Verona (Over 4,100 results)

Hardback. Condition: Good. Open your senses to a world of wonder by taking a walk along the beach! Set off on an adventure and find natural treasures, from spiraled seashells to discarded mermaid's purses. Then learn more about the marine plants and creatures in this fact-filled guide to the outdoors. Verona, Jesus (illustrator).…

Hardback. Condition: Fair. Open your senses to a world of wonder by taking a walk along the beach! Set off on an adventure and find natural treasures, from spiraled seashells to discarded mermaid's purses. Then learn more about the marine plants and creatures in this fact-filled guide to the outdoors. Verona, Jesus (illustrator).…

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. Verona, Jesus (illustrator). …

Paperback. Condition: Good. "Midnight on Beacon Street is a lot of things. It's a taut thriller about a babysitter and two kids surviving one weird night. It's a celebration of classic horror movies. It's a creepy narrative that involves a ghost and late night home break-ins. And, most important, it's a lot of fun. . . Verona plays with home invasion tropes by delivering a tale with multiple breaches, each offering differing types of frights. . . With its feverish pacing and startling plot twists, this is an impressive debut." -- New York Times Book Review "My nineties heart was warmed and thrilled by Emily Ruth Verona's debut novel, Midnight on Beacon Street. The shade of Shirley Jackson haunts this page-turner, which abounds in classic horror movie references, both revisiting and critiquing the tale of a babysitter left alone with kids she may or may not be able to protect. I loved every minute of it." --Polly Stewart, author of The Good Ones A suspenseful and entertaining debut thriller--and love letter to vintage horror movies--in which a teenager must overcome her own anxiety to protect the two children she's babysitting when strangers come knocking at the door. October 1993. One night. One house. One dead body. When single mom Eleanor Mazinski goes out a for a much-needed date night, she leaves her two young children--sweet, innocent six-year-old Ben and precocious, defiant twelve-year-old Mira--in the capable hands of their sitter, Amy. The quiet seventeen-year-old is good at looking after children, despite her anxiety disorder. She also loves movies, especially horror flicks. Amy likes their predictability; it calms the panic that threatens to overwhelm her. The evening starts out normally enough, with games, pizza, and dancing. But as darkness falls, events in this quaint suburban New Jersey house take a terrifying turn--unexpected visitors at the door, mysterious phone calls, and by midnight, little Ben is in the kitchen standing in a pool of blood, with a dead body at his feet. In this dazzling debut novel, Emily Ruth Verona moves back and forth in time, ratcheting up suspense and tension on every page. Chock-full of nods to classic horror films of the seventies and eighties, Midnight on Beacon Street is a gripping thriller full of electrifying twists and a heartwarming tale of fear and devotion that explores our terrors and the lengths we'll go to keep our loved ones safe. …

Paperback. Condition: Very Good. "Midnight on Beacon Street is a lot of things. It's a taut thriller about a babysitter and two kids surviving one weird night. It's a celebration of classic horror movies. It's a creepy narrative that involves a ghost and late night home break-ins. And, most important, it's a lot of fun. . . Verona plays with home invasion tropes by delivering a tale with multiple breaches, each offering differing types of frights. . . With its feverish pacing and startling plot twists, this is an impressive debut." -- New York Times Book Review "My nineties heart was warmed and thrilled by Emily Ruth Verona's debut novel, Midnight on Beacon Street. The shade of Shirley Jackson haunts this page-turner, which abounds in classic horror movie references, both revisiting and critiquing the tale of a babysitter left alone with kids she may or may not be able to protect. I loved every minute of it." --Polly Stewart, author of The Good Ones A suspenseful and entertaining debut thriller--and love letter to vintage horror movies--in which a teenager must overcome her own anxiety to protect the two children she's babysitting when strangers come knocking at the door. October 1993. One night. One house. One dead body. When single mom Eleanor Mazinski goes out a for a much-needed date night, she leaves her two young children--sweet, innocent six-year-old Ben and precocious, defiant twelve-year-old Mira--in the capable hands of their sitter, Amy. The quiet seventeen-year-old is good at looking after children, despite her anxiety disorder. She also loves movies, especially horror flicks. Amy likes their predictability; it calms the panic that threatens to overwhelm her. The evening starts out normally enough, with games, pizza, and dancing. But as darkness falls, events in this quaint suburban New Jersey house take a terrifying turn--unexpected visitors at the door, mysterious phone calls, and by midnight, little Ben is in the kitchen standing in a pool of blood, with a dead body at his feet. In this dazzling debut novel, Emily Ruth Verona moves back and forth in time, ratcheting up suspense and tension on every page. Chock-full of nods to classic horror films of the seventies and eighties, Midnight on Beacon Street is a gripping thriller full of electrifying twists and a heartwarming tale of fear and devotion that explores our terrors and the lengths we'll go to keep our loved ones safe.…

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Verona, Jesus (illustrator).…

Hardback. Condition: Very Good. Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much.".…

Hardback. Condition: Good. Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much.".…

Hardback. Condition: Good. Perfect for gifting, this activity book features fifty-two seasonal activities that families and friends can enjoy together. Make every Sunday a fun day with an amazing activity to keep you busy each weekend of the year. From gardening projects and obstacle courses to creative crafts and recipes, there's something fun to do no matter what the weather is. Packed with fifty-two seasonal activities for all ages, this book will be sure to make every weekend a fantastic one. Verona, Jesus (illustrator).…

Paperback. Condition: Good. The cover shows normal wear. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations.

Condition: good. The book has been read but is in good condition. It has very minimal damage to the cover, including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. The binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, and no writing in the margins. There are no missing pages. See the seller's listing for full details and a description of any imperfections. Verona, Jesus (illustrator).…

Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Verona, Jesus (illustrator).

Hardback. Condition: Good. Open your senses to a world of wonder by taking a walk through the woods! Set off on an outdoor adventure and find natural treasures, from prickly pine cones to swirly snails' shells, then learn more about the plants and creatures of the forest in this fact-filled guide to the outdoors. Verona, Jesus (illustrator).…

Hardback. Condition: Good. Open your senses to a world of wonder by taking a walk along the beach! Set off on an adventure and find natural treasures, from spiraled seashells to discarded mermaid's purses. Then learn more about the marine plants and creatures in this fact-filled guide to the outdoors. Verona, Jesus (illustrator).…

Hardback. Condition: Fair. Open your senses to a world of wonder by taking a walk along the beach! Set off on an adventure and find natural treasures, from spiraled seashells to discarded mermaid's purses. Then learn more about the marine plants and creatures in this fact-filled guide to the outdoors. Verona, Jesus (illustrator).…

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: Very Good. "Midnight on Beacon Street is a lot of things. It's a taut thriller about a babysitter and two kids surviving one weird night. It's a celebration of classic horror movies. It's a creepy narrative that involves a ghost and late night home break-ins. And, most important, it's a lot of fun. . . Verona plays with home invasion tropes by delivering a tale with multiple breaches, each offering differing types of frights. . . With its feverish pacing and startling plot twists, this is an impressive debut." -- New York Times Book Review "My nineties heart was warmed and thrilled by Emily Ruth Verona's debut novel, Midnight on Beacon Street. The shade of Shirley Jackson haunts this page-turner, which abounds in classic horror movie references, both revisiting and critiquing the tale of a babysitter left alone with kids she may or may not be able to protect. I loved every minute of it." --Polly Stewart, author of The Good Ones A suspenseful and entertaining debut thriller--and love letter to vintage horror movies--in which a teenager must overcome her own anxiety to protect the two children she's babysitting when strangers come knocking at the door. October 1993. One night. One house. One dead body. When single mom Eleanor Mazinski goes out a for a much-needed date night, she leaves her two young children--sweet, innocent six-year-old Ben and precocious, defiant twelve-year-old Mira--in the capable hands of their sitter, Amy. The quiet seventeen-year-old is good at looking after children, despite her anxiety disorder. She also loves movies, especially horror flicks. Amy likes their predictability; it calms the panic that threatens to overwhelm her. The evening starts out normally enough, with games, pizza, and dancing. But as darkness falls, events in this quaint suburban New Jersey house take a terrifying turn--unexpected visitors at the door, mysterious phone calls, and by midnight, little Ben is in the kitchen standing in a pool of blood, with a dead body at his feet. In this dazzling debut novel, Emily Ruth Verona moves back and forth in time, ratcheting up suspense and tension on every page. Chock-full of nods to classic horror films of the seventies and eighties, Midnight on Beacon Street is a gripping thriller full of electrifying twists and a heartwarming tale of fear and devotion that explores our terrors and the lengths we'll go to keep our loved ones safe.…

Paperback. Condition: Good. "Midnight on Beacon Street is a lot of things. It's a taut thriller about a babysitter and two kids surviving one weird night. It's a celebration of classic horror movies. It's a creepy narrative that involves a ghost and late night home break-ins. And, most important, it's a lot of fun. . . Verona plays with home invasion tropes by delivering a tale with multiple breaches, each offering differing types of frights. . . With its feverish pacing and startling plot twists, this is an impressive debut." -- New York Times Book Review "My nineties heart was warmed and thrilled by Emily Ruth Verona's debut novel, Midnight on Beacon Street. The shade of Shirley Jackson haunts this page-turner, which abounds in classic horror movie references, both revisiting and critiquing the tale of a babysitter left alone with kids she may or may not be able to protect. I loved every minute of it." --Polly Stewart, author of The Good Ones A suspenseful and entertaining debut thriller--and love letter to vintage horror movies--in which a teenager must overcome her own anxiety to protect the two children she's babysitting when strangers come knocking at the door. October 1993. One night. One house. One dead body. When single mom Eleanor Mazinski goes out a for a much-needed date night, she leaves her two young children--sweet, innocent six-year-old Ben and precocious, defiant twelve-year-old Mira--in the capable hands of their sitter, Amy. The quiet seventeen-year-old is good at looking after children, despite her anxiety disorder. She also loves movies, especially horror flicks. Amy likes their predictability; it calms the panic that threatens to overwhelm her. The evening starts out normally enough, with games, pizza, and dancing. But as darkness falls, events in this quaint suburban New Jersey house take a terrifying turn--unexpected visitors at the door, mysterious phone calls, and by midnight, little Ben is in the kitchen standing in a pool of blood, with a dead body at his feet. In this dazzling debut novel, Emily Ruth Verona moves back and forth in time, ratcheting up suspense and tension on every page. Chock-full of nods to classic horror films of the seventies and eighties, Midnight on Beacon Street is a gripping thriller full of electrifying twists and a heartwarming tale of fear and devotion that explores our terrors and the lengths we'll go to keep our loved ones safe. …

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Verona, Jesus (illustrator).

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Verona, Jesus (illustrator).

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Verona, Jesus (illustrator).

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Verona, Jesus (illustrator).

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Verona, Jesus (illustrator).

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Verona, Jesus (illustrator).

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Verona, Jesus (illustrator).

Hardback. Condition: Very Good. Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much.".…

Hardback. Condition: Good. Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much.".…

Hardback. Condition: Good. Perfect for gifting, this activity book features fifty-two seasonal activities that families and friends can enjoy together. Make every Sunday a fun day with an amazing activity to keep you busy each weekend of the year. From gardening projects and obstacle courses to creative crafts and recipes, there's something fun to do no matter what the weather is. Packed with fifty-two seasonal activities for all ages, this book will be sure to make every weekend a fantastic one. Verona, Jesus (illustrator).…

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. Verona, Jesus (illustrator). …