Thompson Jay Daniel (75 results)

Condition: very_good. Guillermo Nericcio García (illustrator). Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Condition: New.

Paperback. Condition: new. Paperback. Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchairs grunge aesthetic, the bands success has often been attributed to its imitation of North American grunge bands and associated Generation X stereotypes. Jay Daniel Thompson demonstrates that the album has greater musical and cultural significance than that framing suggests.This book argues that Frogstomp is culturally significant not only due to its international success, but because it suggested an impact of globalization on Australian music in the late 20th century and because of its eclectic, and little-discussed, array of pop culture influences. Through an engagement with Arjun Appadurais work on global cultural flows, scholarship on Australian 1990s popular culture and grunge music and textual analyses of both the albums track list and silverchairs live performances, Frogstomp is seen in a distinctive new light. Revisits Australian rock band Silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condition: Fine.

Paperback. Condition: New. Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchair's grunge aesthetic, the band's success has often been attributed to its imitation of North American grunge bands and associated Generation X stereotypes. Jay Daniel Thompson demonstrates that the album has greater musical and cultural significance than that framing suggests.This book argues that Frogstomp is culturally significant not only due to its international success, but because it suggested an impact of globalization on Australian music in the late 20th century and because of its eclectic, and little-discussed, array of pop culture influences. Through an engagement with Arjun Appadurai's work on 'global cultural flows', scholarship on Australian 1990s popular culture and grunge music and textual analyses of both the album's track list and silverchair's live performances, Frogstomp is seen in a distinctive new light.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchair's grunge aesthetic, the band's success has often been attributed to its imitation of North American grunge bands and associated Generation X stereotypes. Jay Daniel Thompson demonstrates that the album has greater musical and cultural significance than that framing suggests.This book argues that Frogstomp is culturally significant not only due to its international success, but because it suggested an impact of globalization on Australian music in the late 20th century and because of its eclectic, and little-discussed, array of pop culture influences. Through an engagement with Arjun Appadurai's work on 'global cultural flows', scholarship on Australian 1990s popular culture and grunge music and textual analyses of both the album's track list and silverchair's live performances, Frogstomp is seen in a distinctive new light.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Condition: New. In.

paperback. Condition: New.

Condition: New.

paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In.

Paperback. Condition: new. Paperback. Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchairs grunge aesthetic, the bands success has often been attributed to its imitation of North American grunge bands and associated Generation X stereotypes. Jay Daniel Thompson demonstrates that the album has greater musical and cultural significance than that framing suggests.This book argues that Frogstomp is culturally significant not only due to its international success, but because it suggested an impact of globalization on Australian music in the late 20th century and because of its eclectic, and little-discussed, array of pop culture influences. Through an engagement with Arjun Appadurais work on global cultural flows, scholarship on Australian 1990s popular culture and grunge music and textual analyses of both the albums track list and silverchairs live performances, Frogstomp is seen in a distinctive new light. Revisits Australian rock band Silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.

paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. 2025. paperback. . . . . .

Paperback. Condition: new. Paperback. Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchairs grunge aesthetic, the bands success has often been attributed to its imitation of North American grunge bands and associated Generation X stereotypes. Jay Daniel Thompson demonstrates that the album has greater musical and cultural significance than that framing suggests.This book argues that Frogstomp is culturally significant not only due to its international success, but because it suggested an impact of globalization on Australian music in the late 20th century and because of its eclectic, and little-discussed, array of pop culture influences. Through an engagement with Arjun Appadurais work on global cultural flows, scholarship on Australian 1990s popular culture and grunge music and textual analyses of both the albums track list and silverchairs live performances, Frogstomp is seen in a distinctive new light. Revisits Australian rock band Silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: New. Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchair's grunge aesthetic, the band's success has often been attributed to its imitation of North American grunge bands and associated Generation X stereotypes. Jay Daniel Thompson demonstrates that the album has greater musical and cultural significance than that framing suggests.This book argues that Frogstomp is culturally significant not only due to its international success, but because it suggested an impact of globalization on Australian music in the late 20th century and because of its eclectic, and little-discussed, array of pop culture influences. Through an engagement with Arjun Appadurai's work on 'global cultural flows', scholarship on Australian 1990s popular culture and grunge music and textual analyses of both the album's track list and silverchair's live performances, Frogstomp is seen in a distinctive new light.

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.