Seller: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Association Member: IOBA
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Dust Jacket. First Edition. 1st printing of English-language edition. Binding is tight, sturdy, and square; boards and text also very good+. DJ has light rubbing, in very good overall shape. Ships from Dinkytown in Minneapolis, Minnesota.
Language: English
Published by Amadeus Press, Portland, OR, U.S.A., 1989
ISBN 10: 0931340195 ISBN 13: 9780931340192
Seller: Alphaville Books, Inc., Hyattsville, MD, U.S.A.
Hard Cover. Condition: Near Fine.
Language: English
Published by Amadeus Press, Portland, Oregon, U.S.A., 1989
ISBN 10: 0931340195 ISBN 13: 9780931340192
Seller: Sarah Zaluckyj, KINGTON, United Kingdom
US$ 11.06
Quantity: 1 available
Add to basketHardcover. Condition: Very Good +. Dust Jacket Condition: Dustjacket Very Good +. 215 pages. Dark grey background dustjacket which has light wear to edges and corners. Very clean navy-blue hardback binding with slight wear to spine-ends and boards' corners. Pages very clean.
Language: English
Published by Amadeus Press, Portland, OR, 1989
ISBN 10: 0931340195 ISBN 13: 9780931340192
Seller: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Hardcover in dust jacket. Mild shelf wear to jacket. Otherwise clean, tight, and unmarked -- a sound copy.
Language: English
Published by Portland, Oregon : Amadeus Press, 1989, 1989
ISBN 10: 0931340195 ISBN 13: 9780931340192
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 215 p. : ill. ; 24 cm. ; ISBN: 0931340195; 9780931340192 LCCN: 89-45 ; LC: ML410.M61; Dewey: 782.1/092/4; B ; OCLC: 19125169 ; black cloth in pictorial dustjacket ; "At the time of his death, Meyerbeer was among the most successful of operatic composers.yet his reputation has faded quickly, in part due to the fashionable anti-Semetismof the later 19th century.In recent years, critics have begun to re-evaluate Meyerbeer, recognizing both his musical craftsmanship and the dramatic sense that wa to be of tremendous influence on later composers of opera." ; FINE/FINE. Book.
Published by MIT Press, 2004
Seller: Compass Rose Books, ABAA-ILAB, Kensington, CA, U.S.A.
First Edition Signed
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. A Very Fine hardcover copy in pale tan paper covered boards, in a novel shaped dustwrapper. This copy INSCRIBED by Gehry "with LOVE" on the half title page. Essays by Horst Bredekampl, Rene Daaider, and Mark Rappolt. Commentary by Frank Gehry, Edwin Chan, and Craig Webb. 540pp with a wealth of illustrations, linking the drawings to the projects developed from them. Gehry thinks creatively with his pencil. Q03916. Signed by Author(s).
Published by MIT Press / Violette Press, Cambridge, MA, 2004
Seller: Michael J. Toth, Bookseller, ABAA, Springtown, PA, U.S.A.
First Edition Signed
Hard Cover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Bound in tan boards, in "artsy" dust jacket. Boldly signed on the title page by Geary. 544 pp. Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 29 major projects, providing a privileged view of the creative practice of a master architect. More than 360 drawings (most of which are previously unpublished) and more than 400 additional illustrations chart the evolution of Gehry images from marks on the page to three-dimensional models to completed buildings. Editors note: Mark Rappolt and Robert Violette -- Frank Gehry and the art of drawing / Horst Bredekamp -- Frank Gehry: foreshadowing the twenty-first century / Rene Daalder -- Detectives, jigsaw puzzles, and DNA / Mark Rappolt -- Project 01 / Winton Guest House, Wayzata, Minnesota -- Project 02 / Gehry residence, Santa Monica, California -- Project 03 / Frederick R. Weisman Art Museum, Minneapolis, Minnesota -- Project 04 / Nationale-Nederlanden Building, Prague, Czech Republic -- Project 05 / Lewis residence, Lyndhurst, Ohio -- Project 06 / Guggenheim Museum, Bilbao, Spain -- Project 07 / Vontz Center for Molecular Studies, University of Cincinnati, Ohio -- Project 08 / Der Neue Zollhof, Du sseldorf, Germany -- Project 09 / Experience music project, Seattle, Washington -- Project 10 / Conde Nast Cafeteria, New York, New York -- Project 11 / DZ Bank Building, Berlin, Germany -- Project 12 / Peter B. Lewis Building, Weatherhead School of Management, Case western Reserve University, Cleveland, Ohio -- Project 13 / Richard B. Fisher Center for the Performing Arts, Bard College, Annandale-on-Hudson, New York -- Project 14 / Hotel at Marques de Riscal, Elciego, Spain -- Project 15 / Le Clos Jordanne, Lincoln, Ontario, Canada -- Project 16 / Maggie's Centre, Ninewalls NHS Hospital, Dundee, Scotland -- Project 17 / Samsung Museum of Modern Art, Seoul, South Korea -- Project 18 / MARTa Herford, Herford, Germany -- Project 19 / Walt Disney Concert Hall, Los Angeles, California -- Project 20 / The Ray & Maria Stata Center, Massachusetts Institute of Technology, Cambridge, Massachusetts -- Project 21 / Corcoran Gallery & School of Art, Washington, D.C. -- Project 22 / The New York Times Headquarters, New York, New York -- Project 23 / Ohr-O'Keefe Museum, Biloxi, Mississippi -- Project 24 / Museum of Tolerance, Jerusalem, Center for Human Dignity, a Project of the Simon Wiesenthal Center, Jerusalem, Israel -- Project 25 / Sculptural study -- Project 26 / Astor Place Hotel, New York, New York -- Project 27 / Venice Gateway, Marco Polo Airport, Venice-Tessera, Italy -- Project 28 / Puente de Vida: Panama Museum of Biodiversity, Panama City, Panama -- Project 29 / The Lewis Library, Princeton University, Princeton, New Jersey -- Project credits. Size: 4to - over 9¾" - 12" tall. Signed by Author.
Published by MIT Press, Cambridge [MA], 2004
Seller: Expatriate Bookshop of Denmark, Svendborg, Denmark
orig.boards. 25x15cm, 544 pp, An ink mark to top page-edge. "Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of thinking aloud; Gehry Draws traces that thinking through 29 major projects, providing a privileged view of the creative practice of a master architect. More than 360 drawings (most of which are previously unpublished) and more than 400 additional illustrations chart the evolution of Gehry's images from marks on the page to three- dimensional models to completed buildings. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of disegno, as practised by Leonardo and Durer - not only the act of drawing and modelling, but also the dynamics of creative thinking. Gehry himself describes his method for Bredekamp in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions. Virtual-reality filmmaker Rene Daadler and writer Mark Rappolt return this discussion to the twenty-first century, looking at, among other things, analog methods in the digital world of contemporary architecture. Gehry Draws is produced in collaboration with Frank Gehry and his team at Gehry Partners. Project synopses and commentary by Gehry and two of his Partners and Project Designers, Edwin Chan and Craig Webb, guide us through the full range of Gehry production, from the small details of window design to such large- scale undertakings as the Walt Disney Concert Hall and the Guggenheim Museum in Bilbao. T" - Publisher's description. Minor rubbing. A scratch to rear cover. VG.