Ursula Strobele (77 results)

Hardcover. Condition: Fine. 1st. 127 pages, illustrations (chiefly colour); 28 cm. Parallel texts in English and German. Published in conjunction with an exhibition held at Berlinische Galerie, Landesmuseum fur moderne Kunst, Fotografie und Architektur, Berlin, April 15 to August 22, 2016. Firm binding, clean inside copy. *** "Erwin Wurm's works occupy a special position in contemporary art. His works, with which he explores the boundaries between sculpture, object and performance, are of great visual power, easily accessible and at the same time raise existential questions. Often they invite the viewer to participate or are a document of this interactive aspect. Central topics for him are questions about the constitution of reality and identity: To understand people as self-determined individuals is a fiction for Wurm. The central component of the volume will be Wurms Narrow House, which was shown at the 2011 Venice Art Biennale. Wurm built his parents' house true to detail - but narrowed to a width of just over a meter - and thus symbolizes the (small) bourgeoisie and the narrow-mindedness of a typical single-family home. Visitors can experience the narrowness of the province as they can squeeze through the house. The volume is supplemented by graphic works as well as the One Minute Sculptures, which are so central to Wurm's work: drawn instructions by the artist encourage people to adopt unusual, bizarre or amusing poses with the help of everyday objects and thus become a living sculpture themselves for a short time." - Publisher. *** CONTENTS: Foreword and acknowledgements, by Thomas Kohler; Erwin Wurm's One minute sculptures and other living artefacts, by Ursula Strobele; From Fabio getting dressed to the Drinking sculptures: shape and sheath in Erwin Wurm's oeuvre, by Anne Bitterwolf; Erwin Wurm's theatre of sculpture: visitors as actors, by Thomas Kohler. Size: 4to. Collectible.

Paperback. Condition: new. Paperback. I don't set rulesAn automatic lawnmower rings a bell, a balloon leaves a trace in the sand, a boat moves on barrels. Everything is on the move with Roman Signer (* 1938 in Appenzell)--randomly, one might assume, as insinuated by his statement? Not at all; the artist rather perceives sculpture as a processual description of a condition, and thus expands the usual three dimensions of objects by a fourth: time. Hence his works are also described as "time sculptures". He often uses explosives, water or movement as a resource, so as to be able to direct the experience of his artworks toward the experience of physical violence and speed. Such a method of working naturally generates a lot of interest from the audience, because it is quite reminiscent of those exciting and crackling archaic forces that seem to inhabit this anarcho-lab. But above all we love that violent roar and crack. Roman Signer's work has actually been exhibited internationally for quite a while, for instance at the 1987 documenta, the sculpture projects in Muenster in 1997, and in Hannover in 2000 at the Expo, as well as most recently in 2010 at Herrenhausen Gardens. The exhibition at Kestnergesellschaft thus shows a very well-known artist with his latest works that, in this volume accompanying a remarkable exhibition, delight us once again with the poetic quality of things and the grotesque aspects of everyday life.Exhibition Kestnergesellschaft Hanover, 23/8-4/11/2018 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: As New. Unread book in perfect condition.

Groß-8 °, cardboard edition. Condition: Gut. 200 pages, text in English, 90 illustrations, illustrated cover, still original welded, geschweißt, Marc (Mitwirkender) Ströbele Ursula (Mitwirkender) Weschler Lawrence (Mitwirkender) A Richly Illustred Compilation About Art and Artists in Motion, The Sense of Movement: When Artists Travel is a richly illustrated compilation about art and artists in motion. The publication examines the different motivations and destinations for artists about art history. From the long and often arduous trips of the RenaissanceMaler, which made itself the search for new topics and patrons, to contemporary artists, which - is always in motion - meanwhile in a globalized art world. The purpose and the importance of travel will be redesigned by any artist generation. On the basis of seventy outstanding projects with insightful comments and a wealth of color images, this publication transmits the enthusiasm and meaning as well as the artistic scope of artist travel. The Sense of Movement: When Artists Travel appears on the occasion of the BMW Art Journey, a global art initiative of Art Basel and BMW, the artists sends artists on creative discovery trips. Sprache: Englisch Gewicht in Gramm: 600.

Condition: New.

Condition: as new. Wie neu/Like new.

Hardback. Condition: New.

24 x 17 cm ; broschiert. Condition: Gut. 52 S. ; Paperbackausgabe, Text in deutscher und englischer Sprache, 52 Seiten mit zahlreichen Fotos. Gutes Exemplar (good Condition). hw1607.

Hardback. Condition: New.

Condition: New. 2019. paperback. . . . . .

Paperback. Condition: Brand New. 80 pages. French language. 8.27x5.90x0.39 inches. In Stock.

Condition: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condition: Neu. AUFGRUND DES GEWICHTES (über 1000 g) NUR ALS PÄCKCHEN (=5,00 ¤) zu versenden, andere Länder auf Anfrage! /DUE TO THE WEIGHT (over 1000 g) TO BE SHIPPED AS A PACKAGE ONLY (=¤5.00), other countries on request!t! 173 Seiten/pages, zweisprachig (deutsch/englisch, 96 Abbildungen/Illustrations, noch original eingeschweißt/still originally sealed Der in Berlin und New York lebende Terry Haggerty (*1970 in London) erschafft großformatige Gemälde, Zeichnungen und Wandmalereien, die das Vokabular der Abstraktion erweitern: In ihrer Reduktion auf meist monochrome Farbe und radikale Vereinfachung der Form entfalten seine Muster aus regelmäßigen Streifen und Linien auf flachem Malgrund die Illusion räumlich-geometrischer Objekte. Die technische Perfektion in der Ausführung steigert den Eindruck des Dreidimensionalen, und die Arbeiten erscheinen wie mechanisch hergestellt. Transcend zeigt die geniale Synthese des Künstlers zwischen dem Streben der Minimal Art nach einer konzeptionellen Ordnung und dem nüchteren Spiel mit Wahrnehmung und Augentäuschung in der Op-Art./ Terry Haggerty (*1970 in London), der in Berlin und New York lebt, schafft großformatige Gemälde, Zeichnungen und Wandgemälde, die das Vokabular der Abstraktion erweitern: In ihrer Reduktion auf meist monochrome Farbe und radikaler Vereinfachung der Form entfalten sich seine Muster Regelmäßige Streifen und Linien auf einer ebenen Malfläche erzeugen die Illusion räumlich-geometrischer Objekte. Die technische Perfektion in der Ausführung steigert den Eindruck der Dreidimensionalität und die Werke wirken wie maschinell hergestellt. Transcend zeigt die geniale Synthese des Künstlers zwischen dem Streben nach konzeptueller Ordnung in der Minimal Art und dem nüchternen Spiel mit Wahrnehmung und Augentäuschung in der Op Art. /The British artist Terry Haggerty (born 1970 in London), who lives in Berlin, creates large-format paintings, drawings and murals that expand the vocabulary of abstraction. In their reduction to mostly monochrome color and radical simplification of form, his patterns of regular stripes and lines on a flat painting surface create the illusion of spatial-geometric objects. The technical perfection in the execution increases the impression of three-dimensionality, and the works appear to be mechanically produced. Transcend shows the artist's ingenious synthesis between Minimal Art's striving for a conceptual order and the sober play with perception and optical illusion in Op Art. 176 pages, bilingual (german/english), 96 illustrations, still in original shrink-wrapped packaging, Sprache: Deutsch Gewicht in Gramm: 1050 4° (28x21,5 cm), gebundene Ausgabe.

Hardcover without dustjacket as issued, 146 pages; good condition, heavy 1-inch crease to covers and all pages at upper right corner; no internal marks. Foreign shipping may be extra.

4° (Quart), gebundene Auagabe. Condition: Gut. AUFGRUND DES GEWICHTES NUR ALS PÄCKCHEN (=derzeit 5,00 ¤ Porto) andere Länder auf Anfrage!, 176 Seiten, zweisprachig (deutsch/englisch), DUE TO THE WEIGHT (over 1000 g) TO BE SHIPPED AS A PACKAGE ONLY (=¤5.00), other countries on request!!, 96 Illustrationen, / 176 pages, bilingual (german/english), 96 illustrations. still original welded, Übersetzung: Amy J. Klement und Alexandra Titze-Grabec. / Transl.: Amy J. Klement and Alexandra Titze-Grabec. Der in Berlin lebende britische Künstler Terry Haggerty (*1970 in London) schafft großformatige Gemälde, Zeichnungen und Wandmalerei, die das Vokabular der Abstraktion erweitern: In ihrer Reduktion auf meist monochrome Farbe und radikale Vereinfachung der Form entfalten seine Muster aus regelmäßgen Streifen und Linien auf flachem Malgrund die Illussion räumlich-geometrischer Objekte. Die technische Perfektion in der Ausführung steigert den Eindruck des Dreidimensionalen, und die Arbeiten erscheinen wie mechanisch hergestellt. Transcend zeigt die geniale Synthese des Künstlers zwischen dem Streben der Minimal Art nach einer konzeptionellen Ordnung und dem nüchternen Spiel mit Wahrnehmung und Augentäuschung in der Op-Art. / The British artist Terry Haggerty (* 1970 in London), who lives in Berlin, creates large-format paintings, drawings and murals that expand the vocabulary of abstraction: in its reduction to mostly monochrome color and radical simplification of its form, its patterns unfold in regular stripes and lines flat painting the illusion of spatial-geometric objects. The technical perfection in the design enhances the impression of the three-dimensional, and the works appear as mechanically produced. Transcend shows the ingenious synthesis of the artist between the pursuit of Minimal Art for a conceptual order and the sober play with perception and eye illusion in Op Art. Sprache: Deutsch Gewicht in Gramm: 1050.

Softcover. Condition: Sehr gut. 1. Auflage. Z: 200 pp., 90 ills. - A richly illustrated compilation about art and artists in motion, The Sense of Movement: When Artists Travel surveys the countless motivations and destinations that have defined the intersection of art and travel through art history. From Renaissance painters lengthy and often arduous journeys in search of new subjects and patrons , to today s constant movement of artists through a globalized art world, the purpose and meaning of travel have been reconfigured anew in the imaginations of each successive generation of artists. Highlighting seventy iconic projects with insightful commentary and an abundance of color illustrations, this book conveys the excitement and meaning, as well as the artistic significance of artists journeys.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 15 x 21 cm, 80 Seiten mit 40 farbigen Abbildungen. - Der Künstler begreift Skulptur als prozessuale Zustandsbeschreibung und erweitert so die gewohnten drei Dimensionen der Objekte um eine vierte: die Zeit. Ein Umstand, der seinen Arbeiten die Bezeichnung »Zeitskulptur« eingebracht hat.

Condition: Neuf.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. 352 pages. 9.45x6.69x0.67 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Paperback. Condition: new. Paperback. I don't set rulesAn automatic lawnmower rings a bell, a balloon leaves a trace in the sand, a boat moves on barrels. Everything is on the move with Roman Signer (* 1938 in Appenzell)--randomly, one might assume, as insinuated by his statement? Not at all; the artist rather perceives sculpture as a processual description of a condition, and thus expands the usual three dimensions of objects by a fourth: time. Hence his works are also described as "time sculptures". He often uses explosives, water or movement as a resource, so as to be able to direct the experience of his artworks toward the experience of physical violence and speed. Such a method of working naturally generates a lot of interest from the audience, because it is quite reminiscent of those exciting and crackling archaic forces that seem to inhabit this anarcho-lab. But above all we love that violent roar and crack. Roman Signer's work has actually been exhibited internationally for quite a while, for instance at the 1987 documenta, the sculpture projects in Muenster in 1997, and in Hannover in 2000 at the Expo, as well as most recently in 2010 at Herrenhausen Gardens. The exhibition at Kestnergesellschaft thus shows a very well-known artist with his latest works that, in this volume accompanying a remarkable exhibition, delight us once again with the poetic quality of things and the grotesque aspects of everyday life.Exhibition Kestnergesellschaft Hanover, 23/8-4/11/2018 Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.

Condition: As New. Unread book in perfect condition.