understand and study some of the great literature of our time. Each chapter is explained in clear language. Reliable SparkNotes edition with some shelf wear to the covers. Enjoy this USEFUL edition. Book.

Hardbound. Condition: Very Good. Octavo, orange cloth with gold lettering, color frontispiece, 109 pp., color illustrations and tailpiece Text is in English and Hebrew on facing pages. Illuminated by Lori Justice-Shocket. Ex3ecutive editor: Rabbi William Cutter. Contributing editors: Rabbi David Bial, Rabbi Joel Rembaum.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A very good copy of the hard cover edition in a like (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. Previous owner's modest embossed bookplate to base of title page. A lovely copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.]. Edwin Smith [ Photographs ] (illustrator).…

Hardcover. Condition: Very Good +. Very Good +. Reprinted. A very nice copy. 94 pages. Chamberlain, Samuel (Photography) (illustrator). Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Not a book but a 12-inch, 33-1/3 rpm stereo vinyl rock 'n roll album, MGM SE-4414, very-good-plus vinyl in a very-good cardboard jacket with some rub to top edge and bottom corners. This is the British group's fifth U.S. album (released only in the United States, 1966), and the last before their breakup and reorganization. Frank Zappa arranged and collaborated on "All Night Long." Also features Sam Cooke's "Shake," B.B. King's "Rock Me, Baby," ("Little") R. Penniman's "Lucille," and Howlin' Wolf's "Smoke Stack Lightning," which had previously been covered by the Yardbirds. Produced by Tom Wilson. Reduced from $9. Cover photo by George Jpseph. (illustrator). …

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. 1st Edition. Not a book but a 12-inch, 33-1/3 rpm "high fidelity 360 sound" (mono) Columbia CL 892, near-mint vinyl in a good-only cardboard jacket with a strip of tape along top edge, still showing its small original "98" price tag. The back-up trombonists include Urbie Green and Jimmy Cleveland, bass trombonists Bart Varsalone and Tom Mitchell, with Hank Jones piano, Milt Hinton bass, and Osie Johnson drums. J.J Johnson and Kai Winding here introduce the trombonium, an upright valve trombone, as the octet offers Dizzy Gillespie's "Night in Tunisia," "The Continental," "You're My Thrill," and Rodgers & Hammerstein's "Surrey With the Fringe On Top," others. (Although small photo to bottom of rear panel surely indicates J.J. Johnson was of the African-American persuasion -- as we suspect Jimmy Cleveland was, as well -- Arnold Roth's art to front panel for some reason shows eight white guys. No one at Columbia could have picked up the phone and said "Yo, Arnie, looks great, but we need a few little adjustments, here"?) Reduced from $12. Cover art by Arnold Roth (illustrator).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Not a book but a 12-inch, 33-1/3 rpm stereo vinyl record album, Doughboy X4RS-9226 / 1001, very-good-plus vinyl with a few scuffs in a very-good jacket which (though it's been opened) still wears its original shrink-wrap, although with dampstain to bottom left of verso. In 1931 four young musicians who worked for Burrus Mills began playing an early morning radio show on a small radio station located in the Texas Hotel in Fort Worth. W. Lee O'Daniel, general manager of the flour mill, began announcing the program and originating it from the mil itself. The original Doughboys included Bob Wills, fiddle, and Milton Brown, vocals. From the early 1930s to the early 1950s, the Doughboys played a 15-minute program at 12:30 noon, five days a week, over a network of stations that covered Texas, Oklahoma, Arkansas, Louisiana and New Mexico. In 1936, the Doughboys traveled to Hollywood to appear with Gene Autry in his first musical cowboy movies for Republic Pictures, "Oh, Susannah" and "The Big Show." Cuts here include "A Fool Such As I," "Tennessee Waggoner," "San Antonio Rose," "When It's Round-Up Time in Heaven," and a Texas medley including "Red River Valley" and "Yellow Rose of Texas." Now reduced from $12.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Not a book but a 12-inch, 33-1/3 rpm iconic stereo vinyl Rock 'n Roll album, Wand WDS 657, very-good vinyl (some faint parallel scratches probably caused by placing and removing this disc in & out of its cardboard jacket) in a very good cardboard jacket. Recorded for $50 in a three-microphone studio in Portland, Oregon, the Kingsmen's version of Richard Berry's "Louie, Louie" was banned by Indiana governor Matthew E. Welsh, and may be the only rock 'n roll song to ever merit its own FBI file. In addition to "Louie Louie," the Portland, Oregon, garage band here also offers Lieber (sic) & Stoller's "Fever"; Berry Gordy & Janie Bradford's "Money"; Dessie Rozier's "Mashed Potatoes"; P. Medley & B. Russell's "Twist & Shout," etc.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Not a book but an unusual mid-fifties jazz and blues "Long Playing Microgroove" (mono) compilation album, Period LP SPL 302, very-good-plus heavy vinyl (has been played; no major problems) in a very-good-plus cardboard jacket which is starting to show some rub. Django Reinhardt & the "Hot Club" Quintet offer "Nuages" and the "Melodie au Crepuscule"; the Osie Johnson quintet & Orchestra offer "Osie's Oasis" and "Johnsons Whacks"; Josh White performs "Evil Hearted Me," Big Bill Broonzy offers "Baby, Please Don't Go," etc. Reduced from $16.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Not a book but a 12-inch, 33-1/3 rpm mono vinyl record, Liberty LRP 3122, near-mint vinyl in original plastic inner sleeve in a very-good-plus cardboard jacket which has suffered a small corner bang. Sandy Warner is our exotic cover girl, as usual. "Stranger In Paradise," "Hawaiian War Chant," "Martinique," "My Little Grass Shack," "Pagan Love Song," "Laura," and of course Denny's hit, "Quiet Village." Reduced from $25.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Not a book but a 12-inch, 33-1/3 rpm "stereo" (?) vinyl disc, a compilation on the Pickwick label, Pickwick SPC-3256, near-mint vinyl in a near-mint jacket, featuring "Rock the Joint," "Rock Around the Clock," "See You Later Alligator," Charles Calhoun's "Shake, Rattle & Roll" and "Flip Flop and Fly" (on which Calhoun shared songwriting credit with Lou Willie Turner), etc. Let us briefly consider the significance of Bill Haley and His Comets (or, as here, "the Comets.") Their early publicity and jacket notes showed no reticence about the fact that the band originally dubbed "Bill Haley and the Saddlemen" (1949-1952) introduced the new sound of "rock" (from Louis Jordan, Big Joe Turner, et al.) to their repertoire not out of any organic musical evolution, but simply because they found it got them more airplay than their original barn-dance playlist -- starting with their 1951 cover of Ike Turner's "Rocket 88," which then led to their 1952 release of "Rock the Joint." Switching to the Decca label, they had follow-up hits with Big Joe Turner's "Shake Rattle and Roll," and of course with "Rock Around the Clock," which was re-released to take advantage of the opening of the 1955 film "Blackboard Jungle." But this was not primarily a studio band, and Haley (1925-1981) -- once considered America's top cowboy yodeler -- long retained numbers like "Dance With the Dolly With the Hole in Her Stocking" in their stage show, surely confirming rock historian Nick Tosches' insistence that rock was NOT merely black music being played by white performers (though the Comets, like Elvis, certainly did cover their share of hits from the "Race Records" chart) but rather retained strong element of Western Swing. Lawrence Welk reported that when he first took his act to New York, the local promoter told him to drop his goofy onstage horseplay -- the bass player climbing up on his instrument and riding it like a pony, etc. But Welk found he got only a cool reception till he restored the stage antics, at which point his popularity boomed. Similarly, Haley's Comets -- especially acrobatic sax player Joey Ambrose and Marshall Lyle literally riding his string bass -- created a stage show that stayed popular in Europe long after America turned to the likes of Elvis Presley and Little Richard. Poorly researched jacket notes here by Robert Angus, editor, "Modern Hi Fi," begin with the claim that Haley wrote "Rock Around the Clock" -- actually properly credited on disc label here to M.C. Freedman-J. De Knight -- featured in the film Blackboard Jungle "that used Haley's recording as its theme." (The Richard Brooks film -- Glenn Ford, Sidney Poitier, Vic Morrow -- was in fact based on the novel of the same name by Evan Hunter -- also known as Ed McBain -- who'd quit teaching in disgust after two months at a vocational high school in the Bronx.) Said jacket notes spiral down from there, insisting rock and roll songs contain "coded messages . . . secret from the adult world." Whoa, dude! Reduced from $14.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Not a book but a 12-inch, 33-1/3 rpm, near-mint vinyl disc, Laurie Mastersound 2002 (the 1962 reissue, almost certainly mono) in a very-good cardboard jacket with only the most minor ringwear to reflective gold surface, but split open across the top. The foursome offer Pomus & Shuman's "A Teenager In Love" (of course), "I Wonder Why," "No One Knows," "Don't Pity Me," and, interestingly enough, Rodgers & Hart's "Where Or When." How long did it take those session producers to figure out the kids wanted ROCK 'N ROLL? (Actually, it took till exactly 1963-64, when American "talent developers" were shocked to see George Martin and the Beatles selling millions after refusing to fill their albums with covers of "Autumn Leaves" and "Red Sails in the Sunset.") Jacket notes by Dick Clark. Catalogs $150; here reduced from $32. …

paperback. Condition: Fine. 1 vol., 22 pages, LIKE NEW.